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| View Poll Results: EF 70-200 f2.8 IS vs EF 70-200 f4 IS | |||
| EF70-200 f2.8 IS |
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17 | 94.44% |
| EF 70-400 f4 IS |
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1 | 5.56% |
| Voters: 18. You may not vote on this poll | |||
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Hi guys,
I'm planning my next purchase. I already own an EOS500d with 50mm f1.8II and an EF-S 10-22 f3.5-4.5. Next step is to buy a nice 70-200 for portrait, sport, and concert. The price difference is not the main issue. After reading a lot of reviews and forum, I found that the weight and the image quality with a x1.6 sensor may be a problem. It seems the f4 version is much recommended for this two points. Please give me your opinion. Thanks. |
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If you want the best lens, get the f/2.8.
For portraits a small DOF is important. With the same composition and the same f-number you'll get a larger DOF on the APS-C sensor, so you'll need a larger aperture to compensate for that. So if you think sensor size is important in your choice, get the f/2.8.
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Website: http://stuvel.eu/ Gear: All Canon: EOS 7D EOS 350D 10-22mm F/3.5-4.4 USM 17-55mm F/2.8 IS USM 70-300mm F/4-5.6 IS USM 85mm F/1.8 USM 60mm F/2.8 USM Macro Speedlite 580EXII, 430EX and 430EXII |
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Tradeoffs:
Cost is roughly the same. The f/2.8 is much larger/heavier than the f/4. The f/4 has IS, while the f/2.8 doesn't. The f/4 is slightly sharper wide open; but wide open on the f/2.8 is a stop wider. The "on a crop body" thing is mostly people pixel-peeping instead of going out and shooting. They're both fantastic lenses, even on a crop body. And it's not like any of the non-L zoom choices will be sharper. The reason most of us will tell you to get the f/2.8 is because we know that all IS lets you do is handhold at slower shutter speeds without introducing camera shake. It still does absolutely nothing for subject motion blur--for that you need a larger aperture or higher iso. And you can always stabilize all your lenses the same as IS with a <$100 monopod. When you said you wanted this lens for portraiture and stage shooting, the f/2.8 became more important than the IS. If by "sports" you're also including indoors sports, then that's in the pile, too, of things that are going to benefit more from the f/2.8 than from the IS. f/4 is simply too slow for available light action shots. And often, if you're freezing faster action, you're going to be shooting at high enough shutter speeds to elminate camera shake blur anyway. I'd actually recommend the 135 f/2L for the stage and portraits, but I'm a prime afficianado and a hobbyist who doesn't have to lug equipment around all day on a job, and I tend to like spe******t lenses vs. all-rounders.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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Quote:
I will not worry about these two lenses with either 1.6x or full frame Canon. Image quality from both of them should be good enough for pro uses. The concerns are mostly cost, weight, focal length and speed (aperture). If you're going to buy just one 70-200 then f/2.8 is highly recommended because you can use it @ f/2.8 at low light and shallow DOF for portraits. Higher shutter speed can be use in sports as well with improved AF. When weight is taking into consideration then the 70-200 f/4 IS L is extremely comfortable to carry around. That is the ONLY reason I bought mine. However, you can also consider Sigma 50-150 f/2.8 (I have one too) or Tokina 50-135 f/2.8. For lower cost, the Sigma/Tamron 70-200 f/2.8 can be considered as well. Last edited by LoveDSLR; 12-27-2009 at 08:03 PM. |
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I am full and crop sensor - I shoot a lot of low-light stuff, so I chose the f2.8 but will wait for the MK2 to come out before I purchase... the 2.8 is heavy, I spent five days at a festival carrying it around... But it takes a darn fine photo. (when attached to the right photographer)
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www | twitter | facebook If you're looking for customer service, please use this link, thank you! |
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Ive use my brother in laws 70-200 f2.8 is on my T1i/500d regularly it is a really good combo, the weight of the lens isnt really that bad and low light shots are great. the 2.8 also comes with a tripod holder if the weight does get to much.
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Canon 500d T1i, EF 100 f2.8 macro,EF 50 f1.8, EF 24-70 f2.8L, EF 75-300 f4-5.6 III USM, EFs 18-55. "Its only expensive if you don't enjoy it" Matt Walker http://www.flickr.com/photos/mattwalker53/ |
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