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The exposure is very well done -- I don't think I would have thought of putting the camera on timer and running over to hold the reflector myself!
I maybe detect a bit of softness on the left side of your model's face -- 2.0 is a pretty unforgiving aperture, and I wonder if you don't give yourself (and your camera's AF) a bit more fudge room, while still preserving DOF effects, if you go to 2.8. I understand that most 50s tend to be a bit sharper a stop or two up from maximum, too. EL |
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G,
Do you have the Sony f/1.4? Sounds like a great lens from what i can find online. I didn't find anything specifically about the sharpness of this lens through its aperture range, but I think it is an almost universal phenomenon that lenses are softer at their lowest and highest apertures (I suspect though, that the differences are not very pronounced in most cases). But unless I have to because of low light, I don't tend to shoot below 2.8 on my Nikon f/1.8 50mm. EL |
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No its a Minolta f/1.7 which still apparently performs very well for its price range (well I bought mine second hand so extremely well). When I think about it, I have heard of lenses having a 'sweet spot' which I assume is where you just seem to get that little bit extra sharpness and no distortion. Is this partly what you are referring to? I will have to do a bit more research on t'internet to find out what it is for my fifty (although I guess it is possible to be different from the same model, lens to lens, due to manufacturing anomalies). After my first endeavours with this lens I will heed your advice and say at a min of 2.8 unless I'm working on something with a really flat and parallel subject.G |
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