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There’s something about the way sunlight illuminates a room. The light pours over surfaces, metal fixtures gleam, wood detail shines, and the edges of furniture upholstery glows. Natural shadows produced by different objects convey a sense of depth. A naturally-lit image gives you a feel for what it would be like to see the space in person.
The following will give you a basic understanding of equipment needs, how to manage contrast and mixed lighting in a room, and HDR shooting techniques to get you started doing real estate photography using natural light.
Shooting with natural light has the benefit of a short equipment list. A camera, tripod, and wide angle lens is all you need.
A sunny day is the best canvas for your exterior shots. Try to schedule your shoot during a time of day when the sun will be shining on the front of the house. Ask your client (or check Google Maps) to see which direction the house faces. You want capture the front exterior in its best light, as it’s almost always used as the featured image for the property’s listing.
If it’s not possible to shoot the exterior in sunlight, don’t fret. Shooting HDR (explained later on) will help perk up a shady exterior.
There’s usually one ideal spot in a room, to position your camera to showcase the best angle. A room’s best angle usually shows:
For the natural light photographer, finding that spot depends on two things: available space, and window brightness.
Most importantly, you need to pick a space you can physically occupy. For smaller houses and rooms, quite often your only choice is the doorway, as it is likely to be the only spot where you can fit behind the tripod, and still squeeze enough of the room into your shot. Capturing three walls in your shot will give the viewer a better idea of the size and space of the room.
Rooms large enough to offer more than one shooting location often have windows lacking shades or blinds. Pick a spot in which extremely bright windows are angled more than 45 degrees away from center of your lens’ field of view. Doing so will help you avoid a high-contrast shooting situations and potential lens flare, which will in turn reduce your time spent in post-production.
The windows in smaller rooms, such as bedrooms and bathrooms (in which your shooting position is limited) usually have blinds or shades. If the windows are bright, consider closing them at least partially, to reduce contrast between the interior and exterior – especially if the view outside is not an additional selling point for the house. This cuts down on the overall contrast of the scene, while still illuminating the room. It also prevents direct light from hitting your lens, minimizing flare and ghosting.
Natural light can create beautiful images, but they do require some extra work in post-production. Rarely can a single exposure handle the range of contrast produced by an interior space with windows. HDR techniques will help remedy shadowy corners and bright windows, properly exposing all parts of the space.
To create an HDR image, you’ll need to shoot a series of bracketed images. Tiny rooms without any windows, such as washrooms and closets, usually require three images bracketed by 1-1.5 stops. In most rooms 5-7 images will do the trick. High-contrast spaces containing bright interior lighting and/or windows, may require nine bracketed images. For rooms with exterior views, sometimes HDR programs have difficulty rendering the contrast, no matter how many bracketed images you shoot, and the composite starts to look unnatural.
In general, it’s difficult to achieve a natural look within an image that contains a room with a view. For finer control over this interior/exterior blending process, consider shooting an image to expose for the view out the window, then using Photoshop to mask the view into the HDR composite image of the room.
Even though the change is subtle, the potentially distracting overexposed window scene is now closer to proper levels, making it easier for the viewer’s eye to move from the interior to exterior, and back again.
One of the difficulties of working with natural light, is dealing with mixed lighting situations. If enough light is coming in through the windows, you can choose to leave interior lights off, resulting in a single daylight color temperature throughout the image. Leaving interior lights off works especially well when window light is sufficiently illuminating the room, the light fixtures themselves aren’t in the frame, and the palette of the room is mostly white.
If the room isn’t bathed in sunlight, or contains light fixtures like pendants or chandeliers that should be on display, make sure to turn them on. You’ll end up with multiple color casts that will require correction later, but there’s a point at which simplifying the lighting just to speed up post-production, starts to undermine the ambiance of the room.
Mixed lighting in the living room above, and the bedroom below, required a significant amount of color correction in post-production, but resulted in more inviting and warmer looking spaces.
You can reduce your color correcting time by masking in the lights, the same way you would the view outside a window. Shoot the room with the lights off, then with the lights on. Create two HDR composites of each lighting situation, then mask in the illuminated lights. This works well with fixtures that don’t provide much illumination but should be seen turned on.
Shooting real estate with only sunlight and interior lighting lends a beautiful, natural aesthetic to your images. When setting out, remember:
Please post your questions and share your real estate photos in the comments below.
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