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i am not certain if this is the correct place for this inquiry, however.....
i was asked to shoot an entertainment event at a local restaurant. i am going down there this evening around the same time as the event later this week; Thursday 8pm. it will be indoors, mixed crowd of people, and some "big" names in the music and entertainment indusrty(or so i'm told). i will be using my d300, sb900 flash. i plan to grab a flexi-reflector this afternoon, as i have mine loaned out. as for glass, i have a 50, 28, 18-200, 105macro, 70-300. my questions are: what prep work should i be doing? what more gear should i acquire? any glass i should buy/rent/borrow? any tips for making a fun and successful evening? any settings tips? thanks in advance, Aaron |
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Good advice above from Dave on your lens choices. Shoot RAW, bounce your flash, use a plastic dome on your flash
And, how would you use this?? i plan to grab a flexi-reflector this afternoon, as i have mine loaned out
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com Last edited by autofocus; 10-04-2011 at 07:40 PM. |
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yes, good advice from all. thank you.
i would use the reflector to block light from flash to subject, rotate flash head to bounce off wall. going to scout the place this evening, discuss with owner permissions, conditions, and layout. a friend who has a fairly elaborate setup just got into the celeb game and surf shooting and ALL he does is leave it on P. he doesnt know squat about composition, DOF, rule of 3rds...all he cares about is focus. i tell him theres more and its fun to understand about controlling more; like motion/blur, framing, removing clutter etc.... but he gets some okay shots and markets them well. this is what frustrates ME though. spent like $12k on gear, spent $0 on education. 0 time with a mentor. whatever, to each their own, but im starting get the feeling, higher end rigs should be sold to people with "photo licenses" similarly like driving; prove them skills first....but that's just my envious ass hating on his "success". also, looking into renting 17-55 and maybe flash too, and get an assistant to help. will know more about size of venue, color and angle of walls, ceiling height, type of lighting available. oh, and i almost always shoot in RAW+jpeg, never saw a reason not to. thank you for all the advice, very helpful. Aaron Last edited by Heavy Surf Advisory; 10-04-2011 at 10:43 PM. Reason: adding info vs posting again |
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Shoot in RAW for sure.
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Chris Adval: Learning Model Photography Website & Blog | Facebook Fanpage | Facebook | Twitter | Flickr | 500px | Gear Page | Model Mayhem Profile | Like my portrait/model photography critiques? Want more or one of your own? Submit some photos to me here and it will be featured on my blog! | Want your photos get Honest Constructive Critiques in Model Photography? Check out my Flickr Group here! |
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Those lenses are kit lenses and not have the low f-stop. I'd leave them at home too. No, higher up rigs should be sold only to those who actually know and understand photography.
If you have experience and knowledge you can get by and shoot perfectly good images with what equipment you currently have. There's no reason to shoot in RAW plus Jpeg as capturing both is a waste of space on your cards. RAW would give your more latitude in exposures.
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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