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Settings for both shots are the same except for ISO - 800 and 3200. Menu option for High ISO noise reduction is turned off. Shot in RAW. Only RAW adjustment is pulling up exposure slider on the ISO 800 shot exactly 2 stops. ![]() ![]() Available 1200px wide on Flickr so you can get a better feel for the noise in each. |
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Umm, I dont know what sk66 is on: its almost universally frowned upon to increase exposure in RAW with the sliders because it makes any grain that's there stand out like it was on fire. Thats why people advocate shooting a higher ISO and overexposing (a bit) and then pulling in post. ETTR and all that.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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What's your opinion of the results?
At this size (as viewed on Flickr) the second image, which is the ISO800 pushed 2 stops in post, appears smoother and with more dynamic range than the ISO 3200 image. At least to me.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Once you've hit the noise floor for your A/D converter (generally ISO 800-1600) you are getting more noise than signal from the A/D converter and loosing dynamic range. ISO is something of a fallacy with digital....it has no affect on the amount of light captured. A higher ISO resulting in a faster SS actually reduces the amount of light captured and reduces the signal to noise ratio making images noisier. It's not the "ISO" which makes images noisy, it's the lack of light captured.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Looking at them in Flickr, The 800 image just lacks that "oomph", though the 3200 image would be almost unuseable, though in this case because of smearing of details.
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I am responsible for what I say; not what you understand. OsmosisStudios Gear List |
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The only benefit of pushing is dynamic range...The differences can be much more dramatic with even higher ISO's. The relative noise levels in the pushed image will be dependent upon the RAW converter used and they keep getting better. So as you update your software your results from pushing can improve where the A/D converter will always be what it is.
I would say this is a fair test of what I was stating. But I would also venture that further adjustments using the tone curve sliders etc would show even more difference. (Also 14bit RAW helps a little). The main benefit of this is in situations where the required ISO to get adequate SS is unusable (lesser cameras/ crop sensors) hit the signal floor earlier. It's also why 800 is usually the limit used by most celestial photographers.
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Steve the Photographic Academy.com My Portfolio, My Flickr, My Blog D4, D7000, G10, 1030SW and a bunch of other stuff.... |
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Actually, I preferred the 3200 shot. The pushed 800 shot had what looked like banding issues to me.
Curious. Did you try properly exposing an iso 800 and then overexposing a 3200 shot and pulling it down two stops and comparing?
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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[grin]. No thanks. It would cut into my play time.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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