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Very nice!
I'm a big fan of lomo- and vintage-look in PP (I have loads in my Flickr if you're interested) so I've done lots of this sort of processing. I think it's a great way bringing something extra to the photo's atmosphere. It's really a passion for me. I love it that much. I think this one would work better without the vignette. It's a bit too obvious and distracting. Or maybe just make it a bit more transparent and subtle. It makes my eye go to the upper right corner first and then I find myself staring at the reflections in the window above the open-sign. So it's really pulling the attention away from the main subject, which would be the umbrella. But it's a very good start and an entry into the "flomo" (fake lomo) world. ^___^ Keep experimenting! That's the key in lomo- and vintage-processing. It's never the same but it's very dependent on the photo so the exact same thing just doesn't usually work for different photos. |
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Cool photo! I don't really get what lomo is though, I read some stuff about it on some lomo website but I totally don't get it.
Is it a kind of camera, or is it post-processing? And more importantly, how do you do it? I'm so curious!
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-Indigo D90, Minolta xg-9, Petri gx-1 A bunch of glass, mostly old, manual lenses. Flickr |
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And then there's the lomo processing that wants to recreate that effect in digital photos. |
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Did you use a lomo script or did you follow a lomo tutorial? Maybe instead of using an offset oval layer mask you could roughly free hand lasso areas so that the vignette is not so perfect, and lower the opacity of the layer before your merge it. Great job with the contrast and the colors.
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Nikon D90 - Sigma 10-20mm - Tamron 28-75mm 2.8 - Nikon 50mm 1.8G - Nikon 70-210 f/4 - Nikon SB600 - a few old SLRs with lenses then again, this changes every week myflickr |
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