Lightroom Quick Post-Processing Tips for Landscape Photography

Lightroom Quick Post-Processing Tips for Landscape Photography


Processing a good landscape image is a lot like getting a good haircut…it should look good, but people shouldn’t really be able to tell you’ve had anything done. Now while that may be a slightly funny (hopefully) analogy, it really is a good way to approach the editing of your landscape photos. Ideally, the image should be developed to its full potential in accordance to your vision, while stopping well short of over-processing. The key to pulling off a strong landscape image can sometimes be understanding when to stop.

Before and After Split

In this article, we will go from a straight out of the camera RAW file to a fully processed photograph using Adobe Lightroom CC. We will look at each step, and I will explain why each edit was made. By the end, you will see just how easy it is for you to take full control of your landscape photography with a few simple edits.

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Shoot in RAW

Here we have the RAW file as it looked after importing into Lightroom.

RAW Screenshot

As always, the better the ingredients you have to begin with, the better the finished product will be. This means to always strive to make for best exposure, crop, and composition you can, before any processing is applied. Shooting in RAW format helps you immensely when working with landscapes. The greater dynamic range (exposure latitude) will allow you to bring up shadows, and manage highlights, much better than with smaller JPEG files. I know, I know – you’ve heard all of this before – but it doesn’t hurt to hear it again! RAW truly is the best friend of the landscape photographer.

Crop first

The image above is virtually level, but not perfectly so. The first thing we will do is open the crop panel and tweak the alignment before we begin any development. Having a grid overlay will really help you to get the lines of the image just right (with the crop tool activated, press the O key to cycle through all the grids available until you find the one you want). If you wanted to crop the image further, this would be done here as well.


Add Graduated Filters to adjust sky and foreground

Now that the image has been straightened, it’s time for the real fun to begin. The first thing to do is take control of the sky so that it isn’t quite so bright. To do this, we will use the Graduated filter tool. It’s located just above the Basic Panel in the develop module, in the same row as the crop tool.

GND Indicator

The filter simulates the effect of a graduated neutral density filter. It is an indispensable tool for adjusting landscape photos. Using the Graduated filter, you can decrease the exposure, add a little contrast, and then increase the clarity just to make the clouds more pronounced, which adds a little drama in the sky. In this example I also took town the highlights, and dehazed ever so slightly. The dehaze feature is a relatively new addition to the Lightroom tool box, is available in Lightroom 6 and Lightroom CC, and really helps when clearing skies.


Next, you want to process the foreground but not disturb the edits you’ve just made to the sky. To do this, click new to make a new Graduated filter.

New GND Indicator

To better understand where your edits will be applied with the ND filter, simply hover the pointer over the indicator dot for a second. Everything in red indicates where the filter is working (you can also just press the o key and it will show the mask overlay – it may also show in another color on your screen, press Shift+o to cycle through all the various colors).


Using the Graduated filter, I increased the clarity of the foreground grass, as well as illuminated the shadows. This will help to draw the viewer’s eye into the image. I’m careful not to overdo the exposure here. The main subjects of the image are the horses, and the mountains in the background, so I want to keep those emphasized. Speaking of horses…

Do local edits using a Radial Filter

I wanted to really make the horses standout within the photo so let’s make use of another powerful tool in the Lightroom arsenal – the Radial filter. It works virtually the same way as the Graduated filter, except that it is applied in the form of a circle (fully adjustable). It can be set to apply edits either inside or outside of the circular outline.

Circular GND Indicator

With the Radial filter, I raised the shadows around the horses and increased clarify slightly. I also threw in a little extra sharpening there as well. When using the Radial filter, it’s important to remember that the border between what is, and what is not edited, is very controllable. Make use of the feathering slider in order to control the density of your adjustments as they radiate outward or inwards of the circle. Effective feathering will make make your adjustments with the Radial filter seamlessly blend in with the rest of the image. Here you can see exactly where the edits will be applied.

Circular GND Red

Makes global adjustments

So far, the image has been processed using only the Graduated and Radial filter tools for local adjustments (specific areas). Now we will make some final global (whole image) adjustments in the Basic Panel.

I brought up the overall contrast and shadows, and added in a little bit more clarity. Doing this made the highlights a little too harsh so I reduced the exposure by -10. This photograph was made in the waning golden hours of sunset, so I increased the total temperature (white balance) from 4400 to 5200, so that the tone better matched what I was feeling at the time of the exposure.

Global Adjustment

Add an edge vignette

As a final touch, I add in a small amount of vignetting.


Vignetting is great because it serves to draw the viewer’s attention into the image. In the case of this photo it works well, but that is not always the case. Just as with any other effect used in post-processing, discretion is the name of the game. When using a vignette, make sure it fits the overall mood of the image. Experiment with the feathering slider (and others) until you achieve the desired effect. As a general guideline, very subtle vignetting usually works best.

