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As some of you may remember, I've recently changed my business.
Last year I did the session + high res CD thing, this year I've decided, no more! Too many people are printing my stuff at low-quality labs, and I can only imagine that people are re-editing my work (badly) and then giving me the "credit" for the photo.. gah! So this year I'm moving to prints! I still sell the digital files and high-res CDs, but for an outrageous cost (though not as outrageous as some prices I've seen), to motivate people to buy the prints rather than get the digital files. Anyway my clients seem quite unhappy with my new setup, because they all want the high-res CDs. So far I've held my ground, but sometimes I wonder if I did the right thing...
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Gear: Nikon D80, Nikon D300s, Sony Cybershot W7, Canon G12 | Nikkor 18-135mm f3.5-5.6 AF, Nikkor 50mm f1.8 AF, 50mm f1.8 MF, Nikkor 70-300mm f4.5-5.6 AF VR, Tamron 28-75mm f2.8 AF, Nikkor 24-70mm f/2.8 AF, Nikkor 35mm f1.8 | SB-600 Speedlight Online Galleries: Website | Facebook | Picasa |
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only tme will tell..
Just remember it will take some time to break into the new "circle" of people who don't mind prints. You are efectivley leaving the past clients and the referrals that they generate behind you. Remember that all youre referrals will be from people who had the CD and it's likley their friends will want the CD too. You wil also need to ask yourself... Is your "Art" so important to you that you are willing to lose money to protect it, or are you creating the images for peoples enjoyment and to make a profit. just my 0.02
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http://www.flashpointphotography.co.nz/ |
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Stick by your guns. When we do a wedding for $3450.00, our clients get a disk full of 300 images to do what they want.
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url:www.jimbryantphotography.com http://pa.photoshelter.com/c/jimbryant http://jimbryantphotography.blogspot.com/ (3) EOS1D MKIIs', (1) EOS1Ds MKII, 14mmf2.8, 16-35mmf2.8, 28-70mmf2.8, 70-200mm f2.8, 300mm f2.8 and a 400mmf2.8. |
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I think you identified one of the major flaws in the policy of offering high rez disks as you so well discovered below:
Too many people are printing my stuff at low-quality labs, and I can only imagine that people are re-editing my work (badly) and then giving me the "credit" for the photo.. gah! It may be a tough precedent to break away from, but in the long run you'll be better off for doing it.
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Vince "...the law of unintended consequences, sometimes, you get a truly memorable photograph" Gear: Canon G2, Canon 20D, Nikon D300...bunch of lenses http://www.flickr.com/photos/20127329@N06/ www.montalbanophotography.com Last edited by autofocus; 02-07-2011 at 07:58 PM. |
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Thanks Jim... I include the disc of high-res images with my weddings too, but shouldn't people buy prints just for some shots of their families?
I mean, around here, Sears will charge you $200 for about 13 UNedited images, that are mediocre at best, so to me, this means that the photogs that charge $200 for fully edited images, and about 30-40 on a disc are HIGHLY undercharging.
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Gear: Nikon D80, Nikon D300s, Sony Cybershot W7, Canon G12 | Nikkor 18-135mm f3.5-5.6 AF, Nikkor 50mm f1.8 AF, 50mm f1.8 MF, Nikkor 70-300mm f4.5-5.6 AF VR, Tamron 28-75mm f2.8 AF, Nikkor 24-70mm f/2.8 AF, Nikkor 35mm f1.8 | SB-600 Speedlight Online Galleries: Website | Facebook | Picasa |
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Quote:
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Gear: Nikon D80, Nikon D300s, Sony Cybershot W7, Canon G12 | Nikkor 18-135mm f3.5-5.6 AF, Nikkor 50mm f1.8 AF, 50mm f1.8 MF, Nikkor 70-300mm f4.5-5.6 AF VR, Tamron 28-75mm f2.8 AF, Nikkor 24-70mm f/2.8 AF, Nikkor 35mm f1.8 | SB-600 Speedlight Online Galleries: Website | Facebook | Picasa |
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Quote:
Just saying - if you think it will stop copyright violations, you're wrong. |
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So... you think I should stay with the high-res CD only?
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Gear: Nikon D80, Nikon D300s, Sony Cybershot W7, Canon G12 | Nikkor 18-135mm f3.5-5.6 AF, Nikkor 50mm f1.8 AF, 50mm f1.8 MF, Nikkor 70-300mm f4.5-5.6 AF VR, Tamron 28-75mm f2.8 AF, Nikkor 24-70mm f/2.8 AF, Nikkor 35mm f1.8 | SB-600 Speedlight Online Galleries: Website | Facebook | Picasa |
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