Poser: Achieve Perfect Portrait Expression
We’ve all heard it from clients before. “I don’t like formally posed pictures of myself. I always look so stiff. Can we get pictures without being formally set up?”

Fortunately for our clients – and for us – the world of formal portrait and people photography is now coming to a new era: Portrait Photojournalism.
Stiff, unrealistic, unnatural portraiture is no longer a Photographer’s only option.
A technique used by internationally acclaimed wedding photographers of Poser Image, Jim Garnier and Jerry Ghionis, Portrait Photojournalism combines the techniques of formal portraiture and photojournalism.
The Photographer will “set up the shot” by formally posing the subject[s], to include location, poses, etc. Then, in a seeming irrational move, the Photographer will either coach the subject through expressions by pulling out emotions through dialogue, or leave them to interact with one another.
Sound too simple? Don’t take my word for it. Organize your shoot with the following steps and you’ll find a technique that will revolutionize the way you take portraits – and your results.
1. Location. Location. Location.
Just as you would in a formal shoot, find a few locations that will facilitate the look and feel you want to achieve. This location should match the subjects personality, and be creatively stimulating [Read more about finding locations here].
2. Consider your Lighting
Watch your location for the kind and quality of available light. Is it harsh and contrasty, lending to a dramatic feel? Is it soft and subdued, more conducive to a nostalgic mood? If the available light isn’t sufficient to create the portrait you want, be sure to add light with a reflector, or an off/on camera flash [Read more about using flash in on-location photography here].
3. Set up your Scene
Place your subject within the context of your entire setting. Remember, you aren’t taking only mid and detail shots of your subject; with the photojournalism aspect, you are shooting to tell a story. The story of your subject will include their place and involvement in the scene, and the mood you are creating.
4. Pose your Subject
You don’t have to pose your subject in a complicated manner. At the least, pay attention to the placement of your subjects feet, knees, and shoulders. So long as you pose to achieve variance and levels of these joints, you will be set [More on posing here].
5. “Break” the Shot
Think everything is perfect? Now is the time to make it all natural. Tell your subject to “relax”. Allow them to settle into the pose by drawing them into conversation, or allow them to interact with one another. Achieve authentic expressions, natural posing, and artistic portraits by letting go the expectation of “perfection”. After all, nothing in life is perfect. The key to perfect portrait photojournalism is controlling which elements are broken.
6. Take the Shot
Watch for that “After moment” and “Spontaneous moment”. Oftentimes the most beautiful moments happen just after you take the camera away from your eye. Allow your subject to believe you are done with that set up, and take the shot that they are most natural and relaxed – pulling a hat down, tucking hair back, the cute shoulder shrug. You truly never know what you will be able to achieve.

20 Responses to “Poser: Achieve Perfect Portrait Expression” - Add Yours
February 26th, 2010 at 12:25 am
I can attest to #6. I am very new at this, and during the first ‘photo shoot’ with my wife a few weeks ago, we were chatting in between poses (we were going for the formal look) and she end up laughing at something (probably me). I click the shutter in mid laugh and got the best shot of the day, much better and more natural looking than the posed shots we were going for.
Great post.
February 26th, 2010 at 1:18 am
Great tips for making a photoshoot look natural especially location. Some people will never get comfortable in certain locations no matter what type of rapport you have with them. Scout out locations that naturally fit your clients personality and that will be half of the battle to get them to relax. Familiarity is very important yet often overlooked aspect in photography.
http://grtaylor2.com/2009/12/when-is-familiarity-important-three-part-series-part-one
February 26th, 2010 at 3:06 am
I really like #6. I find spontaneous shots to be always great, when are captured properly. Many times I would put my camera down just to raise it up the next moment!
February 26th, 2010 at 3:24 am
I find the word photojournalist style to be overused now and use the word candid to describe my specialty.
I would add a #7 to the list and suggest putting physical distance between you and your portrait subject. I would use a 70-200mm lens and not crowd the subject.
February 26th, 2010 at 3:48 am
@darren this is quite possibly the biggest lightbulb moment I’ve had in a million years. I can’t even explain how much I L-O-V-E this post.
February 26th, 2010 at 4:42 am
Not being a pro, this is my favorite style of photography. I’ve had great luck setting my camera for multiple burst shots. I’ll do the 1,2,3 count (if I say anything at all) and after they hear that first click, they immediately relax. In a burst, I’ll usually pick the second or third shot just because how they relax in that second after the first ‘click’. I’ve also taken shots when I’ve told them to ‘hang tight while I get the light measured’, they stay relaxed and I’ll sneak off a shot that way.
