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In photography, creative inspiration can often come from trying something new and photographing a scene with that technique. Creating glass ball landscapes is one example of this, as it allows you to capture a fish-eye like scene, using a telephoto lens. The glass ball creates a mystique, as many people associate looking into a crystal ball with seeing into the future. However, visions inside a glass ball are easy to achieve with a few simple steps!
In order to get good landscape photos with the glass ball, you’ll need to apply some basic rules, an understanding of the science at work also helps. If you read my previous article on crystal ball photography you will already be familiar with the 7 steps you can follow to take this type of image. Here’s a quick recap:
It’s easy to get it in your mind that every scene or situation needs a crystal ball photo. This is not the case and careful consideration needs to be taken when selecting the photograph you’ll take. The most important thing to do is find a compelling subject that shows prominently inside the glass ball. Once you have this basic parameter established below are some differing ways you can compose your glass ball landscape photograph.
In this type of composition the ball fills the majority of the frame, with the entire edge of the ball visible. This will lead to glass ball landscapes that have an immediate impact and areas to the side of the ball that are blurred out and minimalist in nature. This type of image is most easily taken with a macro or telephoto lens with an aperture of f/4 to create the nice bokeh around the ball.
Getting closer to the glass ball will emphasize the scene within the ball, this also entails framing that cuts some of the edges of the ball away. A centered composition with both the top and bottom part of the ball can work here, this has the advantage that top and bottom parts of the scene cannot be easily deduced. The other composition follows the rule of thirds, with the edge of the ball showing in the left or right third of the image.
There are many ways to photograph the glass ball, and using a wide-angle lens with this technique can be very effective. In this case, you want the background scene to be minimalist, with the ball becoming an accent in the scene. The scene will not likely be rotated during post-processing, so compose to the scene in the background. In this type of the photo, the ball and the landscape scene should form a balanced composition.
As with all landscape photos, a high vantage point for glass ball images works well. Gaining access to a high building overlooking a city, or climbing a hill are both good options. Once at your high vantage point find a good position to place the ball, so you can see the landscape inside it. You need to ensure the ball will not fall, be very careful with its positioning.
Placing the ball at street level doesn’t always work, as half the scene will be taken up by the ground. That said there are several situations that really work well with the ball on the ground.
The glass ball landscapes are not always best suited to having people in them. The blurred background may look less appealing with a human shape included in it. There are a couple of ways to humanize your image, though, while still maintaining a minimal feel.
The places you’d visit for regular landscapes will also work for glass ball landscapes. The rooftops of tall buildings in cities work very well or a worm’s eye view from street level can be just as good. The beach or the desert are excellent options due to the minimalist nature of those locations.
Sunset photos at the beach with the glass ball are one of the classics in this genre of photography. Mountains and forests make for good locations as well. A lone tree can be a nice subject, as can lines of tree trunks inside the glass ball. Up in the mountains, you can easily fill the scene inside the ball with a large peak jutting up into the landscape.
In my last article on refraction I linked to a site selling an 80mm glass ball, this is a great option though it can be heavy to carry. You can also use a smaller ball for many situations, and when you are carrying a heavy bag of camera gear this is a good idea.
Once you have a glass ball it’s best to dive in and see what works best for you. I’d love to see more examples of your work, it was great to see so many pictures last time. One final tip, be careful in the sunlight with the ball. The glass ball acts as a magnifying glass with the sun’s rays and can burn you, or your property.
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