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Composition is all about the balance of the elements in your photograph. This also includes colors tones and textures. This is what separates a snapshot from a great shot. If you want to achieve a good composition, you need to plan it out and see where each element is going to be placed before you take the shot.
You may have heard photographers talk about seeing the shot in their head before they have actually taken the shot. It’s this ‘seeing’ that I’m going to describe in more detail. I’ll also demonstrate a few useful tips to train your eye in seeing or framing a scene with or without a camera, and in post-editing.
A good composition in a photo will most likely have followed a compositional rule. These are very useful to know. I’ve chosen five of these principles to describe how they work. I prefer to call them principles or guides rather than rules. There are many more, but these five are a good place to start.
Let’s get back to seeing your shot or framing the scene. For this exercise, you won’t need a camera. You might get funny looks but bear with me. Choose any place, location that you want.
Cut out a frame from cardboard or any material you want as long as it’s a rectangle. See above.
You could equally use your hands, but I preferred using the cardboard frame.
As you will see, the frame narrows your field of vision and helps to block out distractions and look for the main focal point, which is what the viewer’s eye is drawn to. I can’t emphasize enough that this simple exercise will help you train your eye to see better in terms of composition. Don’t forget to get down low and look up too.
Another useful tip that I would highly recommend is a trip to your local art gallery to see great works of art. Not only is it visually pleasing, but you get the chance to study how these great artists used composition to great effect. So the next time that you happen to be in such a museum, observe and take note. Ask why you liked a particular painting? How were the elements in the painting arranged or placed? Where was the horizon line – a third up from the bottom? What about color and texture?
Okay, what if you don’t live near an art gallery? Then maybe a visit to your local library could be an option? Libraries are such a wonderful resource. In the art section alone, you have great masters, such as Leonardo da Vinci, Rembrandt and so forth. And of course, the masters in the photography world such as Henri Cartier-Bresson and Ansel Adams, to name just a couple.
Before you go and get your camera, let me explain the following five compositional principles I believe are a great starting point for beginners.
You may have already heard of this one. This is an actual formula based on mathematical principles of harmony and proportion. It has been used by artists for centuries. So think of your photo with imaginary lines that are drawn dividing the image into thirds both horizontally and vertically. You place important elements of your composition where these lines intersect. Similar to a tic-tac-toe game.
This may sound a bit odd (sorry, excuse the pun), but our brain looks for evenness and symmetry. So this principle asserts that having an odd number of objects in an image will be more interesting and, therefore, more pleasing. By having one or three elements is better than two.
Keep the horizontal lines level and the vertical lines straight. This is particularly important if you shoot landscapes, seascapes and cityscapes. Leading lines are also very effective for drawing the viewer to where the focal point is.
Color and textures are a great way to demonstrate good composition.
This is an abstract concept which describes the space around your subject, otherwise known as ‘white space’ that draws your eye to it. Basically like ‘sky’ or a blurred background that provides the main emphasis on the subject.
Think of it in terms of letting your main subject or object breathe by giving it room.
As photography is about creativity, rules are not meant to be strictly adhered to. In the bikini photo, although I used two of them and they are symmetrical, I used color to contrast the elements and by not placing them in the centre gives the photo a more pleasing compositional effect.
Right, let’s get the camera out. Most DSLR cameras have built-in grid lines and some have a virtual horizon or a spirit level. If your camera has none of these options, you can always add a leveling aid, such as a hot shoe-mounted spirit level or use the focusing points within the viewfinder.
Use your tripod to help you frame your shot so that you get a good composition. Look through the viewfinder, see what elements are in the frame. Then take a look at the scene in front of you with both eyes, then go back to your viewfinder, recompose, then shoot.
Practice will improve your understanding and shooting better compositions. Don’t expect to get it in one go. Give yourself time.
Last, but not least, cropping your images in post-editing. Whether you use Camera Raw, Photoshop or Lightroom, cropping your photos will give you a better understanding of how the principles of composition apply.
You can easily straighten crooked horizon lines by using the Crop Tool or get rid of barrel distortion in buildings using the Lens Correction filter in Photoshop. Or simply change the image dramatically from the one you shot originally. All of these edits can be done non-destructively, so you can crop to your hearts content!
To summarize, like any complex subject that goes beyond just one article, I hope I have illustrated some useful tips to show the importance of composition in your photography. Please share your comments below.
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