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Cute shot. Needs a catchlight in his left eye to bring more life to it. You may also want to play with cropping it a bit tighter to remove some of the distracting background. I realize this is unavoidable in many circumstances but sometimes we are so anxious to getthe shot off that we forget to check the background.
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Sincerely, Lee -clockdoc- |
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Maybe try blurring the background a little to simulate a more shallow depth of field? Of course, I've been obsessed with blurring backgrounds lately, so that could just be my insanity talking! Cute catch
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-- Shelly Canon 50D, Canon EF 24-105mm f/4L IS USM, Canon EF 50mm f/1.8 II, Canon EF 70-300mm f/4-5.6 IS USM * OK to edit and re-post my photos, only to DPS * [about me] - [Flickr] - [zenfolio gallery] |
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That seems a bit unnatural.....I have never really tried adding them to photos but after the two posts today regarding catchlights I will now.
Hopefully clockdoc will chime back in and let us in on how best to add them.
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D7000, D200, 18-105mm, 85mm 1.8, 60mm macro, 50mm 1.4, 18-200mm, 10-20mm, 105mm 2.8, sb600, sb900, Panasonic GF2 Samsung NX100 and lenses and a ton more crap! RoundboyzPhotography on Flickr RoundboyzPhotographyBlog My Twitter |
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Hi all,
Catchlights add life and sparkle to the eyes. There are probably times when they are not needed and should not be applied wholesale. However, I feel it is always better to experiment with adding them when there are none and see for yourself. It all boils down to a matter of personal taste. If you also look at the works of the old master portrait painters, you will find that a high percentage always added the catchlight to the eyes. However, since they painted by the light od larhe open windows, their catchlight shapes may be different shapes and not the round ones (from the shape and size of reflectors used) we see in photographs. I mentioned in another posting that you can use as many lights on your subject as you need but there should only be one catchlight in each eye, typically at the 2 or 10 o'clock position. If the eyes have no catchlights, I will used white or a light tint of color with a small soft brush in Photoshop to place a light in each eye using the pupil as a guide if visible. By that I try to place the catchlight on the perimeter of the pupil where it meets the iris. You will find that some studios use large umbrella lights and will leave the large catchlights in the eyes. Again it is a matter of personal preference. Study how these lights appear and see what works best for you. Please let me know if you have any questions.
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Sincerely, Lee -clockdoc- |
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Yep, I like this version much better. You made a good point---sometime the catchlight is dim or just not visible until you enlarge it or adjust the levels. That helps in locating the original spot.
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Sincerely, Lee -clockdoc- |
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I think it looks just right now....looks natural....
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D7000, D200, 18-105mm, 85mm 1.8, 60mm macro, 50mm 1.4, 18-200mm, 10-20mm, 105mm 2.8, sb600, sb900, Panasonic GF2 Samsung NX100 and lenses and a ton more crap! RoundboyzPhotography on Flickr RoundboyzPhotographyBlog My Twitter |
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