See, that wasn’t difficult at all! We have went from a completely unprocessed RAW file to a fully developed image using relatively few edits in Adobe Lightroom.

Before and After

Processing a landscape image doesn’t have to be a massive undertaking. Everything you do to a landscape photograph should compliment the scene and add harmony. You have some incredible processing tools available today which can help you to achieve your creative vision. Be careful that you don’t go too far, though. Every photograph is as unique as a fingerprint, and should be approached individually. Use the techniques in this article as a guide to your processing, and have fun helping your photos reach their full potential.


If you have any additional landscape post-processing tips that work for you, please share in the comments below.

Read more from our Post Production category

Adam Welch is a full-time photomaker, author, adventurer, educator, and self-professed bacon addict. You can usually find him on some distant trail making photographs or at his computer writing about all the elegant madness that is photography. Follow his blog over at and check out his eBooks and Lightroom presets!.

  • Charles Richard Gotcher

    Excellent tutorial. Thanks for all the detail. I have some raw images to practice with already in mind. Now to show my ignorance. It seems there are many of these things or things like it in Photoshop. I have the Photoshop Photography Program? with both Photoshop and Lightroom CC 2015. What are the main differences between post processing in Lightroom vs Photoshop? Do you use them in tandem on the same photos ever?

  • Thanks, Charles! I’m glad you found the article helpful. The main difference between Lightroom and Photoshop is generally sighted as being that in Photoshop you have the ability to work with layer masks. Layer masks enable you to apply different edits to select areas of the image. That is a very boiled down description but basically accurate.

    Newer versions of Lightroom, however, are approaching some of the same capabilities as Photoshop in my opinion. Working with different graduated filters, brushes, and radial filters let you apply edits to different areas of the picture. Photoshop itself has a module called Adobe Camera Raw which has virtually the same features as Lightroom. Personally, 95% of my processing is completed in Lightroom CC with a select few images being exported to Photoshop for mainly sharpening and softening effects before AGAIN importing them back to the Lightroom for any finishing touches. The main reason for this???? I am much more comfortable working in Lightroom than Photoshop because I learned Lightroom first. It’s a completely personal workflow that I feel works for me.

    I hope you have fun and don’t be afraid to experiment!

  • Murray Aberdein

    Thanks for great article. One thing I do is angle my graduated filter as if it was coming from the direction of the sun. I find it gives a more natural look.

  • Tomas Sobek

    I find it interesting. Based on the article looks like the workflow in Lightroom is:
    1. create an area mask (graduated filter, radial filter)
    2. apply some changes to that mask

    Coming from Darktable background, it seems to be designed the opposite way. In Darktable you start with applying a change, e.g. you select shadows and highlights correction module. As part of the process you can choose to restrict it by a drawn mask (brush, circle, ellipse, bezzier curve, gradient, or a combination of them), by a parametric mask (input or output values on LabCh or RGB channels), or you can combine both drawn and parametric masks (combining both masking techniques in 4 different ways). Selected amount of mask blur or feathering applies to both. In order to apply multiple changes to the same area, drawn masks can be reused. If you don’t select any masks, the adjustment will become global.

  • Charles Richard Gotcher

    Thanks so much Adam! That really helps me understand the two programs better and their relationship. I am definitely going to start working with Lightroom so I can, at the least, have some options in my post processing. Besides I am kinda wasting money not using it. 🙂

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  • sathish

    this one is good for technique for Photoshop…

  • Nilanga Witanage

    Great article. I am a travel photographer and take lots of landscapes. However I still use photoshop for my editing and haven’t used lightroom yet. Do you think that I should shift to lightroom? Comparing with photoshop, what are the additional features lightroom has, specially for landscape/ travel photograph editing?

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  • DavidR8

    Hi, I’ll weigh in here…
    I prefer Lightroom to Photoshop unless I need to really serious editing such as removing people or similar. Lightroom give me all of the processing capability I need for 99% of my photos. The workflow is simple and the tools are very effective in my opinion. Plus if you need to do something more sophisticated you can switch to Photoshop directly inside Lightroom.
    Give it a try 🙂

  • Leyden

    In a different DPS article I recently saw an explanation that went something like this: LR for +95% of what you need to do, PS for the ‘heavy lifting’ that LR can’t do. I’m no expert in either, and I know very little about PS [so far], but the really ‘tweaked’ ‘artsy’ photos are definitely a product of PS or GIMP or ….. which, I guess, is the ‘heavy lifting’

  • Leyden

    post script: the LENGTH of the learning curve for both seem about equal, but the PS curve is STEEP.

  • Lots of good information here! Thanks…And I think RAW is the way to go for pretty much all photography, not just landscape.

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