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Shoot First, Focus Later - New Technology on the horizon.
Here's a link from the NY Times where there is a new technology for digitals where you can shoot first and then select focal point AFTER the shot! On the Times page, there are a set of two photos showing different focus points, and then there is an interactive picture where YOU can change focal points. Really wild stuff! NY Times I'm also, because I think the Times limites (# of days) the article is accessible online, here is a PDF of the same article. I had to make it a zip file because I couldn't get the PDF to upload (file size constraints). If any PDF aficionado's know how to optimize and reduce file sizes, GO FOR IT! Enjoy, and I'm looking forward to the discussion. Gary
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I was just about to come and post this myself. This is unbelievably cool, if it does work as well as shown.
Here's a non-Times link, by the way: Start-Up Lytro Aims to Sharpen Focus of Entire Camera Industry - Ina Fried - News - AllThingsD Revolutionizing the entire camera industry really would not be an overstatement if this can really work as shown. I wonder what the downsides to it are? There are ALWAYS downsides to anything that sounds too good to be true.
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Nikon D80 / 18-55mm VR f/3.5-5.6 / 55-200mm f/4-5.6 / 50mm f/1.8 / SB-400 Flickr Photostream / Photosynth Panoramas / 500px Portfolio |
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Similar to this is focusing. Sure, there's an art to it, and obviously there are people who are incredibly skilled at it. However, even experts can get an out of focus shot -- if that shot is of a one time event, that photo is gone forever. Removing that obstacle can only be a good thing. It removes one more variable to worry about when shooting. You still have to control lighting, exposure, composition, etc., but you don't have to worry about spoiling a shot because your focus is off by a centimeter or so, or because your lens didn't focus quickly enough, just as how when shooting in RAW, getting improper white balance isn't a photo-killer. You can spend more concentration focusing on the composition, lighting, and timing, and less about what your focus area and depth of field are. There will always be people who reject it as a lazy technique, no doubt -- the same can be said for autofocus versus manual focus -- but I think it would be an incredible technological advance.
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If you read Thom Hogan, you'll know that this is an idea that is in it's infancy: the prototype uses a 16mp sensor to create 90kp. That's KILOpixel. 90,000 pixels. They're square, too, which means images are only 300px on each side. The examples they've posted are only 360kp, or 600px on each side.
So, yes, fun to play with, but tiiiiiny.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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How can it take in that much info quickly? Is it looking at a range of light so many feet in front and back of the target?
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Something akin to pixel binning to get focus to change. That's why it takes so much information and produces so little.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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The article describes it as a good low light camera, because it takes in so much lighting info. Most of us know that the shutter speed gets slower and slower in order to absorb the ambient light in a dark room. I'm just wondering how this new camera could capture and process 4 dimensional characteristics of every source of light it sees in a given image quickly enough to be a handheld point & shoot. I would love to see this thing in action.
I can see this becoming an option on better cameras in the near future. It will become a part of the RAW data and will allow you to fine tune focusing at your desk. Many of us try to do that now through sharpening, but one can only go so far with that before the image takes on a freakish appearance.
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