In this video by PiXimperfect, you’ll learn the easiest way to achieve rich and beautiful skin tones in Photoshop.
In this tutorial, advanced Photoshop masking tools are used to target only the skin tones in the image. After selecting the skin tones, adjustment layers are used to add color to it.
The easiest way to achieve rich skin tones in Photoshop:
Open your image in Photoshop.
To begin your selection of the skin, go to Menu->Select->Color Range.
To select the skin correctly, be sure to select “Sample Colors” (not “Skin Tones” because this feature doesn’t capture the skin tones with accuracy).
Firstly, decrease the Fuzziness value to around 15, and then select the first Eyedropper tool. Using the eyedropper tool, click on one part of the skin in your image. To see what your selection is, ensure that you mark Selection in the Color Range window.
Now select the second Eyedropper with the + symbol to extend the selection of the skin range. To do this, click and drag your Eyedropper tool across all skin tones until you have selected them all. Make sure no area is left out.
You don’t want to keep the selection harsh, so go to the Fuzziness Slider and change it to around 55, and then click OK.
Now that you have a selection of your skin tones, or colors similar to your skin tones, click on the Adjustment Layer icon in the Layers Palette. Choose “Solid Color.” This opens up the color palette window. In the RGB section, put in the following numbers – R: 255, G: 46, B: 1, and click OK.
Change the Blend Mode in your Layers Palette from “Normal” to “Linear Light.” Rather than lower the Layer opacity, you are going to lower the “Fill” to around 5-10%.
Take a look at your image and see if any areas have turned out too harsh with the blend. If so, choose your mask, then select the Paintbrush tool and paint those areas (with your brush color set to White) to soften the transition. You can decrease your brush flow if you want to.
Do you have any other tips you’d like to share with us? Do so in the comments section!
– the dPS Managing Editor, lives in Wollongong, Australia and has worked as a photographer, filmmaker, and designer in her business, Exposure Arts and Media, for 15 years. Her background extends to Digital Content Management, and Editorial Design. In her spare time, she composes music as Dreamgirl and the Motorist. Since the age of 12, she knew she would be a photographer - the other stuff came as a surprise!
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