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Can you post here for us what steps you took?
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Olympus user, Fuji E900, a canon & last but not least a Minolta 35mm and some really old large format box cameras.Not to mention a whole bunch of other stuff. Paint Shop Pro X3, CS3,CS5, Portrait Professional, Topaz Adjust, Lucis Art and the list goes on........ www.alockintime.com |
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Sure. The blog post is more about some of the things I learned during the process. But in summary, here are the steps I took:
You can Google "beauty retouching" to get more information on the split high pass and other techniques. The best video tutorial I've found for it is by ISHPHO on YouTube. |
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Great work...i am new to this photography side and i am learning editing...people like u are becoming so much helpful in my learning...
can you suggest me some tutorials?
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toxin foot pads |
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Quote:
It is important to note the above instructions are for 8-bit files. The 16-bit instructions are slightly different. They are included in the linked thread. I use 8-bit because my iMac is from 2005 and has a hard enough time handling 5D MkII files as it is. To illustrate, I exported one of the unedited outtakes from the shoot into Photoshop and ran the technique on it: ![]() ![]() You can see there are two copies of the same layer. The first (bottom) layer I arbitrarily called "color". I then applied the Gaussian Blur filter at 9 pixels. Why 9? I saw someone else do it, and it seemed to work well. No secret magic formula here. ![]() Here you can see the settings for the Apply Image command. With the second (top) layer (called "detail") selected, we are applying the "color" layer to it. Blending mode is Subtract. Do not preserve transparency, mask, or invert. Scale is 2, offset is 128. You can see a bit of the image in the screen cap. It is grey with a faint amount of color. Click OK. Then on your detail layer change the blending mode to Linear Light and.... ... everything looks the same as it did before you started. If you're like me, you'll be like "Okay, great. Now what?" The thing you accomplished here is separating the frequencies so you can work on color and detail independently of each other. This should help you avoid those tell-tale smudges when you're cloning or healing. Skin tones can be worked on without losing detail in the skin texture. From this point on it is sort of impossible to give step by step instructions. I highly recommend watching the videos from ISHPHO on YouTube, that I linked above. He has a two part video that goes over this technique in detail and you can see him do a full retouch. It is much clearer when you actually watch someone do it. Quote:
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