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I sure hope I will eventually find someone kind enough to give me a chance. But until then, I plan on taking some courses in the summer when I get my Canon DSLR. |
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I hire assistants constantly. I'd die if the well ran dry. Assistance are a huge help in this industry as are second shooters. Heck I'm the owner of The Image Group Photography and I still second shoot for other photographers. I love to shoot, and if I can shoot and not have to worry about all of the business at the end of the day than it's been a great day for me. All of my photographers were at one time assistance and second shooters. I wouldn't have it any other way.
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Some states and major cities have PPA (Professional Photography Association) clubs and the one in my city has a sign-up sheet for people interested in assisting. You might join a meeting to see if your's does.
It's been several years since I've assisted now but I used to earn about $10 an hour for weddings. So I usually came home with about $80-100 in my pocket. |
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Thanks for the info. This is something I hadn't thought of before.
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Canon EOS 40D, 400D (EF 75-300mm, EFS 18-55mm, Sigma 50-200mm, Canon EF 70-200mm f/2.8L) Earth Home Construction Project Site: Stockton Underground Also: Photos @ Google and Photos @ Flickr |
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working as an assistent for a photographer sounds great, a fun and good way to learn... but I wouldn't know how to find a photographer who would want me around them to 'help'... I'm so much of a beginner (I think) that I wouldn't be much of a helper...what do the assistants do?
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IcyMirage,
When I was a beginner assitant, I did a minimum of shooting (if at all). Of course that was back in the "film" days (do you know what "film" is?) and it was expensive to have a second shooter because you still had to cover film and processing. Mostly I juggled cameras, followed the pro around with the equipment and assisted with lighting (holding reflectors). But the advantage was to get to see the pro in action. I learned more by getting to see what the various pros did for posing, angles, how they handled different lighting and difficult situations and how they interacted with the subjects. There's no better training than hand-on training but shadowing is definately the next best thing. And of course, once you become more comfortable photographing, you can always work as a second shooter. |
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I worked as a photographers assistant under www.PeterCuttsPhotography.com it was an hourly rate and definetly a lot of fun. There's no better way to learn about photography!
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