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As the sun sets on a city’s skyline, thousands of lights come flooding the concrete jungle, turning every urban scene into a photographer’s paradise. Every corner around the city suddenly seems too irresistible not to be photographed.
Urban night shots is probably one of the most common photos taken at night. The way most people shoot cityscapes at night is to keep the camera still, press the trigger, and snap the shot. The result is often an uninspired image, with overexposed highlights due to the long exposure. This problem can be fixed by blending multiple exposures, to recover details in the highlights with luminosity masks.
Using Luminosity Masks is a way of making a selection based on the luminosity (or brightness) value of the pixels. The main advantage of luminosity masks over other selection tools is its ability to feather the edges, which makes the transition seamless. One of the earliest articles detailing how luminosity masks works was published by Tony Kuyper. You can learn more about luminosity masks here.
In this tutorial, I will show you step by step, how you can recover detail in the highlights of your urban night shots, using luminosity masks in Photoshop. There are two parts to this: taking the multiple exposure, and editing them in Photoshop with luminosity masks.
Tip: Use a remote release and/or enable mirror lockup (in a DSLR) to ensure the sharpness of your photos.
Step 1: If you use Adobe Lightroom, select all the images you want to blend. Right click on the mouse, choose Edit in > Open as layers in Photoshop. Otherwise, you can open them individually in Photoshop, use the move tool and drag each image into a single file as layers.
Step 2: Make sure the images are arranged such that the brightest exposure is at the bottom of the layers. To make sure all images are absolutely aligned, select all layers, then go to Edit > Auto-Align Layers. You may have to crop the image a bit after alignment.
Step 3: Make sure you have luminosity masks Photoshop Actions to add and remove luminosity masks. If you don’t, you can download it here (the file is zipped, so make sure you unzip it first, then follow the instruction on how to install it here).
Step 4: To start off, make all layers invisible except the bottom two (layer 1 and 2). You can do so by unchecking the eye icon next to each layer. Next, create a mask for Layer 2 and fill it with black.
Step 4: Next, generate luminosity masks based on Layer 1 (the brightest exposure). To do that, select Layer 1 on the layers panel, and generate the luminosity mask with the Photoshop Action.
Step 5: Go to Channels panel, select a Brights luminosity mask that targets just the highlights. In this case, Brights 2 seems like a good choice because it is not too restrictive and has good feathering on the edges.
Step 6: Select Brights 2 luminosity mask by holding down CMD (Mac) or CTRL (Win) and left click on the mask. You should see marching ants appear on the image. Depending on your image, if you do see a pop-up window that says “Warning: No pixels are more than 50% selected…”, don’t worry about it and just click ok.
Step 7: Go back to the layers panel and click on the mask on layer 2. Select the brush tool, set the opacity to 50%, color to white, and paint over the layer mask to blend the darker exposure (Layer 2) into the brighter exposure (Layer 1 below). Depending on your image, you can choose to paint just the brightest highlights or all of them. In this example, I chose to paint all the highlights. If you find the marching ants annoying, hit CMD (Mac) or CTRL (Win) + H key to hide them.
Step 8: Delete the luminosity masks generated previously because you now need luminosity masks based on the brightness of Layer 2, where you have just blended in the darker exposure. To do so, remove the current luminosity masks with the Photoshop Action.
Step 9: Now select Layer 2 and generate luminosity masks with the Photoshop Action.
Step 10: Select Layer 3, add a layer mask, and fill it with black.
Step 11: Go to the Channels panel, select a brights mask that targets the highlights. In most cases, selecting the same mask should do the job. In this example, I have chosen the Brights 2 mask again.
Step 12: Hold down CMD (Mac) or CTRL (Win) and click on Brights 2 mask to select once again. Go back to layers panel and click the mask on Layer 3, then use a white brush as before, and paint over the highlights again. You should see details being recovered gradually. At this stage, you should consider painting over the brightest highlights only instead of the whole image. In this example, I only painted the highlights as circles in the illustration below.
Step 13: Repeat Steps 8 to 12 until you are done with all the layers. Your final image should have a more balanced exposure, with details in the highlights. You can then apply further tonal or color adjustments, and sharpening to your image.
This involves a lot of editing, and may not be for everyone. For those of you who are into post-processing, you can clean up the image by removing unwanted objects, add a reflection, and change the color of the lights.
This only works if you have an empty foreground in your image like the example here.
Final image with reflection.
Apply a few other tweaks and sharpening and you’ve got yourself a cool urban night cityscape!
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