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Help! I'm not so much looking for critique as advice. I'm trying to figure out the best way to crop this shot. Any advice would be appreciated.
Model: Canon PowerShot SX110 IS ISO: 200 Exposure: 1/25 sec Aperture: 2.8 Focal Length: 6mm Flash Used: No |
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It is a dificult thing to crop the way we want it to be. I would try different crops and then decide wich one i would keep.
I noticed you have a fairly long exposure that creates movement. was that intentional for movement or was it because of lighting contraints. I have seen a few pro shots of that kind and it is fun to see facial expression of the fighters to show intensity and pain, right now we cannot see that.
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Martin Barabe Canon 7D 15-85mm, Sigma 70-300 Macro. http://www.flickr.com/photos/barabe/ |
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Thanks for the input. I guess it was a lot more complicated than I thought it would be so I'm glad I asked. Really, it seems to be all about what kind of story do you want to tell or how important certain bits of information are to the story. I guess I kinda thought there was a few magic rules that would pick the best crop.
Thanks again for the help. I'll play with it and see what I end up with. |
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I have learned about the rule of thirds, which is some kind of trick like technique to make a photo attractive: put the things you want people to notice on 1/3 (or leaning against the 1/3 line) of one or both sides of the photo. It has been proven that people's eyes tend to go to the areás where the lines of thirds cross. The heads of the boys (vertically ) and the body of the judge (horizontally) are on thirds. To me the photo looks much more 'dynamic' now, pointing out that the judge is looking at them, emphasizing the competition element (sorry if I'm ranting lol). the basketbal hoop is also on 1/3, not because you want it to be noticed but I think it helps lead the eye to the action below it.
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Canon EOS 1000D Tamron 17-50mm f/2.8 XR Di II Aspherical B&W Graduated grey 50 % 501 67 mm + B&W circular polarizer 67 mm Tamron 55-200 f/4-5.6 Di II LD macro B&W circular polarizer 52 mm + B&W ND 102 (4x) grey 52 mm Last edited by Valkaria; 01-29-2009 at 09:08 PM. |
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When I first considered the crop I thought having the referee looking on with the two boys would be the way to go, as Valkaria envisioned. However, for me, the basketball goal is rather distracting and would probably be a challenge to clone out. You might be able to blur the background enough to minimize how distracting it is if that's the crop you prefer.
I do like the crop Ken did with just the two boys. The movement in the shot definitely displays the action going on. Nice capture!
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After playing with it quite a bit I decided on this one.
What's almost embarrassing about this shot is how I got it. I'd like to tell you all that I'm an action photographer that anticipated the moment but I can't. Truth is, I thought my camera was in video mode and I hit the shutter to start recording a video of the match which had just started when the fellow on the left picked up his foot and dropped it on his opponent (otoshi geri). Bam! The shutter went and here I am! Thanks for the advice! |
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I tend to crop to one of a few standard formats:
1:1 (square) 4:3 (used to be the ratio used on computer monitors, although widescreen is becoming more popular) 3:2 (familiar from 6" x 4" and similar format photos) 16:9 (cinematic letterbox) 1:2 (very long and thin) That's already more than enough to play with (especially when you also add in the portrait versions - 2:3, etc). Pick one of those and try and find two or three different crops. Now try the same format but portrait instead. Already you'll have plenty of options and you can start asking yourself which you prefer. How does it frame your subject? Are there any annoying details in the background you would rather lose? After a while, you start to get a feel for what you find appealing but a relatively mechanical exercise like this can help a lot if you then link it into developing your aesthetic taste. Wulf |
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