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How did you convert it to B&W? There are many MANY ways in photoshop, only a few of which are really good. The best in CS3 that I can think of is the black and white adjustment layer. Kind of self explanitory. Other good ones are Gradient Map, and Channel Mixer.
On selective color: since I have the technique so much (I really do ) I'll hate it anyways, but I think the best option would be to have the whole bride in color rather than just what is now. She's the focus, right? Not her leg...
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Canon Digital Rebel XT 18-55mm, 75-300mm, 50mm, 28-135mm USM, 430EX You know you are a photography nerd when you spell "Stop" with an "F" flickr |
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As much as the B&W Adjustment Layer is a huge improvement on the old Channels Adjustment Layer, I still find it yields somewhat flat images. Not to mention the fact that I'm never quite sure if I'm doing it right.
I think my biggest issue is that I don't have a solid idea in my head of how the image I'm working in is supposed to look in B&W, so I just sorta wing it until I find something that I think looks passable. The image above was a combination of a BW Adjustment Layer and an Action I downloaded long enough ago that I can't remember where I got it. I basically run the action, slap the adjustment layer atop it, then play with layer opacities until I like the result. My biggest question here is what people think of the final result -- good contrast? Too much? Not enough? Too dark? I'm basically trying to train my eye to know when the image looks good in B&W and I'm curious how close I was this time around. RE: selective coloring -- I'm actually not a fan of it, either. I feel it unnaturally pulls the viewer's focus, and that it also loses its effect if the colored item is too large. This isn't a huge issue for photos where there's a specific subject and the subject is small (like, say, an image of a hand in B&W while the ring is in color), but for a photo like the one above where you want the viewer to survey the entire scene, having a colored element seems more distracting than enhancing. |
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Looking at contrast alone I'm for the second shot, but the blue must go. The dress has the right amount of contrast to highlight the detail and the darks aren't all... dark.
The tilt has my brain askew. For me, too much towards, and especially past 45deg is just hard on the brain.
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Lumix DMC-FZ5, CPOL filter, +3 diopter. You can edit and repost my pictures on DPS. Some of my pics. |
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rajah sulayman,
My imagination is not strong enough to know what a bride would think about this (who else matters?) but I'll guess she is happy with the edit work. Did you happen to also shoot just bride and bridesmaid (?) in portrait orientation? From a foot or so to your right, they would have made a nice tableau, still showing garter, less of room detail. If this were on my viewscreen, I might worry about the too-white highlights on dress and the too-dark shadows blending lady on left into the furniture, and then go for the portrait to eliminate that lady. Oh, the possibilities in hindsight.
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OK to re-edit and repost photo(s) only on DPS forums Proud user of a Fuji FP S3100, Nikon P90, a Canon T3i, and persistence. |
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Quote:
The reason I included the woman behind the bride is because that's the mother of the bride, and thought it added a nice balance -- bride in the middle, maid of honor/sister helping her with her garter, and mom behind, watching. Quote:
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rajah sulayman,
You're right (and wise) to include MotB in as many as possible; curious about one without. Yes to the color, it does have your satiny highlights and shadow separation. Gives you options, anyway. Starting to see the tilt as indicative of how a wedding day can feel.
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OK to re-edit and repost photo(s) only on DPS forums Proud user of a Fuji FP S3100, Nikon P90, a Canon T3i, and persistence. |
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