Tips for Pre-Planning City Photography When Travelling


You have finally arrived. After all the planning and decisions you are in one of the most beautiful places in the world. You have rested, and now you’re ready to go out to see what you can photograph.

You look around and realize you’re overwhelmed, and you’re experiencing sensory overload. You can’t figure out what to photograph, as there are too many options, and you don’t know what will make a good image.


Manhattan at dusk from Brooklyn Park

This is a common problem when you find yourself somewhere that has so many amazing places to look at, and to photograph. It happened recently in New York to someone I was travelling with. She couldn’t work out what to do and how to approach where she was. She felt lost in a world of so many beautiful things to take photos of.

If you find yourself in a similar situation, here are some tips to help you get past that.

Figure out what you want to see

Think about why you have travelled to this destination. There have to be reasons why you wanted to go there. It might be a good idea to do some research and get an idea of what you would like to see ahead of time.

Make a list

Once you have that, the next thing to do is to make a list of the places you want to visit. For example let’s say you are in New York City. Some examples of places to visit and things to do include:

  • Empire State Building
  • The Flatiron Building
  • Walk over the Brooklyn Bridge
  • Times Square
  • Take a ride on the subway
  • Explore Central Park
  • Pay your respects at the 9/11 Memorial

Of course a city like New York is full of amazing places to go and photograph, these are just a few.

Work out on a map, or, if you have internet access, Google Maps, where they all are and how many of them are near one another. You don’t want to see them all on the same day, so divide them up over a few days.

What is the best time of day to shoot your chosen locations?


The Flatiron Building in New York just after sunrise.

It’s good to see where they are on the map as well for orientation. Can you see where they will be according the position of the sun each day? Take the Flatiron Building for example, would it be better to photograph it in the early morning, or in the late afternoon. Early morning during the sunrise could give you a lovely colour in the sky, but it will also mean that there will be less people around. If you are anything like me and don’t like people in your photos, then early morning can be the best time to see and photograph places.

Then again, if you want to photograph Manhattan after walking over the Brooklyn Bridge then late afternoon is going to be a better time. You get the sunset and then the lights coming on in the city.

The number of people at these places is also something to consider. New York is full of tourists, though many popular cities around the world are the same, so you need to think about whether or not you want them in your images. You can get photos without them, but that can take patience.

How are you going to photograph your chosen spots?

This is the part that can baffle a lot of people. Once you have narrowed down what you want to take photos, next you have to decide how to do it. There are several options, these might help you decide.

It is very easy to walk up to a building, hold the camera up to your face, click, and then you’re done. That is often what you see tourists doing, the “I’ve been here and done that” type of image, but as photographers we usually want more than that. You can get a lot more from a location- here are some tips to help you get better images:

1 – Photograph everything


A close-up of the clock at Grand Central Station or Terminal

With the age of digital, not having to worry about how much film is going to cost to buy or process, you really can photograph everything. If something catches your eye, then take a photo of it.

Don’t analyze why, just do it. You can think about things too much, but keep in mind that you are there to take photos and it doesn’t matter, just snap away.

2 – Focus on the details


Detail of the Flatiron Building in New York.

Sometimes if you just look for the little things, the shape of a door, or some ornate decoration above a window, it can make a big difference.

Old buildings are great for giving you lots of details. They were often built using heaps of ornamental decorations around doors or windows. Besides taking photos of the whole building or location, think about smaller things, and how a close-up of a certain aspect can help give more of an idea of what it looks like.

If you look at the Flatiron Building, first you see the oddity of its shape, how it is placed within its environment, and then you start to see the stonemason’s work on the sides. It is covered in lacework and small sculptures.

New buildings don’t have the type of stonework as the older ones, but you can still get some interesting images. Often instead of small things, the buildings themselves are one large shape. It can be good to find that shape and the best way to take an image of it.

Take the new World Trade Centre, or, as it is commonly called, the Freedom Tower. It is an incredible shape which stands out all over the city. There is no denying it when you see it. Look at its form, and see if there is anything unique about it.

3 – Consider its position in the environment


Looking through Manhattan Bridge to the Empire State Building.

The situation of the object you are photographing can help tell the story of it. Look around and see what else is there. Is it a busy street? Do people use it a lot? Is there a strange juxtaposition of what it is and where it is located?

Central Park is so big, yet it seems almost a contradiction to see it inside a city of steel and glass. It can be seen as an escape, yet in certain places you can see the city above the line of trees.

4- Look inside


The staircase and ceiling in the New York Public Library.

There are many buildings that you can also photograph inside. Just make sure you have permission to do so first.

Once inside don’t use the flash on your camera, it will give your a strange look and, if it is a big room, will have little affect. Most public buildings frown on the use of flash as well.

Once you go into a building you will need to make your ISO higher, so don’t forget to raise it when you go inside.

Staircases are wonderful to photograph in both directions. Old buildings often have wonderful light fittings and very ornate ceilings, try to capture those.


New York appearing above the trees in Central Park and the Bow Bridge.

Before you head out the door

Remember what you want to do when you are out taking photos. If you make a list of what you want to photograph, or a summary of this list, then you will get what you want.

