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9 Tips for Eye-Catching Street Portrait Photography

tips for eye-catching street portrait photography

Street portrait photography is incredibly fun and rewarding, but it’s not always easy to capture a great image. You might struggle to find the right subjects and the right compositions – or you might feel uncomfortable photographing people as you pass them in the streets.

Personally, I love taking street portraits, and in this article, I share all of my favorite tips and techniques for beautiful results. I explain how to work with different backgrounds, how to capture interesting poses, and how to approach people so you can capture a quick shot. By the time you’re done, you’ll be ready to create interesting and evocative images of your very own.

So whether you’re a street portrait beginner or you simply want to level up your existing skills, read on!

man standing before tree background street portrait

1. Keep your photos simple

When it comes to street portraits, simplicity is your friend. Aim for simple subjects, simple backgrounds, and simple compositions.

So before pressing the shutter button, carefully observe the scene. Are there unnecessary elements? Is the background simple enough to emphasize the subject? Does the entire shot feel balanced and uncluttered?

If you do notice unnecessary parts of a composition, try to remove them. Sometimes, this is as simple as moving a few steps to the right or the left. Other times, you may need to get close, move farther away, or get up high.

Pro tip: One of the quickest ways to ruin a street portrait is by including a busy, complex background. A busy background will make your image look flat, it will swallow up your subject, and it’ll distract the viewer’s eye. Personally, I love backgrounds that are clean, colorful, and strong, like this:

man walking in front of colorful background

The line in the middle nicely balances the subject, plus the strength of the colors and line contrasts nicely with the older man.

2. Break the world into elements

Composition is a fundamental part of street portrait photography, but it’s often a sticking point for beginners. After all, how do you arrange the elements of a scene for that perfect amount of dynamism and balance?

My advice? Try to break down the world into elements. Then tell yourself that you’re simply organizing the world in an interesting way.

See, 3D eyes and brains make things unnecessarily complex, and – as I discussed in the previous tip – the best street portraits tend to be simple. So you need to see the world simply, too.

You might break down the world into objects (e.g., roads, windows, doors, bricks, roofs, people, etc.). Or you might go even further and view the world in terms of geometry (e.g., squares, circles, rectangles, and so on). Either can work; the key is to pick a method and stick with it.

Then build your composition from there. Look for relationships among the different elements. Consider ways they can balance out one another across the frame. Remember: You only need one or two interesting elements to make a photo. If you can identify the right elements, and you can put them together in the right way, you’ll end up with a beautiful image.

two people standing by a wall street portrait

3. Use a slow, contemplative approach

man smoking

When you first start shooting street portraits, it can be a scary experience. You might find yourself rushing in an attempt to prevent tension between yourself and your subject.

But here’s the problem:

The best street photography requires contemplation. You need to take a proper look at your subject – especially their eyes, which tell you how the subject is feeling and even thinking.

So do what you can to relax into the experience. Go slow. If you need to, use your camera as a sort of shield between yourself and your subject; that way, you feel less tension, and you can spend time observing your subject’s face and understanding how they really feel.

If you’re just starting out, you can ease into this approach. First, simply look through your camera without firing the shutter. Then once you feel comfortable looking, take an image. Over time, you’ll gain confidence, and you’ll be able to see a subject and capture a photo in a single instant.

woman on a motorcycle street portrait

4. Look for weird or humorous situations

Some of the best street portraits show the viewer something unexpected or even humorous. It’s one of the simplest ways to get started capturing meaningful street photos – plus, when you’re out shooting, it’ll give you some direction and keep you aware of your surroundings.

For instance, you might look for people making unusual gestures or expressions:

woman taking a selfie

Or you might capture subjects that offer an interesting juxtaposition with background elements:

woman with silvery cloak in front of a building

Note that your images don’t need to be eye-popping odd or laugh-out-loud funny. Just train yourself to notice interesting or confusing behavior – and as soon as it happens, raise the camera to your eye and take a photo. Some of the shots will work and others won’t. That’s okay! With practice, you’ll refine your style. In the meantime, have fun experimenting!

woman with paper in mouth street portrait photography

5. Find a great background and wait

There is a simple technique among serious street photographers:

You find an interesting location, such as a colorful background, an eye-catching display, or even a sign. Then you wait for someone to walk in front. If you pick an area with significant foot traffic, the right person will meander on through, and you’ll get your street portrait – one that combines a stunning background and an interesting subject.

