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This is probably not what you want to hear, but I'd keep the 40D and use the difference to replace that kit lens! I love the 5d, but unless you need the marginally better high ISO performance and/or are willing to make a major change in your glass, I wouldn't switch. But that's what I would do
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Canon: 5D MK II, 2x7D, 15 fisheye, 16-35L II, 24-70L, 24-105L, 85L II, 24L II, 70-200 2.8L IS II, 100L macro, 400 DO, 4x580EX II, twin macro light, Sigma 12-24, Lensbaby composer, Tokina 10-17 Its ok to edit and repost my shots on DPS My work can be found at www.jamesholleman.com |
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) are pretty damn good lookingNew generation of CMOS, 15.4MP, ISO up to 25,600, just above 6FPS shooting, two Digic III's, a new generation of live view, better than the XSi and 40D's, and 35% faster focusing than the 40D. I'm certinaly looking forward to it.
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Canon: 5D MK II, 2x7D, 15 fisheye, 16-35L II, 24-70L, 24-105L, 85L II, 24L II, 70-200 2.8L IS II, 100L macro, 400 DO, 4x580EX II, twin macro light, Sigma 12-24, Lensbaby composer, Tokina 10-17 Its ok to edit and repost my shots on DPS My work can be found at www.jamesholleman.com |
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@joefish - here are some things to think about. 24-70mm 2.8 - why not the Tamron 28-75? About $800 cheaper, very highly regarded IQ, and constant 2.8. Will still be significant upgrade from the 18-55. You lose those 4mm at the wide end. If those are important for what you do, what about the 17-40mm for ~$500? The 40-70mm gap between your zooms is filled nicely by the 50mm. 85mm 1.8 - you could just use your 70-200L for portraits since you have the 2.8 version. Can't get that super narrow DOF, but 2.8 ain't bad. 300mm 2.8 - I'd suggest that a prime may not be great for event photography. Get the Canon 1.4x for your 70-200mm or the 70-300mm IS.
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- Jake Canon Digital Rebel XT, 18-55 kit lens, 50mm f/1.8; Sigma 10-20mm |
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My general thoughts since last I posted is that I still want to buy EF lenses, rather than EF-S, and that I'm not sure I would use something that's 24-X or 28-X except if I had a full frame camera (at least, not as a walk around lens). So with this in mind, I think I would buy such a lens at the same time as I bought a full frame camera (hope this makes sense). So, my question then is still which lens to get to replace my 18-55 in the mean time (and something that will work on a full frame camera should I get one in the future). The 17-40 and 16-35 spring to mind; the 16-35 being very tempting (and also expensive). |
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one of the reasons why "the crop factor" was ever introduced into slr's is this: lenses naturally have lower image quality on the edges. no matter what kind of lenses you have, even the L's, this will always be true. with aps-c cameras (like your 40d, which is probably one of the best cameras around for its class to-date), the image is cropped such that you will get the image that is in the middle area of the lenses - where quality is at its peak. secondly, a pseudo-zoom factor is naturally in place due to the crop, as mentioned by @smc. for me, this is a good thing. heck, i know a lot of full frame photographers who end up adding hours and hours on their workflow due to cropping alone. might as well nip it in the bud.
sure, who wouldn't i kill for a mark3, but i'd rather go for a 40d with a stockroom's worth of L lenses. i don't know if this will help, but here's my medium term daydream. just play along with me - dreaming doesn't cost a thing. - a brand new canon 40d body - at least 3 batteries and the wifi grip - at least 2 580EX II's, remote triggers - a bigger apartment where i can have a studio - umbrellas, light stands, wall outlets - a maxxed out macbook pro and a maxxed out mac pro and then the lenses - EF 85mm f/1.2L II USM (hey, what can i say... this is probably the best there is for portraits. the 85mm 1.8 is nice, but let's go crazy) - EF 16-35mm f/2.8L II USM (the 10-22 is nice, but it's not L, and useless if, in case i win the lottery, decide to upgrade to full frame) - EF 24-70mm f/2.8L USM (rumors of a mark2 for this lens is going around, but no one can subtantiate. besides, it's almost perfect as it is) -EF 70-200mm f/2.8L IS USM ('nuf said. oh, and i might want to get a Extender EF 1.4x II for this. the EF 28-300mm f/3.5-5.6L IS USM would be a good alternative, but i'd rather have the 70-200 with the extender)
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canon 40d, 50mm 1.8/f II, 85mm 1.8/f, sigma 28-70 2.8-4/f, nissin Di622 (i lost this while i was drunk... huhuhu), a now working vivitar df200, and an open mind ditchedconcepts.com multiply |
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Hey, unless you are planning on buying the 1D Mark III (and if you are, you probably won't be worrying about the cost of new lenses), I would wait until they replace the 5D. It can't be long now. The Digic sensor is outdated, and a lot of stuff has been greatly improved in lower cameras (eg burst mode, resolution, noise reduction etc)
That being said, if you want a "cheap" full-frame camera, I've seen used 5Ds from reputable dealers go for "as little as" $1900. |
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Interesting thing, though. You see Luminous Landscape's hands-on of the 40D? Here's the controversial bit:
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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