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It's possible it's created with the camera. My brothers are big into cars, and they've had professional "rolling shots" made, where someone mounts a camera onto a vehicle (or hangs out of a window, or sunroof) and takes the photo at speeds ranging from 5mph to 100mph. And they look like this. They're awesome!
I'm betting the blur in the wheels and road is authentic. The bright stuff may have been post-processed, and I'd have no idea how...
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Life's Little Adventures (My Blog) My Flickr Photostreamit's ok with me if you re-edit and re-post my shots within a thread on DPS forums
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It is possible that most of the shot was accomplished in-camera...
But you can certainly add blur in Photoshop by doing selective blurs. This tutorial does a decent job of showing how: • motion blur with masks at picturecorrect.com It's also possible that they took the road shot, then superimposed the car on it, adjusted the lighting, added the shadow, and put some blur on the car. There are so many ways to accomplish anything in post-processing! Last edited by googlit; 02-14-2007 at 05:57 PM. |
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could be done with the panning technique
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My Portfolio Camera: Canon 20D w/ Battery Grip Flash: Speedlight 580X Lens: 70-200mm L f/4, 17-40mm L f/4, 50mm f/1.8, 100mm Macro f/2.8 ,1.4x Extender |
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Wulf, I'd love to see that article if you ever find the link to it. Some web browsers retain the history of the sites you've visited recently (hint-hint).
To me, this looks like a rigged shot. A great example of this can be found here (scroll to the bottom to find out how it was done). Only issue is that a portion of the car isn't in the photo to hide the rig. I'm still trying to learn more about rigging, getting the whole car in the photo, and the post processing work required, but most who've been successful at this are tight lipped about it. I'd rule out panning due to the direction of travel and the sharpness of the car throughout the photo. I still need more practice doing "rolling shots". I had a friend drive his Exige in a large circle around my car traveling in a tighter circle (~5-10mph). We synced up and I had my camera mounted to the outside of my windshield, prefocused in Aperture priority mode. Used remote shutter by sticking my hand out of sunroof. Seems the sweet spot for shutter speed is around 1/10 to 1/4 of a second for what I've attempted so far. Anything faster and there isn't enough motion blur; slower can be more artistic, but also more subject blurring (see 2nd photo below). ![]()
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pretty sure i read the same article because that's the exact thing that popped into my head when i read the question. i'm sure it's a rig though and usually they mount directly to the car. i didn't save it, and googled all over for it, but came up empty.
Quote:
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-Matt Canon 30D, 17-40 f4L, 50 f1.8, Sigma 70-200 f2.8 DG Macro, 30 f1.4, battery grip, 430EX speedlight, Nikon SB-25, wireless transmitters/remotes, various filters, etc, etc. msm fotki OR msm flickr |
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If I stumble across it again, I'll try to remember to post the link back here. Wulf |
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well, i can't find that article for the life of me.
but here is a similar contraption. professionals use really big and bulky rigs costing boku bucks. here's a cheaper and simpler version. http://automotiverigs.com/index.html in post production you simply photoshop out the rig's arm.
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-Matt Canon 30D, 17-40 f4L, 50 f1.8, Sigma 70-200 f2.8 DG Macro, 30 f1.4, battery grip, 430EX speedlight, Nikon SB-25, wireless transmitters/remotes, various filters, etc, etc. msm fotki OR msm flickr |
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