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Came out pretty nice over all. She is adorable, and kinda reminds me of the little stray that used to live with me.
Anyway, as far as the area on the left of the image, it doesn't look over exposed to me. What might be happening is that it is the brightest part of the image and that is often where our eye wants to go. So in this case, the eye tends to hit that area first rather than your intended subject. Honestly, your cat is so cute that the light stuff doesn't bother me all that much. You could try a vertical crop and remove most of that area. The brightest spot then might shift more to her little face. And while I typically am not fond of too much stuff in the background, I kinda find whats back there intriguing. In a way it detracts yet for some reason it accents. Hmmmm, making me think. I really like the depth of field you chose and your focus seems to be pretty well on the eyes. And you got a nice little catchlight in there too. What I like most though is the expression you caught.
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Canon 50d, 17-55mm f/2.8, 60mm 2.8, 70-200mm f/2.8, 300mm f/4, and couple of speedlights Flickr |
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That face is priceless! Sped is beautiful.
If'n I was croppin it.... I'd crop tightly to Sped's face, but definitely just below the collar, place her face in the left third of the image, (heaven forbid breaking that rule of thirds), this would rid the image of the bright left side that Karen pointed out that attracts your eye. Offset the right hand side with the nicely blurred background for the other two thirds. Try to crop to a 1.6:1 ratio to accomodate Fibonacci and see how that looked. That's what I'd try. |
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Yeah, the cropping is just something to play with. You can often get several compositions out of one good image and I do like what you did here. It really comes down to what you want to say in your image and cropping can affect that.
She does have a bit of a quizzical look on her face. It's very cute, just draws me in.
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Canon 50d, 17-55mm f/2.8, 60mm 2.8, 70-200mm f/2.8, 300mm f/4, and couple of speedlights Flickr |
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