5 Fail Proof Portrait Poses
In this post Gina Milicia – author of our brand new eBook “Portraits: Making the Shot” shares 5 great portrait poses.
When I was starting out as a portrait photographer, I began creating a visual diary and mimicking the images I loved. Some people will tell you that it’s wrong to copy but for centuries, every generation of artist has imitated the masters before them. Once they’ve mastered the technique they move on to develop their own style.
Photography is no different.
You don’t have to come up with a thousand new ways to pose someone. Use the ways that work for you and your model.
Here are 5 of my “go to” poses
1. The Controposto (or S) Pose
This is one of my go-to poses. It’s a great starting point for both men and women because it’s flattering for almost any body shape and doesn’t require any special props or locations.
Update: Gina expanded upon this pose a little more in comments below writing:
The controposto is basically the following stance
- Feet are adjacent to each other with weight on back foot and front foot pointing to camera
- Hips are side on to camera
- Upper body rotates to camera
Try and learn how to pose your own body in this way and experiment with variations ( one size does not fit all)
Then when you have mastered this pose you will find it much easier to demonstrate to your sitters.
We’ll get Gina to write more on this pose in a future post.
2. Lean on me (or working the wall)
This is a particularly good pose for people who are really awkward. Some people have a real awareness of their body and they will always look comfortable, but it’s not as easy as that for others. Simply giving your model something to do, like leaning against the wall, can be enough to relax them.
3. Jump in my Car
A car is another great prop. On a bright sunny day, the shade of a car will give you great light and again, your model will have something to do to help them relax.
4. A leap of Faith
As with many of the other poses mentioned, if someone is awkward simply standing, giving them something to do can really bring the photo to life.
It’s not always easy but you can introduce some life and movement into the person and their clothes by getting them to jump or leap.
5. Walk the line
The walking shot is great if you want to capture groups, couples and singles.
I like to shoot from a low angle with a fast shutter speed to freeze motion.
Enjoy this post? Check out more of Gina’s advice in her new eBook – Portraits: Making the Shot (and get a bonus one free for the next few days only).
17 Responses to “5 Fail Proof Portrait Poses” - Add Yours
February 16th, 2013 at 6:49 am
I find #4 to be particularly effective (though can’t claim to have done anything that spectacular)!
http://www.flickr.com/photos/69604456@N07/8436360952/in/photostream
February 16th, 2013 at 8:10 pm
Sorry, I missed something, what’s the first pose?
February 17th, 2013 at 1:24 am
A little more detail in general but particularly about #1 would be helpful…. You can’t just say to a subject, “Go ahead and give me a Controposto”… what do you tell them to do to achieve that body language?
February 17th, 2013 at 9:47 am
Thanks for your comments Deb Scally and Andrew
I am hoping to write a more detailed post on each of these poses so look out for them. In the meantime, in answer to your question the quickest and easiest way to set up this pose is to show it to your sitter.
I explain a lot of this in my last blog 10 Ways to Direct A Portrait Shoot Like a Pro http://digital-photography-school.com/10-ways-to-direct-a-portrait-shoot-like-a-pro
The controposto is basically the following stance
1. Feet are adjacent to each other with weight on back foot and front foot pointing to camera.
2. Hips are side on to camera
3. Upper body rotates to camera.
Try and learn how to pose your own body in this way and experiment with variations ( one size does not fit all)
Then when you have mastered this pose you will find it much easier to demonstrate to your sitters.
Good Luck and hope this helps.
Thanks for your comments Guigphotography, #4 is also one of my favorites.
February 18th, 2013 at 2:33 pm
Thanks for explaining Gina!
Great article!
February 22nd, 2013 at 2:27 am
hi photo nerds, hope u are doing great,..
I have a question for all of u , one of my friend asked me how to photograph people who are overweight (fat) and who dont like to pose for the camera, poses for them which will make them comfortable. any ideas ??
February 22nd, 2013 at 2:45 am
The jumping pose is fantastic! I’ve done some jumping poses before, but you must have had some high ground there to get that view
February 22nd, 2013 at 4:15 am
Thank You for the Free Information about how Portraits & other Photography Poses can help one be a better Photographer!
February 22nd, 2013 at 6:25 am
first pose is basically making an S with your body by placing your weight on the rear leg
February 22nd, 2013 at 6:22 pm
I find #2 a little awkward, actually. She has to put the hand on the skirt to prevent showing the underwear and the shadows on the back part of the left thigh make her look like she has cellulite yet I’m sure she has not!
February 22nd, 2013 at 8:31 pm
Subhash raj, when it comes to overweight people, the best thing to do is have the people wear darker clothes, and make sure that they do not face the camera directly with their body, always have it at an angle (if there is less light on one side make the stomach in the darker area and the back in the lighter area) unless someone smaller is in the shoot, then put the bigger person just behind about half way behind them, to cover some of the front. If they have big hands, try a pose that brings out the hands to make some of the attention go there rather than the stomach, eg fists up or thumbs in pocket and rest of hands out. If you look at the first photo, fourth from left is a good pose for larger guys and the lady on the right is a good pose for larger ladies.
At least that is my opinion on the matter
February 23rd, 2013 at 9:23 am
Hello Davidev – I beleive what the Photographer had in mind with #3 was the way the Portrait was shot the subject is crisp & clear while the background has that slight blur to it? He/She was not worrying about the cellulite if there were any and the skirt being too short! You may have just read too much into that Photograph.
February 23rd, 2013 at 5:57 pm
Ok, so I looked it up, and a controposto is a pose where a figure stands with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs.
Is a more simplified version of the S Stance where a figures upper torso is twisted in the opposite direction from the lower half (ie left foot forward, right shoulder twisted forward).
Think of all those greek statues and you are there.
February 24th, 2013 at 9:23 am
Thanks for your comments Kristy, Maria Assia, MickeyD.
Hi Geo and Andrew, love your definitions of controposto. Much better than mine! Thanks for sharing.
Re #3 Hi Davidev, thanks for your comments. This image was used as an example of how I might photograph someone in a car. Hopefully if you like the idea you can borrow it,reinterpret it and improve on it in a way that is more your style.
Hi MickeyD, thanks for sharing your insights, you are spot on.
February 24th, 2013 at 4:32 pm
Thank you jacques . point taken.
February 28th, 2013 at 1:19 am
You are welcome subhash raj, I am a large fellow myself, so I do need to know some of these things for when I want to pose as an example to others
April 25th, 2013 at 3:27 am
Hello, I’m an art student and you misspelled “contrapposto” which is just the pose of a person naturally standing. For instance, in Michelangelo’s David, or almost any Classical Greek statue. It does not entail how you described it, as it means “counterpose” and the point is that one side of the person is in motion, and the other is in rest. It could be suggested to the model by asking them to put all their weight on one foot, and have them put the arm on the same side as the bent foot on their hip or something to that vein.
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