One thing some photographers and filmakers talk about is ’seeing in black and white.’
Whether they are shooting in black and white or colour, seeing in B&W is a useful skill to learn. If you can ignore the colour, you can tell whether an image will work or not when converted (or taken) in B&W. Also, what makes a B&W image good can also improve a colour image (contrast, use of light, shapes, form etc.)
So what happens if you can’t see in B&W?
Well, for some photographers, you don’t need to, you can let your camera do it for you. I discovered this while playing with my Canon 20D a few weeks back and love it. I shoot in RAW all the time, so any changes I make to the camera’s parameters: sharpness, contrast, saturation etc don’t affect the RAW file. Neither does the B&W setting!
It DOES affect the preview you get on the LCD screen, so you will see your photo in B&W immediately after taking the shot, but the RAW file will still have all of the colour information. So you can instantly tell if the shot will work in B&W but also still have the option of keeping it in colour.
This tip was submitted by DPS reader Neil Smith from Pic a Day.
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October 26th, 2006 at 1:27 pm
Great tip, I’m going to try it out tonight when I get home, should have the same effect on a 350d. Thanks for sharing!
October 27th, 2006 at 12:15 am
Awesome info about your Cannon… I’ll definitely have to try that!
October 27th, 2006 at 5:25 pm
As you wrote in your teaser: “Whether they are shooting in black and white or colour, seeing in B&W is a useful skill to learn.” I had hoped you would include some tips one how to learn that skill. Instead I gained something else, how to compensate for not having it. A bit disappointing due to lead-in.
October 31st, 2006 at 5:57 am
I was hoping you would explain a bit on why that skill is important