How to Convert an Image to a Duotone in Photoshop

A duotone is an image made up of just two colors. It’s often used in the printing world where a photograph is included in a publication and where the publisher wants to use some color on the page but not pay for full color printing. As a duotone, the image is created as a mix of two colors – hence its name duotone. Typically the colors are black and a spot color but they can be any two colors.
You can convert a photo to a duotone in Photoshop using its Duotone feature and you can customize the duotone and determine just how much of each color is applied to the image.
Here’s how to convert your photo into a duotone in Photoshop:
Step 1

Open your photo in Photoshop and apply any desired adjustments to it – concentrate more on developing pleasing contrast in the image than on the colors because in the next step you will be removing the color.
Step 2
Create a black and white version of the image. Typically this is done by selecting Image > Mode > Grayscale. The problem with this conversion method is that you don’t get the chance to determine how the image is converted and it is often a lackluster result. You can do better by converting the image yourself.
I recommend using a specialist black and white conversion tool – in Photoshop CS2 you can use the Channel Mixer and in Photoshop CS3, choose the Black & White tool. To do this, choose Image > Adjustments > Black & White and drag the sliders to create your custom black and white image. Then choose Image > Mode > Grayscale and click Discard to discard the color.
Step 3
Choose Image > Mode > Duotone to display the Duotone Options dialog. From the Type list select Duotone. The first Ink color defaults to Black and you can now add a second ink color by clicking in the swatch box.
Because duotones are typically used in commercial printing, you are offered a choice of colors from a Pantone color swatch. If you aren’t printing commercially and if you prefer to use the color picker, click the Picker button and select a color this way – type a name for it in the text area.
Step 4
Click the curve icon to the left of each of the color in turn to adjust how the color is applied to the image. The highlights are on the right of the chart and the shadows on the left. Drag upwards on the curve to apply more color in that area of the image, or drag down to apply less color. This feature lets you add more of your second ink color, for example, to the highlights.
Step 5
You can save the Duotone settings by clicking the Save button and type a name for it. Later you can load those colors and the curve into the dialog to use for another image. When you are done, choose Image > Mode > RGB Color to convert back to color mode so you can continue to work on the image or to save it.

The Duotone on the right was created from an image converted to a monochrome image using Image > Mode > Grayscale. The one on the left uses a custom Black and White conversion first – notice how the differences in how the duotone colors are applied.
Tags: Duotones, Photoshop



17 Responses to “How to Convert an Image to a Duotone in Photoshop” - Add Yours
February 12th, 2009 at 12:46 am
Good tip… For those that may be placing the image in Quark or inDesign for commercial printing, save the image as a native psd file or as a Photoshop eps so that they separate correctly into the duotone colors.
February 12th, 2009 at 1:06 am
Using a Hue & Saturation adjustment layer with “colorize” works very nicely too.
February 12th, 2009 at 2:00 am
I feel like I’m so far behind in the Photoshop curve. I really need to spend time on this each day to learn the program, even though I only have the first edition of Photoshop.
Thanks for the great ideas, and I love the effects you presented here. I’ll be using it for future reference.
February 12th, 2009 at 5:03 am
Although I too use Hue & Saturation layers, I like this method. Thanks for sharing!
February 12th, 2009 at 5:22 am
Great tip and thanks Je for the separation requirements.
I think the advantage to this method is the ability to change the tones in the highlights and shadows. You can’t do that with the Hue and Saturation method. Hue and Saturation is more monotone. I like using Hue and Saturation “colorizing” when I just need something to match a background tone.
February 12th, 2009 at 12:57 pm
I love duotones! Nice tutorial, thank you.
One thing tho: When I do Step 3, PS tells me I need to pick a color from the Pantone options. It won’t let me just use the color picker and name the color myself. Any ideas why? I’ll look into that again and see if I can’t find the answer.
February 12th, 2009 at 9:00 pm
Hi – thanks for the tutorial and I just tried it out. I was a great source of information in how to affect the tones of the image, not just discard colour information – thanks.
I struggled with how much colour to add, and I guess it’s just a trial and error thing and depends on taste. The ‘hint’ of colour was easy to attain, however it was a fine line before it went from hint to totally blah. Loads of practice for me to do here!
Thanks again!
February 13th, 2009 at 2:27 am
If you save as EPS or PSD for Quark or InDesign, be sure to write down the exact Duotone names of the colors used in the duotones (channels), case sensitive, and name those colors in Quark or InDesign, otherwise you will generate extra plates/negs
February 13th, 2009 at 12:46 pm
Could you use this to make a ‘chocolate’ conversion as well? I cannot for the life of me find a good tutorial on how to do it.
February 15th, 2009 at 12:23 am
How about morning help with Photoshop Elements?
February 15th, 2009 at 2:30 am
I like duotones too, but I do find them difficult to tweak in order to get the effect you are looking for. One of the reasons is that you have to convert to duotone mode and thus alter your file. At the least you should duplicate your image before going through the duotones process. However, if you know how to create a colored gradient and can figure out the gradient map adjustment layer, you can develop an artful duotone effect without having to go through the duotone mode conversion problems. Its also much easier to tweak and visualize on screen.
February 15th, 2009 at 6:59 pm
hi there,
thanks pal people like us whi love photography really get alot benefited from you guys…this is indeed a very helpful techniques as only those would understand who who have face it for sum reason…thanks for sharing this.
February 18th, 2009 at 3:03 am
Corel PhotoPaint also has a great duotone feature, where you can choose colore or even do three/four color conversions. It is in the image > mode > duotone (8 bit)
I have used this for a long time to quickly add special depth to photos.
February 20th, 2009 at 11:01 pm
Oh so that’s what it’s called? I now have to retag half my work with it’s proper name, lol!
May 16th, 2009 at 4:19 pm
For photoshop elements?
August 18th, 2009 at 8:33 pm
how to enter a values in duotone curves dialogue box, is it have any standard rule for this?
August 21st, 2009 at 1:58 pm
Hi,
Actually i was wondering if you could help me convert a color image into an absolute black & white image, wherein only the black ink is used while printing.
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