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The first one for me. Its much warmer
The second is actually a nice shot but probably not the best mood for the client
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I like the second one...but the mood just isn't for a wedding. LoL So having said that, the first one. And btw...weren't they previously on the top steps? Maybe I'm losing my mind....
Also, and this is just my opinion, so probably doesn't mean much...but I think you might as well crop off a little of the left side of the frame. It looks like there is more of the left flower pot than there is the right, which just seems to look odd to me.
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Canon T2i Canon 430 EX II; Canon EF-S 18-55mm f/3.5-5.6; Canon EF-S 55-250mm f/4-5.6; Canon EF 50mm 1.8 Website |
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Nope.... your mind is fine... took a few (all I need is one to turn out well). I preferred the composition in the other one, as I had them centered in the windows, but the lighting is cooperating better in this one. Just playing to see which one will be presented to them (or both)
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Scott |
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Canon T2i Canon 430 EX II; Canon EF-S 18-55mm f/3.5-5.6; Canon EF-S 55-250mm f/4-5.6; Canon EF 50mm 1.8 Website |
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This was taken at 2:00pm in direct sunlight, no clouds in sight. I had an 8 stop ND filter on the lens. I had an SB900 on the camera pretending to be as useful as a fart in a windstorm I had 320 w/s studio strobe running on a battery pack running at full power camera right to try and lift the shadows on the left side of the subjects. You can see that the strobe has had some effect, because there is a shadow on the brides dress made by her arm, which is on the opposite side from the sun. The SB900 did reach them, (You can't see it in this resolution) because there is a catch light dead center of the pupil. Bottom line.... it is just an ugly situation without shade at that time of day.
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Scott Last edited by scootermcq; 06-08-2011 at 05:41 PM. |
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Just a quick thought...jumping in...the first one in color needs to be cropped to be more symetrical...it has no balance..but all the aspects are there to give the balance it needs..find a crop that works for it..make sure you leave all the stuff...the urns, the ornate concrete, the windows..etc..everything that makes it romantic.
Second one...I, also, like the black and white for this scene..find a way to use it...make it more personal, crop out the extras but leave in the important stuff, the people and the dress...if you look at the photo, you can do what I call a "pop and crop"..enlarge it one time(maybe) and you need the shine of the glass window behind them...adds a little glamour, but crop(in the concrete wall-evenly) but do it that the dress train is not cropped and has a touch of ground for relief in behind it...be even w/your crop and you could get a nice personal touch on this photo to use as part your presentation. |
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