How to bypass the Portrait Mode on Your Digital Camera and Get Great Portrait
Should I use my camera’s Portrait mode when shooting Portraits or would I be better off manually setting my camera up?
Unless you have a high end DSLR, most digital cameras these days come with an array of shooting modes (including portrait mode) for a photographer to choose from when out using their camera. These shooting modes are designed to help camera owners to quickly tell their camera what type of shot they are taking to give the camera a hint at what type of effect you want.
The results that your digital camera will give you in these modes is often quite good - however they are do take the chance to be a little creative with your photography away and if you’re someone wanting to improve your photography you’re less likely to learn how to use your camera effectively by sticking to them.
So how do you set up your camera to get great Portrait shots without having to use Portrait Mode?
As with almost all questions that we explore here at Digital Photography School - this one will have a variety of answers depending upon your photographic style, the camera that you’re using and the type of portraits that you’re hoping to achieve - however let me share a few starting points that will hopefully give you some good results so that you can then start experimenting (note: it might be helpful to have read my previous post on Exposure if you’re a beginner - hopefully this will help you get some of the concepts I’m explaining below a little quicker).
Switch to Aperture Priority Mode
When I’m photographing portraits I generally switch my camera away from any of the Auto modes into Aperture Priority Mode. This enables the photographer to choose the aperture that they want to shoot at while still allowing the camera to make decisions about shutter speed (to ensure well exposed images). If you’re a more experienced photographer you might want to try out full manual mode - but Aperture Priority mode will probably do for most of us.
Choose a Large Aperture for Nice Blurry Backgrounds
The actual aperture setting that you choose when in Aperture Priority Mode will vary from situation to situation and between camera/lens setups - but in most cases you’ll probably want to start with a fairly large aperture as this will decrease the depth of field in your shots (this is what portrait mode generally does). This will help to ensure you have a nice blurry background. The beauty of this type of setting is that it leaves your subject as the only element in focus - highlighting them as the main focal point and removing any other distracting elements (read more on using aperture to get blurry background).
Keep in mind that if you have a very fast lens that choosing the maximum aperture available can decrease the depth of field to a point where some parts of the face of your subject are in focus while others are not. Also the very maximum aperture might mean you are not shooting in your lenses sweet spot. Pull it back a stop or two and you might get a slightly sharper image - the key is to do some experimenting if you have the time to do so.
Select a Low ISO for Smooth Shots
The ISO setting that you use will vary depending upon the lighting situation that you’re faced with - but in most cases you’ll want to decrease the amount of grain or noise in your shot by selecting a low ISO (I try to stick to the 100-200 range). The main thing to watch when selecting an ISO setting is what impact it has on your shutter speed. Sometimes choosing a very low ISO will mean your shutter speed is just too slow for sharp images (I’ll talk about this below). If the shutter speed is too slow at the ISO you’ve selected you’ll either need a larger Aperture or a higher ISO.
Shutter Speed
If you’re shooting in Aperture Priority mode as we’re suggesting above, the shutter speed will be selected by the camera automatically once you’ve selected the aperture and ISO settings that you want. However - if you choose to shoot in full manual mode you’ll need to pay attention to shutter speed. Because your subject is a moving one (even if they are trying to stay still) you’ll probably want to keep your shutter speed at least to 1/60 second or faster (1/125 is probably better, especially if you’re not using a tripod).
White Balance
The white balance that you will need to select when taking portraits will again vary upon the lighting conditions that you’re shooting in. Learn more about White Balance.
Focussing Mode
Many digital cameras allow the photographer to choose between a number of focusing modes. At one end of the spectrum the ‘Auto Focussing’ setting on most cameras will use multiple focussing points to determine where to focus. At the other end of things is a manual focussing mode where the photographer has complete control. In the middle is often the option to focus the camera on a single point in the frame.
While the multi point AF setting will generally get things pretty right in most normal shooting conditions, in some situations it is helpful to be able to use either manual focusing or the single focussing point options (particularly in lower light). I personally prefer the single point setting as it allows me to pinpoint the exact part of the face that I want in focus (almost always the eyes).
Metering Modes
In a similar way, many cameras allow a number of different metering modes. Once again, on many cameras this ranges from a multi point system where the whole frame is taken into consideration when working out exposure levels through to a single point metering system (spot metering) where the photographer can pin point one small part of the image that they want the exposure to be base upon. Again, I often choose a spot metering mode when shooting portraits - particularly when the subject is backlit or where there are bright or dark parts of the image that could skew the results.
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When I shoot photos I typically do not adjust the settings. Then when I sync the camera up to my pc I usually adjust the orientation then.
Digital Camera Repair
http://www.precisioncamera.com/digital-camera-repair.html
All valid points, for DSLR users use Exposure bracketing!! In strong light conditions (in australia we have a lot of that) watch out for the shadows on subjects face. If you can shoot in shade or try using the flash.
Try continous shooting for that unique facial expression
In June, I took a portraiture course and all these elements were included. This is a great refresher for me from that class with some extra info as well as I wasn’t too successful with the white balance thing at all. I’ll refer back to this article again. Thanks!
On a recent outing, I took several pictures of a friend’s child using Aperture Priority. I know exposure basics, so I thought this was I became disappointed when most of the images seemed flat and unappealing. In frustration, I threw the camera into “Child Mode”, and suddenly my pictures had the rich, warm tones that I had been looking for. I reviewed the EXIF data to see what the D50 had done differently than I had and noticed that it had altered the color mode from what I had been shooting in. I don’t know if I have the mental capacity to juggle color modes at this point as well.
It’s enough to make me give up digital altogether and just work with film.
WHEN I WAS TRYING TO LEARN ABOUT THE DIFFERENT SETTINGS ON MY CAMERA, I WOULD TAKE A SHOT ON FULL AUTO, LOOK AT INFO THE CAMERA SHOT, MOVE IT TO MANUAL MODE WHERE I COULD USE MY CREATIVITY FOR MY DESIRED SHOT, IT IS AMAZING HOW THE SAME SHOT CAN LOOK SO DIFFERENT JUST AJUSTING THE SETTINGS JUST A LITTLE.
Sophisticated auto-focus cameras have functionality and capabilities that often must be subverted when attempting creative portraits. Multipoint focusing schemes are exactly what you do not want in this case. And though blurring effects can be introduced with such software as Photoshop, this hacked repair job is far less desirable than the the technique of identifying an optimal plane of focus of the subject and throwing everything else out of focus by employing a very wide open aperture. Program modes won’t do that. Hence, at least some manual control, and alteration of settings will almost outsmart the program mode.
Bruce
http://www.camerarepair.com/
When I look at something and decide it would be good to take a photo of, I get my camera and take a shot. Usually it comes out nothing like the way I want it to the first time, like my camera is colourblind or something.
I fiddle with the settings and end up trying them all until I find something that looks okay - but if I really want to express the way I see it, I would have to draw or paint it myself.
Thanks.