Plus, when you continually gaze at one area for many long minutes, you become very familiar with it. You notice things that you didn’t initially see, and you start to understand what makes the location special. You may even decide to come back a second or third or tenth time – in different conditions, under different lighting, using different compositions.

Of course, this technique does require patience, which is a very good thing for a street shooter to develop (and something that beginners often lack). If you find yourself struggling to stay in one place for more than a few seconds, remind yourself that a good scene will appear; you just have to be ready when it does!

man in front of psychedelic background

6. Make use of color

Some street portraitists prefer to shoot in black and white – but personally, I have always liked shooting in color. Color allows you to communicate different feelings, and you can use it to move the viewer, just the same as you can move them with light or interesting subjects.

So as you walk with your camera, look for color. Notice colorful backgrounds, notice the color of subjects’ clothing, notice the color of the shopping bags in their hands. And when you find pairs of colors that seem to work well together, take a photo!

man on roller coaster ride

You can also approach color street portraits in a more deliberate way. Colors communicate different feelings (e.g., yellow is warm and happy, green is peaceful, red signals confidence or anger). If you have a feeling in mind, you can find the right background colors – then you can wait (using the technique from the previous tip!) until the perfect subject walks through.

portrait of man washing storefront windows

7. Don’t be afraid to ask strangers for a photo

Photographing people up close can be intimidating. But most people are happy to be photographed! That’s essential to remember when you’re going out and about with your camera.

It’s especially true if you ask permission first. Simply be confident and friendly. Say, politely, “Would you mind if I take your photo?” Sometimes, you can simply gesture to your camera, and you’ll get a nod or smile in return.

After all, humans are built to connect with other humans, and photography is a powerful form of connection. When you take someone’s photo, you are basically saying, “I see you! You matter.” And for most people, that’s a wonderful compliment.

But be ethical in your approach. Don’t photograph kids or the obviously vulnerable, and if someone doesn’t wish to be photographed, simply walk away. Photography is an exchange, and if you photograph someone, it should be with respect.

group street portrait four people together

8. Pay attention to gestures

The more closely you watch humans, the more they reveal themselves through gestures. And it’s in that moment – when a gesture occurs and conveys something meaningful – that you can capture an interesting portrait.

Note that gestures simply refer to movements of the body. So a person can create powerful gestures with their hands, but also their eyes, their legs, their fingers, or even their feet.

When it comes to capturing gestures, you should pay careful attention to timing. A millisecond can be the difference between a stunning shot of an evocative gesture or a boring, flat shot with nothing at all – so practice hitting the shutter button at the exact right moment. (You might also consider using your camera’s continuous shooting mode, especially when starting out.)

I took the image below for a project on stomachs. Each photo from the project was totally different; the way that a person presented their stomach and the gestures they made conveyed so much about their personality and about how they feel about themselves.

man showing off stomach

9. Be yourself

When I lead workshops, I’m often confronted with concerns about originality. My students worry about how over-photographed the world seems. They worry they won’t have anything interesting to contribute and that it’s all been done before.

That’s the wrong way to think about street portrait photography.

Of course the world is heavily photographed, and it has been for years. But the world isn’t static. It’s an ever-changing, ever-moving organism. Nothing stays the same, so the possibilities for original and interesting photos are literally infinite.

Plus, while the world itself might be frequently photographed, individuals are not. Of how many street portraits have you been the subject? The answer is “not many,” right? My point is that, by finding individuals to photograph, you’re creating new and interesting photos.

More importantly, though, photography is an expression of who you are. You might start out by capturing unoriginal photos. But the more you fire that camera, the more you’ll create images that are a total expression of you: your passions, your experience, and your way of seeing the world. And that is enough to create the unique and interesting photographs you’re aiming for.

man standing by tram line street portrait photography

Street portrait photography: final words

Street portraits might seem difficult to create, but they’re not as tough as you might think. Hopefully, this article has helped you recognize how to get some beautiful results!

Now over to you:

What street portraits do you plan to take? Which of these tips do you plan to implement first? Share your thoughts in the comments below!

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Anthony Epes
Anthony Epes

is a photographer whose work has been featured internationally; including on BBC, French Photo Magazine, Atlas Obscura and CNN. He is also a teacher – writing in-depth free articles on his website. Receive his free ebook on the two essential skills that will instantly improve your photos, and sign up to his weekly newsletter providing inspiration, ideas and pro-photo techniques.

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