February 26th, 2010 at 8:00 am
Bring a joke-book with you, because unless you have, or develop the gift of Gab, some clients are impossible to bring out of their shell. This style works well with digital cameras, because you get an instant reaction from the client and the can tell you right there on the spot whether they like the picture(expression) or not. I would not try this with film.
February 26th, 2010 at 11:18 am
I think “photojournalism” is becoming more the way to go. I find, although they say it is hard to work with children, in a wedding shoot if you let the bride (or groom) be distracted by the antics of flowergirls &/or page boys you can get some good candid portrait shots of the bride and groom and the rest of the party. I try to make it fun for them rather than having them worrying about the kids getting in the way or misbehaving.
February 26th, 2010 at 4:32 pm
I emphasize what Jason Collin mentioned: I even use partwise a 70-300 Lens, for beeing in far distance. This made it possible for me to get wonderful pictures of my 17 year old daughter. :-)
February 27th, 2010 at 1:21 am
Great post — I love shooting in a photojournalistic style and really work on it. Great game plan. I recently took photos of a young couple and their baby. The plan going in was to take posed shots in a location, but the unexpected photos that I was able to make spontaniously inbetween the poses while they attended to the baby ended up being special shots I could’ve just as easily not even looked for. I do try to be in the moment as mister interaction with those I’m photographing — I’m always working to get people to feel comfortable and out of their shell (including myself sometimes!) and some days are better than others — anyone have any thoughts on that part of it?
February 27th, 2010 at 2:44 am
I start off my shoot by telling my client that the first twenty or so shots we won’t be using; and they are freebies -to get comfortable with the camera and being photographed. In 90% of cases, this relaxes them imedietly becuase it removes the pressure of looking perfect and alows them to start the shoot having fun! I’ve gotten a fair amount of my favorite shots in the first 30 images this way! Take a look at the couple playing tug-a-war in the commercial section of my site. Perfect example! http://www.newlightlife.com
February 27th, 2010 at 3:00 am
let them play the part :)
like in these:
http://www.flickr.com/photos/amirpaz/4388815853/
http://www.flickr.com/photos/amirpaz/4388815959/
http://www.flickr.com/photos/amirpaz/4389581800/
and my best ever:
http://www.flickr.com/photos/amirpaz/3337956428/in/set-72157604823214817/
it just makes the portrait so much more special :)
Amir
February 27th, 2010 at 7:28 am
I especially enjoy self portraits although I still can’t get my subject to relax.
FOCUS eposide 2 about my self portrait experience in Papago Park / Phoenix, AZ http://grtaylor2.com/2010/02/focus-self-portrait-papago-park/
March 2nd, 2010 at 12:00 am
I like these tips a lot, but what about small group portraits of 8-10 people?
I’ve tried to be very informal and candid, and usually get lucky to get a few shots where everyone looks normal but most of the shots have one or two people with a weird expression or in the middle of a laugh or sneeze, etc…
Any tips on small group protraits to not look posed?
March 2nd, 2010 at 12:38 am
This blog is just what I have been looking for. I’m a shy person which can sometimes make my subjects feel uncomfortable, so I have been practicing telling jokes and chit chatting with them to bring out a natural look. All great tips!
March 3rd, 2010 at 9:47 pm
Appreciate this post very much. It offers great practical information. Thank you very much!
March 3rd, 2010 at 10:05 pm
I always start by setting up the formal shot, then start talking to the model and take the actual shot when they are relaxed and not rying to pose.
March 10th, 2010 at 3:07 am
Here’s something to make people smile just at the right time.
I like to ‘ham it up’ a little while I’m setting up my camera. When the shot is ready to go I’ll make as if to say “Say
Cheese.” But in fact I extend the word ‘Saaaaay’ (so they are expecting ‘Cheese’) and instead I say:
‘Saaaaaay..Shit’.
And they usually all burst out laughing and I take the shot(s).
Not recommended for high-end weddings..
March 17th, 2010 at 3:27 am
Thanks for the tips, but I think the post processing on the example photograph makes it more interesting. It would also help to also include the post-processing on the photos that made it come alive.
March 17th, 2010 at 3:29 am
Thanks for the tips, but I think the post processing made the example photograph come to life. That goes for any photos. Can you also share some tips on post processing?
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