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Jazbagz,
On your monitor, there may have been better separation between model and background. Here it's close, almost blending into each other. Have you looked at this flipped, so she's looking left?
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OK to re-edit and repost photo(s) only on DPS forums Proud user of a Fuji FP S3100, Nikon P90, a Canon T3i, and persistence. |
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I agree with jiminy... while I love the "attitude" and "feel" of the shot, especially in your model's legs and the sides of her arms the light seems to get lost and they blend in with the background. Otherwise it's a very fashionable shot. =)
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Gear: Nikon D80, Nikon F100, lots of cool lenses, SB100 flash *Feel free to edit and re-post in DPS Forums My Website My Flickr Page "Love, love, love, that is the soul of genius." -Mozart |
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Quote:
i'm no expert at this but I think it has to do with reading from left to right. When you look at a picture, your eyes will start on the left of the frame and end on the right side. You'd want to have something on the right side to keep your eyes wandering off the frame and to keep them in the picture. If someone feels I'm off track please correct!
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Fuji S9000 "Le coeur et l'esprit sont les vrais objectifs de mon appareil." -Yousouf Karsh |
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catleclerc,
Yes. Not everything, all the time, but it is the one to try first. Also, we tend to look and follow the model's (clock face, vehicle direction of motion, center of a flower) gaze, to see what she's looking at. So, in from the left, over to model (etc.), back to left, and so on. Moving model over, still looking right, would mean in-over-out of picture.
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OK to re-edit and repost photo(s) only on DPS forums Proud user of a Fuji FP S3100, Nikon P90, a Canon T3i, and persistence. |
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Excellent! I knew there was something in flipping it, since usually whenever I flip something it gives me a completely different feeling to the photo, but I guessed that was more because I saw the photograph before flipping.
I think it was a little underexposed in the first place so that didn't help the definition. Thanks you guys!
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