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Go on, give us some pictures. I know exactly what you mean but I think less experienced photo-developers might find it helpful. I'd suggest a before shot, an after shot and one in the middle that shows darkened and lightened version side by side (no need to show the whole of each image - you could combine two shots and perhaps overlay the relevant curves).
And, for those who are feeling a bit clueless, I think this is a very useful tip - do ask questions and hopefully Ncarp or someone else can help you understand. Wulf |
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I would very much like additional detail if possible - I am completely new to Photoshop and although I *think* I get the gist am not sure. Sounds as if this is a great approach.
Thanks in advance, Kevin |
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I try to avoid using the Dodge/Burn tools that much, because it produces noise.
Wouldn't you want to create a duplicate layer before you apply the Curves tool?
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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That's the beauty of adjustment layers; there's no need to make a duplicate layer, you just use the layer masks of the adjustment layers to selectively show/hide the dodging or burning effect.
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Nikon D80 / 18-55mm VR f/3.5-5.6 / 55-200mm f/4-5.6 / 50mm f/1.8 / SB-400 Flickr Photostream / Photosynth Panoramas / 500px Portfolio |
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Okay, I reread the OP's post and I see "Now you have your non-destructive dodge and burn layers..."
I couldn't think of a way to do this without a layer mask, but the OP didn't mention it. I guess it was implied when he/she mentioned the brush opacity. I know in PSP, I can open a new Curves adjustment layer, adjust the Curve setting, then use a layer mask so I can "paint away" part of the layer mask with the paintbrush. I always shoot RAW and usually bracket my shots, so I usually just make an exposure blend instead of using this technique.
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GREG - Canon XS with 18-55 kit flickr flickriver My 500px "You can't be young forever, but you can always be immature." - Larry Andersen. |
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I think a few well chosen illustrations and words can be much better than a video for this type of tutorial. It allows you to take it all in with a glance and then mull over the points that interest or challenge you as long as you want. With a video, the viewer becomes more of a slave to the timeline and, although they can scrub backwards and forwards, the quality of individual images is likely to be poorer than still images.
Wulf |
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Thanks for the additional information... a couple of clarifying questions:
1. as you invert the layer(s) do you use white or black fill for the brush? I assume you would still use black but just want to ensure I am on point. 2. do you leave the layer blend mode on normal? Much appreciated, Kevin |
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