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While I was at WPPI this past year I got to meet our illustrious managing editor Darlene Hildebrandt. We walked the expo floor for a bit and I was introduced to a number of people by Darlene. We talked with some of the people over at Tamron and had some of their snacks and coffee that they offered at their booth. One of the perks of writing for Digital Photography School is gaining access to new equipment and software for review. It was there at WPPI that I got to see the Tamron SP 15-30mm F/2.8 for the first time (to be perfectly honest, I didn’t even know it existed!). A few weeks later, a loaner lens arrived at my apartment in Brooklyn, and I spent the next week taking it to a wedding, a travel trip to Seattle, a portrait session with a ballerina, a shoot with a fashion blogger, a corset ball, and a yoga party. Here are some my thoughts in this mini lens review:
This is a Tamron SP 15-30mm f/2.8 Di VC USD. Let’s define some of the named elements of this lens so we know what we are dealing with:
Basically this lens is a beast. It’s at the top of the food chain in terms of quality, build, and performance.
This lens feels like a tank. It is super solid, heavy, and durable. I had no worries about bringing it out in some weather in NYC (and Seattle) since it has lens coating and moisture resistant construction to keep water away (still – don’t drop it into a pool). The front end has an enormous bulbous lens element that looks impressive when on the camera.
As I used the lens throughout my various shoots there was one funny thing that I had to get used to, and that was that the direction that I twisted the lens to zoom in or out was opposite that of my Canon lenses. There was some “learnability” involved when using the lens.
One thing I like about wide angle lenses, and shooting with a wide open aperture at f/2.8, is the natural vignetting that occurs. I think it is moody, cool looking, and natural.
One area that I think the lens performed spectacularly was shooting in low-light environments, when I had to focus in the dark. I really noticed this because every other lens I use always ends up “searching” a bit in the dark before focusing, or it just doesn’t focus at all. So it was extremely satisfying pressing my focus button and having the lens lock in right away. There is nothing more embarrassing than telling people to wait a moment while you try to focus in the dark, then ending up with a blurry picture anyway.
My last observation was that this is a big, heavy lens. This is not a lens I would take traveling around the world. For this New Yorker, who doesn’t have a car and travels with everything on his back, I could definitely feel the weight of this lens throughout the day as I went up and down the stairs into subways, airports and gigs. For the rest of you non-urban travellers, throw this in your bag, put it in your car and you’ll be fine.
Although this is not something I normally notice on a lens, the Tamron SP 15-30mm is consistently sharp from edge to edge. Lack of sharpenss around the edges is a complaint heard often with regards to ultra wide lens. They perform fairly well in the center of the image, but tend to get a bit fuzzy as you move closer to the edges. You can see in the ballerina picture and the accompanying cropped in photos how consistent the lens is across the image (below). Again, another point in favor of the Tamron SP against the big names debate.
This is really a great lens and Tamron is making a point to set itself apart from the competition by it being the least expensive lens with the widest aperture, fastest focus, while also incorporating image stabilization. I would definitely use this for interior photography all the time, and for great urban or natural landscapes. I would not bring this along for long travel trips abroad because of its size and weight.
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