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I took this shot the other day...
Notice the focus is on the background, with the older palettes. I took another shot, the other way around but the background, with the older palettes, blended together so you couldn't really tell the difference between the old and new. Link to Other Shot My question is this... The foreground is out of focus BUT, you can plainly see that the palettes are newer. Does the newer, out-of-focus palettes take away from the picture as a whole? ![]() DateTime - 2009:02:09 20:18:09 ExposureTime - 1/4000 seconds FNumber - 4.50 ExposureProgram - Aperture priority ISOSpeedRatings - 720 ExifVersion - 0221 MeteringMode - Spot
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Nikon D90 Nikkor 18-105mm f/3.5-5.6G ED VR, 50mm f1.8D, and Sigma 10-20mm plus a Velbon Sherpa 200R Tripod Dan's Flickr |
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I tend to like the newer pallets in focus, If I were to try to describe why I like it that way, the thought that comes to mind is that the new pallets should be "crisp" and "sharp" being that they are new & the older pallets.....well, they are old, the should look dull and pale and perhaps just a little out of focus...........that's how I see it. I think I would use the other shot but I would crop some of that blue sky out I think it detracts from the subject.
![]() mike.
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Canon rebel XSi / 450D, 18-55 kit lens, 28-105 EF, 100-300 EF, Sigma 10-20 flickr |
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Hi Wulf,
I think I am more concerned with the "focused" vs "blurred" portions of the photo. It's not the best photo,I know that, I was just looking for some feedback on DOF and contrasting colours.
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Nikon D90 Nikkor 18-105mm f/3.5-5.6G ED VR, 50mm f1.8D, and Sigma 10-20mm plus a Velbon Sherpa 200R Tripod Dan's Flickr |
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I like the one where the new pallets are in focus better. I don't think the other one is bad - but because the out of focus portion fills up so much of the frame, it looks a bit off. If you were going to have something out of focus in the foreground, I'd say (in this instance) to have it fill up less of the frame.
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Canon 40 D - 28-135 f3.5-5.6; 17-50 f2.8; 50 f1.8; Speedlite 580 EX II Canon A1 (film) - 50 f1.8; 135 f3.5; 28 f3.5 Wishlist: 24-70 f2.8L or the 24-105 f4L; 85 f1.8 Taylor's Perspective - Daily Photo Blog | web site - a work in progress |
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I would back up a little and stop the lens down to get all pallets in focus and sharp then crop the image tighter. I would then convert the image to black and white, that's just what I would do so take it with a grain of salt.
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My Gear Photostream Murtasma.com Michigan Photographers - DPS Social Group Mur-Tas-Ma |
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Thanks Murtasma,
I went back to the "palette" location...unfortunately they are all gone. I took one of my other shots from the series and converted it to black and white, and cropped a little tighter...is this what you had in mind?
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Nikon D90 Nikkor 18-105mm f/3.5-5.6G ED VR, 50mm f1.8D, and Sigma 10-20mm plus a Velbon Sherpa 200R Tripod Dan's Flickr |
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Quote:
![]() regards mike
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Canon rebel XSi / 450D, 18-55 kit lens, 28-105 EF, 100-300 EF, Sigma 10-20 flickr |
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Quote:
I like this one a lot better than the other two. I have noticed that when you are working with lines, such as in this picture having something out of focus or a off focal angle cuts up what makes the picture work. And that would be the lines and levels all of the pallets make when put together.
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Ryan Daley - San Diego, Ca My Flickr account http://www.flickr.com/photos/33598209@N04/sets/ |
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