- Guaranteed for 2 full months
- Pay by PayPal or Credit Card
- Instant Digital Download
A Guest Post by Deb Scally
Many of us spend plenty of time on the weekend watching our favorite sports from the sidelines and, as photographers, we yearn to be able to capture that awesome moment when something great happens. But it’s rarely as easy as it might seem. All the critical elements have to come together to shoot really good action shots: timing, position, exposure, and framing–and you have just a split second to make it happen.
Years ago when my kids were younger and beginning sports, I set my sights on improving my craft, and over the years, and after learning lots of hard lessons, I have seen dramatically improved results. Here are a few tips I’ve gathered along the way.
Take the time to check your equipment…before you leave home. Extra battery (charged), spare memory cards, a dust cloth, and of course, the proper lens for the job, including a lens hood for sunny days, should be packed and ready. You’ll thank yourself later.
Point and shoot cameras have this all figured out. Just turn the dial to the guy who is snow skiing and you’ll get perfectly exposed shots, right? With an SLR, it takes a bit more thought, but it’s still relatively easy. Just remember the three key settings for optimal exposure: aperture, shutter speed, and ISO. Change one, and you affect all three. On days with plenty of available light, I set my camera on a low ISO for best image quality. Then I set aperture priority (Av) at a wide-open f-stop, which in turn, allows the camera to select the highest possible shutter speed. If available light is an issue, I’ll simply push the ISO higher to ensure I get the shutter speed I need. My own guideline is a minimum of at least 1/500 of a sec if possible, but occasionally at night, you’ll have to settle for speeds in the 1/250th range. More often than not, I am shooting at 1/1000th or higher to stop the action really well.
Selecting a wide aperture has another great benefit beyond faster shutter speed: compression of space and shallow depth of field. Why is this important in sports photography? Because generally there is a lot—and I mean a LOT—of clutter on the sidelines. Spectators, cars, parking lots, signs, concession… all the stuff you did NOT go there to photograph. Opening up your aperture ensures that your subject will be the focal point, rather than the surrounding milieu.
Tack-sharp focus is of prime importance to creating winning action shots, and several factors will affect this outcome.
Focus mode. Your camera’s focusing mode can make a big difference with a moving subject. Among the three Canon modes, Al Servo, or Continuous Mode for Nikon lingo, is usually the best choice, as it’s designed to help you hold focus on a moving subject coming toward you.
Focus points. Also consider your selection of focusing points. This is a bit trickier. My Canon 7D offers a superlative 19-point focusing system, but frankly, with a subject that is moving all over the frame, I have found the most success by using a single-point mode and employing the back-button focus method (which can be permanently set using Canon’s custom functions) In this way, I can easily lock in and recompose quickly to have the most control over my composition. It takes a little practice, but once you are used to it, you’ll never go back to shutter-button focus.
Steady as she goes. Even the best cameras can only do so much, and the bottom line is, you have to have a steady, supported hand to manage good action shots. An image-stabilizing lens can be a big help, too, but learning how to brace your camera—using your own body as a makeshift tripod or by mastering the use of a monopod, will greatly enhance the final product.
Anticipation is well over half the battle in capturing a header in soccer, a slam-dunk in basketball, or the perfect equine arc of a hunter/jumper. Understanding what is likely to happen will mean your camera is trained at the right spot–in advance of the moment. Beyond that, it’s simply a matter of practice. After you’ve logged in hundreds and hundreds (and by that I mean, thousands and thousands) of shots over time, your instincts will begin to kick in and pretty soon you’ll have mastered the ability to both continually shoot and enjoy the action at the same time.
Remember to move around! Funny enough, your feet can become a cheap but useful piece of camera gear, by allowing you to change your perspective and the relationship of the camera to the action. By the same token, don’t forget to use your arms and turn the camera vertically, especially if the action comes too close and you need to reframe the shot.
This, admittedly, takes discipline. You’ve purchased that awesome 75-300 mm lens… you want to use all 300 mm, don’t you? Here’s a lesson I’ve learned over and over. Even with an awesome zoom, the best shots rarely ever come from the other side of the field! Do I still find myself pegging out to capture that faraway action? Yes, but every time I do, it confirms what I already know—it’s a bad idea. Even with image stabilization and a quality camera, you will give yourself the best options when they are shot from close to mid-range.
I know I said focus was a primary factor in image quality, but without great composition, your focus won’t matter. In my estimation, and according to many mentors I have followed over the years, a few elements of good sports composition include:
Faces. Make sure you can see the subject player’s face. The shot will fall short if all you see is the back of someone’s head. Faces with great emotion are a huge plus!
Be the ball. Include the ball or other equipment in the shot. These things are an extension of the players’ action, in most cases, so it’s an important element that really communicates what is happening in the shot.
Cropping. Credit where credit is due, I owe this mantra to Jim Bryant, an experienced pro who repeatedly mentions this in DPS forums: “Crop in tight…then crop some more.” Tight shots create excitement and add emotional tension to a shot, so eliminate everything that is not central to the action. One caveat, though, is not to crop at a person’s joint (knee, elbow, wrist). Just above or below those areas create a more pleasing and less awkward aesthetic.
Negative space. Ok, despite what I said about cropping, occasionally the use of negative space can add dimension to a composition. Sometimes just providing logical room for the player to kick the ball out of the frame can be the element needed to balance the composition and communicate something more about the moment.
Be very strict on yourself when it comes to your final product. I may shoot 400 frames in one soccer game but I consider it a success if I end up with 10% to share with others; and beyond that, a handful that I personally am proud of. My advice is to analyze each shoot, learn something, and then delete and don’t look back.
When it comes to sports, if all goes well, you should have very little post-processing except for cropping and adding a touch of sharpening. The real post-processing fun comes when you are able to send out a batch of photos that represent special moments to teammates and friends.
Deb Scally is a full-time writer and editor and author of her photo blog, 1107photography, which can be found at www.1107photography.wordpress.com. Her passion is artistic nature photography, but she enjoys challenging herself in all genres and photographic styles including sports, portraits, architecture and travel.