If you are going to the Flatiron Building your list might look like this:

  • From across the street and straight on
  • From the left looking down the side street
  • Do the same on the right
  • Stand at the bottom and look straight up
  • Zoom-in on some of the different details on the building
  • Move to one side and have the building on the left or right and then show the street it is on

This can be a good way to get the shots you want. You don’t want to get back home and wish you had done something else.

If you think about all of these aspects of travel photography then it should help you to get over your feelings of being overwhelmed. It will help you focus on what you want to photograph, and how you want to see the city through your camera.

Read more from our Tips & Tutorials category

Leanne Cole is a fine art photographer based in Melbourne, Australia. She loves Melbourne and photographing it, along with other parts of the state. She likes doing architectural and environmental photography. You can find her on her website or on Instagram.

  • This is so useful. Thank you for sharing those tips! I love travelling and exploring new places. So far I would recommend Lyon as a place to come over and take many very good photos. You can check it out:

  • Blake Lewis

    Or, better yet: “Tips for Pre-Planning City Photography When Travelling”

    1. Take a camera with a wide angle and zoom lens, spare batteries, spare cards.
    2. Take photos of things.

  • You’re welcome, glad you found them useful.

  • The woman I was travelling with had all those and didn’t know where to start, she was confused and overwhelmed. We had to do these for her to get past that. So just taking those things is great for experienced photographers, but not everyone finds it that easy.

  • Thanks for the great article! I am going to America next year so this is really helpful and I’ll be sure to plan before I go out!
    Thanks again,

  • That’s great to hear, The US is fantastic for photos, beautiful country. Thanks.

  • Mauro Tonelli

    Great article! I’ll be in NYC next month…
    Say, what about the use of tripods. Is it any good to bring one for shooting the cityscape or would it be just weight on my bag?
    Mauro T.

  • So many good things to photograph there.
    Many places won’t let you use a tripod, but if you are doing things like photographing Manhattan from Brooklyn park then you pretty much need one. I had a small lightweight one with me, and I had a good Gorillapod which I used quite a few times, So if it doesn’t weigh too much I would. Places like the Empire State Building, won’t let you take a tripod up with you, but they let me take my gorillapod. You can’t use a tripod in Times Square either.
    I hope that helps.

  • Nicci Carrera

    I love the way you presented this article, Leanne. You have a calming style and a practical approach that feels more like common sense and less like pro-photographer speak that is intimidating. I felt less nervous just reading it! That made it easier to absorb your tips. I have traveled so much and wish I had known all this before. But I’ll know it now, as I go out. I’m going to save this article.

  • Thank you Nicci, that is good to know. I hope the tips help you when you travel from now on Nicci, good luck with it all.

  • John Voss

    I’m glad your trip was so successful! You found some classic views, and photographed them well. Only the natives know what the cliche shots are, but it’s good to find them yourself anyway. Your advice to shoot everything, though, allows you to discover views unique to your own perception. They may be the images that become the most important to you later.

  • Chris

    Going to NYC next month and just last night added the Flat Iron to my list of places to go. I am really looking forward to walking the city and finding some treasures. I have my days mapped with locations and events. I will be there for the Macy’s parade which i am sure will be overwhelming. Suggestions?

  • Thank you John, I agree, then again when you travel to somewhere like New York almost seems cliched to get the cliched shots if you know what I mean. I wanted to see the things that everyone wanted to see as well, though I think I stumbled onto some places that aren’t on the tourist maps, maybe. I agree with that too, you should just shoot everything, best way really. I might have to go back and revisit mine and see what else I go. Thanks again.

  • The flatiron is great first thing in the morning, so if you can get there early, around sunrise, you might get one in the background, and it is almost peaceful. Sounds like you are going to be very busy Chris, I hope you have good shoes to wear, I think that is what got me, how much walking you actually do. Sounds like you are all, have a great time. As for the Macy parade, take the time to look and take photos, just shoot everything, have fun with it. Thanks

  • John Voss

    Nothing wrong with the cliche view, because it’s YOUR record of YOUR being there. If one’s intent is to make art, that’s another thing. The traveler would have to spend a lot more time than a week or two to ferret out unique things to see and interpret. Your advice is excellent, though, for one without the luxury of an extended visit.

  • I totally agree John, I knew on my trip that while I might get some shots that could be art, that I wasn’t going to get anything amazing. I know my subject is Melbourne, and that is where my art comes from, New York was an amazing experience, and fantastic, but you are right you would need to be there for a long time.

  • Gavin Malavolta

    For me foreground elements are often important. I like to get other objects into the frame that create a visual relationship that might not otherwise exist in the “real” world. And I also like odd angles that create a bit of visual excitiement

  • yes good tip and shot!

  • Yes, it is all part of it, I agree. I love odd angles as well and am always looking for the too.

  • Bernardo Monzon

    On 59th and 1st there’s the tram going to Roosevelt island. I liked my pictures into the avenue as I crossed it from above, and besides the trip is nice. I wonder if they still use subway tokens there. When I visited, it was the last spot where you could purchase them at their price of a one way fare.

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