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Digital has done wonders for our industry – it allows us to learn faster, it gives us technological opportunities that we could have only wished for in the “film” days and it has made completely new styles of photography possible. There’s no doubt that the digital shift has been a positive one.
While we embrace all of this change that digital has brought and explore the new depths of technology, I think it’s important to keep one foot in the “analog” world, at least one area – the physical print. The print versus digital discussion is a very controversial topic among professional photographers, and certainly everyone will have their own opinion. Regardless of where you fall in this matter, I’d like to share some thoughts and explain why I feel prints matter for us as photographers and for our clients as consumers of photography.
There are three topics of discussion that I will explore:
Forget about the fact that you’re a photographer and take your attachment to professional quality imagery out of the equation. Printing as a medium is one of the most meaningful ways that you can enjoy photography. Here are a few reasons why the printed image is so important to you as a consumer of photography.
Digital media go out-of-date and out-of-style, and the files that you have stored in these digital formats will also go out-of-style and become unaccessible. Imagine having your vacation photos from 1995 on a 3.5″ Floppy Disk – how might you access those “digital files” today? Of course this is hard to imagine because digital photography wasn’t around in 1995. More recently then, consider the fact that for years you have used DVDs and CDs to store digital files and now that Apple has decided not to install optical drives into their computers anymore, that medium is slowly starting to disappear. You’ll soon have a generation of images that were stored on discs that may not even be (easily) accessible. On the other hand, if you made prints as well, then these changes in technology wouldn’t have a negative impact on you being able to continue to enjoy your images.
Being “in the moment” and away from technology is not a luxury that you get to enjoy all that often in today’s digital world. There is something nostalgic and romantic about being able to curl up on the couch with your children and look back at a wedding album, or old family photos, without having to flip open a laptop and press the “next” button dozens of times. When you look at a picture that is printed, you are free of distraction. There is no e-mail bouncing up in the bottom of your screen and no Facebook “dings” going off in another window. You can enjoy the picture and the story it tells in a quiet, distraction-free moment.
Physical prints give you heirlooms to pass down as you move on in your life. Often you are not recording (capturing a moment) and printing (preserving the moment) for today, but instead for tomorrow, for your children and your children’s children. Passing down a box of hard drives doesn’t exactly have the same appeal, does it?
As a professional photographer or aspiring professional, it’s important to consider offering printed products to your clients. Besides the nostalgia, the emotional and logical reasons for enjoying the printed image as described above, there are also many business benefits to being a full-service photographer. Here are a few:
We’ve explored why printing is important for you as a consumer of photography and how you must consider offering printed products to ensure long-term success as a professional photographer. But, now I’d like to take another side of the argument: how printing your work can actually be the best learning tool to help you grow as a photographer and artist.
A print will always be the most realistic representation of an image as it is the only medium that is truly tangible and actual. This will ultimately be the best way to judge your work as an image isn’t truly finished until it’s in printed form.
It’s easier to judge an image when it’s printed – you can examine it closer, look at it longer, and see it in different contexts. I have been taught that a great way to judge and find improvement in an image is to print it, display it somewhere that you pass by frequently, and look at it often. Try changing its orientation and displaying it upside-down for a while. You will often see things that you wouldn’t otherwise notice if you didn’t analyze it to that extent. This is a much more effective exercise than staring at a computer screen for hours on end.
Consider that the process itself of creating a print will help you grow as a photographer because it gives you a greater appreciation for the bigger picture. At the same time, the exercise of getting in close, fine-tuning and perfecting an image for print will show you a lot about your work that you may otherwise have missed if you were just putting together a quick online gallery or contact sheet.
Lastly, a print is easier to pass around and get objective feedback from others. There is no limitation or interpretation that makes digital photography subjective – variations in monitor size, calibration, room lighting and so on. You ultimately can’t argue with print quality – it is either a good print or not – so the discussion and feedback ends up being more about the image than about the presentation.
When you offer a printed product to your clients as a photographer, you make yourself about more than just pictures. You are now about the preservation of moments and in ensuring that your work, and your clients’ memories, will be guaranteed to last a lifetime.
My next article and discussion in this series will be geared towards the mechanics of exactly how to actually sell prints and make your photography business a full-service studio as opposed to being a shoot-and-burn photographer. Check back soon!
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