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There’s been an explosion of interest in photographing costume portraits over the last few years. From movie cosplays to historically-inspired portraits – there’s no end to the kind of costumes that could make their way into your portrait portfolio.
Shooting someone who is playing a role can bring a whole new dimension to your images. It can add depth and vibrancy to your portfolio. People often lose their inhibitions about being in front of the camera if they are pretending to be someone else!
With that in mind, here are my top five tips for creating portfolio-worthy costume portraits.
Fabulous costume portraits have been created throughout history, both in photography and in other kinds of art. Julia Margaret Cameron, for example, was a British photographer born in 1815 who used to shoot people dressed up as characters from Shakespeare. Her contemporary, David Wilkie Wynfield, would photograph his friends wearing fancy dress in the style of the great 16th-Century Venetian artist, Titian.
And don’t just stop at taking inspiration from photographer either – there are thousands of years of portraits to take inspiration from. In the portrait above, I took inspiration from a painting called La belle ferronnière by Leonardo da Vinci. Other times I’ve been inspired by different historical artists – Rembrandt lighting is a popular technique amongst photographers too and a great place to start!
Never be afraid to try self-portraiture when you’re experimenting with different lighting and looks inspired by historical portraits. It can take a bit of practice to get it right, and you will almost certainly be your most patient model! The shot above is the result of an hour locked in my studio experimenting with light and self-portraiture. I cannot recommend the Fujifilm camera system and app highly enough for shooting self portraits. You can focus and shoot at the touch of your phone screen!
Costume portraits are a great excuse to step away from the kind of lighting that you would usually use and try something different. If you always use studio lights then how about trying some available light? That’s how artists would have mostly worked in the past, and if it worked for them then it must be worth trying! Equally, if you usually work with available light then perhaps this is an excellent opportunity to step outside your comfort zone and try something tight and controlled with studio lights?
I’m not suggesting for one moment that you should become a victim to historical or film accuracy in your costume portraits. But it does pay to just think through all of the elements that your subject is wearing or surrounded by.
In a costume portrait, even more so than a regular portrait, every aspect of the costume and any props contribute to the story being told by the final image. Ideally, nothing should appear in the final image that wasn’t intentionally put there to be a part of the story.
So if you are shooting a portrait inspired by a period of history, or perhaps inspired by a film or comic book, just take a little time to research your inspiration before scheduling a shoot. Check that your costume, accessories, and props aren’t going to be jarring to the story you are trying to tell.
This is where it might be worthwhile working with costume designers if you are new to styling costume portraits. Their expertise and advice on putting together and styling different kinds of costumes could save you an awful lot of time and heartache in the long run! Of course, there are always opportunities to hire costumes from theatres too – it can be a surprisingly cost-effective option.
Think about the scene that you want your character to inhabit. Are they royalty sitting atop a beautiful throne, or are they a post-apocalyptic warrior tracking danger through the forest? Scouting out a location and sourcing props to suit can be half of the fun when it comes to staging a costume portrait!
You can find great locations in the most surprising places. I have shot in front of huge roller shutter doors on industrial estates, in a scrubby bit of forest that looked like a dreamy estate in the final images, and against an old stone wall in my back garden. With the right lighting, lens selection, framing choices, and post-processing the most unexpected locations can look great in portraits.
But, of course, there’s always the option to head into the studio! Taking a subject into the studio and placing them against a plain backdrop can serve to really highlight the story you are telling through their costume and appearance. It puts the focus squarely onto the subject. This style of studio shooting can be a double-edged sword. There’s less room for mistakes in this kind of controlled studio portrait, but the payoff can be more than worth it when it comes to portfolio-worthy images.
When people usually sit for portraits they are playing themselves. So when you have someone sit for a costume portrait, it is helpful if you can have them play a role. It can help them to get into character more quickly and easily.
Before you do the shoot – while you’re pulling together your styling and location – think about the character that you’re looking to capture and write down a few thoughts as part of a shoot plan.
Are they a brooding young Victorian poet who lost their love? Perhaps they’re an underground rebel trying to uncover a government conspiracy four decades in the future? This is the driving force behind the entire shoot, so gear everything towards bringing this character to life.
Once you have your subject dressed up and with makeup done, equipped with props, and in the location you have chosen, all these elements should come together to help them portray the character. It’s their portrayal of the character that will shine through, tell the story, and truly make your shots portfolio-worthy.
You’ve styled an amazing shoot in a fantastically atmospheric location with a great team, and you’ve collaboratively told a compelling story. So what is next? Post-processing – that’s what.
The choices you make on the computer or in the darkroom after the shoot really help you focus the storytelling. Good post-processing can help elevate a portrait to something extraordinary.
You can make stylistic choices in post-processing that you may not otherwise make if you were shooting regular headshots or family portraits. For instance, when I shoot images with an apocalyptic theme, I tend to add lots of layers over the top to create a grungy look to the piece. If I am shooting something inspired by a sci-fi movie, then I often choose to push the colors quite hard to resemble the film grading used by cinematographers. Moreover, if I shoot something medieval- or viking-ish, I usually dull all the colors down and make the finished shots look “dusty” and worn.
With practice, you’ll find your style for post-processing costume portraits. Don’t be afraid to step outside of your comfort zone and do something different from your usual approach. Everything about these images is already completely different from how most people would approach a regular portrait. It’s a chance to experiment!
Now that you’re armed with my top tips for shooting costume portraits, it’s time to try it out yourself! Remember to create a character, set the scene, and think about every element that you’re placing in the image. That way, you’ll tell a compelling and consistent story that shines through in the final image.
I’d love to see your attempts at shooting costume portraits. Post an image in the comments for everyone to see!