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I personally would provide them quality edits. Do I want people to see flat unprocessed RAW files and think that's what they'll get? Nope.
100 photos can be trimmed down to the best 30, then they can be quickly edited to a decent proofing standard then going back to the ones chosen by the client and editing them to final. That's how I'd do it anyway. |
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I actually have mine printed out to 4x6 size and I sit down with client and have them choose the ones they want (for the quantity they have selected in their package). It means I control the final result (editing, printing) and it means that the client never gets my proofs in some way or another, meaning less possibility for theft.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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OS-- do you edit the pics before printing the 4x6s? How many do you print? I like that idea. How long do you spend with the client while they are choosing? Also, how much do you charge for prints? Or rather, what do you think I should charge for standard size images? Nick-- I totally agree with you that I don't want people to see pics that aren't colour corrected etc. That's why I always edit them and then give the images!
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Send the proofs home - and they'll just run down to somewhere that doesnt care about copyrights, and print them off. Not kidding - I watched a CVS employee help a woman copy an obvious school photo. She even helped her crop out the "Olan Mills" on the bottom so it wouldnt show. |
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Metric - Do you have a pro lab? most pro labs have good prices on "proof" sizing
I print proofs to show the customer too and find that the customers can take them home on hte day. I either have it built into the packaage that they can choose X ammount of proofs to take, give them a price on teh day for the whole set or x number of the set, or if they spend enough on prints to warrant it i just give them the proofs. Any unused proof can be used in a portfolio. The other good thing about showing hard copy proofs is selling time, you can gush over how cute the kids look and remind them that granny needs print etc. With an online gallery it is harder to convert views in to sales. Last edited by lonni; 10-22-2010 at 01:08 AM. |
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1: I edit the images in that I convert them from RAW to JPG, but not much else beyond that. They get basic colour correction, framing, some editing. Anything beyond that gets done once they've chosen the ones they want. 2: I print as many as the contract specifies. My contract always states how many images the client is expected to choose from. Depending on the shoot, anywhere from 10 to 100. 3: I spend as long with the client as necessary, but I try to keep it to an hour at most. 4: How much you charge for prints depends on your location and your overall pricing scheme. I do have standard price lists, but yours will depend on location and what others around you are charging. 5: The clients do not keep the proofs (they're watermarked with "PROOF", for one). I have the prints done at a local lab that does all my printing as I have my system calibrated to their printer settings. It's a national chain here in Canada, but I won't say which.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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I use an online gallery with about 30 fully edited images. I wasn't watermarking them, but then I realized that clients were taking them from the gallery (even though I disabled right click), and had them up on Facebook before they even ordered. I also realized that their family members were getting them and making prints. So now I watermark right across the middle. I am considering doing the actual print proofs as well, but it just seems like it would take so much more time! And a lot of my clients are an hour away, so an extra meeting isn't practical.
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