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Thank you Windrider! I really appreciate the compliment on this, and the comment.
To gb_eh - I agree - I wish the head were sharper. It does look sharper at full size - you can pretty clearly see the wrinkles under the beak, but I still wish I was able to sharpen to the head, instead of the wings. As for the vignette, I'm stuck with either trying to repair it, or enhance it. It simply happens with the lens I have (and until I win the lotto, I'm afraid I'll be sticking with it). I could try to alleviate some of it by removing the circular polarizer, and am going to try both ways in future shots. The balance of black and white is seriously helped by camera RAW. I'm so glad I finally have a camera that can give me that broad a range! Maybe you guys can tell me your opinion - if I'd stepped down the aperture, so I could get a broader depth of field (enabling focus on the whole bird) would I not have lost the frozen water drops? Maybe gotten a bit of motion blur? Is it a better choice to have caught the drops and lost the face focus, or vice versa? I guess I'm asking how those of you with more experience would shoot it. Of course, I'm probably cross-thread-posting on this question, but I really do want to know...
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Nikon D40 with Nikkor 18-135mm, Nikkor 55-200mm VR, Nikkor 50mm 1.4 (very old), various elderly Tokina lenses, SB-600 - pics prior to July, 2007 taken with Olympus C4000 My Smugmug Site |
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well looking at your exif data you could have done both since at 5.6 you were at 1/4000 of a second in reality you only need about 1/200 to stop motion (depends on how fast things are moving but for water it should be fine) you could have easily gotten the same image using somewhere between f8-f11 and that woudl have given you the DOF you needed to get the whole bird into sharp focus.
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Rex K The view from my "office" doesn't suck.
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Rex! Thank you! That was exactly the kind of clarification I needed. Being new to this, I'm still not clued in as to the latitude of the various settings. Knowing I can stop action at 1/200 is giant information. And, knowing that f/8-f/11 is sufficient for DOF between the front and back of the bird really gives me something to work with.
This is such a great forum - and I really appreciate everyone's help here. BTW, Rex - the view from your office window is Cozumel? I'm SO jealous! That's heaven on earth!
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Nikon D40 with Nikkor 18-135mm, Nikkor 55-200mm VR, Nikkor 50mm 1.4 (very old), various elderly Tokina lenses, SB-600 - pics prior to July, 2007 taken with Olympus C4000 My Smugmug Site |
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Thank you, tufcat. It's nice to hear such a great compliment, when I'm so new and insecure.
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Nikon D40 with Nikkor 18-135mm, Nikkor 55-200mm VR, Nikkor 50mm 1.4 (very old), various elderly Tokina lenses, SB-600 - pics prior to July, 2007 taken with Olympus C4000 My Smugmug Site |
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Depending on the RAW conversion software you have, you might consider having another go at converting this one (if you still have the original RAW file). Go ahead and convert it with about 1/2 stop less exposure, then try to bring up the shadows in post. The bird will look a little more flat, but you'll gain detail in the whites. RAW can be a real blessing! Again, very nice shot.
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Nikon D80, 18-200, 105 macro VR, 18-55, 50 f/1.8; Tokina 11-16 f/2.8 SB600 x 2; Canon A570 IS; Bonica XP Neon Underwater Strobe Film Cameras: Lomo LC-A+, Diana+, Canon AE-1 OK to edit and repost pics for DPS forums! flickr; ihardlyknowher; My most interesting pics on flickriver |
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You know - that's a great idea. I always keep my RAW images (pack rat), so it'll be great to experiment with this further. I'm going to eliminate some of that vignette, too - I just assumed that would be the way I'd want to go, but maybe I'll like it better with less...
As for that "metered off the white bird" - you say that as if I might have the skill to have been able to do something that quickly! I was happy to have set up for a fast shot, before he took off - and I managed to get decent focus - I don't think I'm up to considering the actual metering as I shoot this kind of shot --- yet! I'll get there, though!Wonder if DPS'll let me post any new adjustments I make here?
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Nikon D40 with Nikkor 18-135mm, Nikkor 55-200mm VR, Nikkor 50mm 1.4 (very old), various elderly Tokina lenses, SB-600 - pics prior to July, 2007 taken with Olympus C4000 My Smugmug Site |
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Yes please
We highly encourage people to post their edits made after critiques to the same thread so that we can see the end result (and so you don't have to use up a new day's critique thread to link back to your old critique thread ).
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Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
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![]() Okay - if I was able to follow Nicole's excellent instructions to post, you should see the re-processed image above, with a click-link to the original exif. The post-processing for this one, taking a lot of what's been said here into account was (using RAW from Adobe Bridge CS3): Crop more to lower left third Color Temperature from 5200-5500 (needed warmth) Exposure +.35 (instead of the original 1.4ish) Open Fill Light +39 (the darks were just too dark!) Increased Contrast to =34 (the lower exposure compensation had this very flat) vibrance +42 (to get the water to look more watery) Saturation +7 (the beak) Removed lens vignetting +61 (this looks like too much in the resulting jpeg, but as RAW and as .psd, it looked better) Sharpened - a massive 95 - for the face Reduced Luminance noise +21 (to clean up the water after the sharpening) I kinda miss the vignetting, myself - although after the crop, I'd have to process the vignetting back in, if I wanted it. The feathers are DEFINITELY better this way, and I do think it was worth bringing back some flatness to get that - that was a great suggestion. As for the crop - I'm going to try to compose better during a shoot like this (I have real difficulty with fast-moving subjects), 'cause I really would have liked to have shot with the rule of thirds in mind. Any better? BTW - thank you, Nicole, for the clarification. That's so cool that I can repost - AND still submit another for the day!
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Nikon D40 with Nikkor 18-135mm, Nikkor 55-200mm VR, Nikkor 50mm 1.4 (very old), various elderly Tokina lenses, SB-600 - pics prior to July, 2007 taken with Olympus C4000 My Smugmug Site Last edited by NikonnooB; 02-27-2008 at 07:36 PM. |
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Second, what I really meant about metering off the bird (I guess my original post did sound a little odd) was that using spot metering in these situations is helpful. That way if you have your focus point on the subject, your camera will only take it into account rather than trying to expose for the whole scene (which usually works very well). It's not something I often remember to do, but if you know you're going to be shooting a high contrast subject it's worth changing before you put the camera up to your eye. If there's not time, then thank goodness for RAW, huh?
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Nikon D80, 18-200, 105 macro VR, 18-55, 50 f/1.8; Tokina 11-16 f/2.8 SB600 x 2; Canon A570 IS; Bonica XP Neon Underwater Strobe Film Cameras: Lomo LC-A+, Diana+, Canon AE-1 OK to edit and repost pics for DPS forums! flickr; ihardlyknowher; My most interesting pics on flickriver |
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