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Old 02-02-2008, 10:44 PM
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How do you use the blur tool to erase?
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Old 02-02-2008, 10:48 PM
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Sorry; either Erase where the blur goes outside your subject area, OR Smudge the blur to get a believable transition. Blurring relieves some of the need for exacting precision.
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Old 02-02-2008, 10:50 PM
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ahhh, now that makes much more sense. I'll have to work on that one. Thank you as always for your help
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Old 02-02-2008, 11:05 PM
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Some of those functions are so much a part of mindless drone work, I have to think harder to get the words for every move in a process. When this thread first came up, I started to answer as if it were about layers. I thought that was a concept many had trouble visualizing. Might be a program difference, too. If I can help, I will.
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Old 02-03-2008, 03:29 AM
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Originally Posted by jiminyClickit View Post
dlaf,

Could you describe the moment you begin to feel lost in masking something? Is it the layering part, or the choice of light/dark to do certain things? Knowing what part of the function gives you grief, might help with a solution.
Hi jiminy,
Well, I think I understand layers pretty well when I'm working with raster and vector layers for flyers, brochures, and working with different graphic images, but once it switches to masks and photographs... well, I just don't get why a mask is different than a layer and why a mask is needed when, can't a regular ole layer do the same thing? Which leads me to think I just don't know what is different about a mask. It all turns into one big swirling circle of a thought process! Was that clear as mud?

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Old 02-03-2008, 04:14 AM
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dlaf,

Reminds me a little of the different operating systems in early days of computers. Adobe Photo DeLuxe is an edit program sort of like PhotoShop, but without most of the complexity. I use a layer to apply a mask; is that way different from what you'd do in PS? I put vignettes on a layer, pieces of other photos, a layer of color, anything. If PS does a different process, I may not be of any help.
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Old 02-03-2008, 04:33 AM
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Originally Posted by dlaf View Post
...I just don't get why a mask is different than a layer and why a mask is needed when, can't a regular ole layer do the same thing? Which leads me to think I just don't know what is different about a mask. It all turns into one big swirling circle of a thought process! Was that clear as mud?

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To a degree you're absolutely right. There's really not much difference. But then after you get used to working one way, you start realizing that if you just had this one little tool or made a small alteration to an existing tool, you could trim some minutes off your work. This is where masks can be of benefit to those who have pretty much mastered many techniques using layers.

Try not to swirl your thought processes too much. Just get good with one method until you're ready to move on. That's what I'm doing.
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Old 02-03-2008, 11:01 AM
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Originally Posted by dlaf View Post
Hi jiminy,
Well, I think I understand layers pretty well when I'm working with raster and vector layers for flyers, brochures, and working with different graphic images, but once it switches to masks and photographs... well, I just don't get why a mask is different than a layer and why a mask is needed when, can't a regular ole layer do the same thing? Which leads me to think I just don't know what is different about a mask. It all turns into one big swirling circle of a thought process! Was that clear as mud?

Debbie
(I'm a gimp user, and I'm fairly sure PS is the same for masks so here it goes)

Basically, a mask controls what part you can see, and what parts the program gets rid of, in a layer. In it's simplest possible use, that would mean you could apply a layer mask to a picture, paint an area on the layer mask black, and as a result, the program will make any area on the picture where the mask is painted black transparent. It's like that black section on the mask punches a hole through the layer, through to to whatever is below.

A more common application of this is to overly sections of photos taken from the same position. Imagine you're out the front of a busy tourist site, tripod in hand, and want to take a picture of the building itself without the tourists. You set up the tripod, and take a bunch of exposures, then head home.

Now, when you open each image up as a layer in photo shop they'll be exactly aligned. You then add a mask to the top layer, and proceed to paint a black section on the mask anywhere that those pesky tourists are standing. This means that section of the layer becomes transparent, so you can see another one of your exposures underneath in that small section.
Odds are, people have moved around between photos, so you should be able to see more of the building. You then repeat the process with the next layer, adding a mask and 'painting out' all the tourists.
By the end, you would be able to see the building without any tourists as a result of taking the bit of the building you can see from plenty of pictures.

Now, yes you could have done this with the erase tool for arguments sake. However, a layer mask offers you much more flexibility in the way you lay it out, and the changes you can make as you go (it's a royal pain to realise after twenty minutes that you've erased a bit too much, and have to revert and start over). Also, in a lot of applications it's easy to just use a layer mask and the gradient tool to combine sections of layers.

So what makes a mask different to a regular old layer? It is actually a layer modifier, in that it changes what you can and cannot see of the layer.

Could you do the same thing with a regular layer? Yes, but not with as much control and flexibility.

I have absolutely no idea if that helped, told you everything you already knew or just confused things more, but it was worth a shot. And I'm pretty sure I learned about layers from a photoshop tutorial, so it and the gimp must be pretty similar....
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Old 02-03-2008, 01:00 PM
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Quote:
Originally Posted by jiminyClickit View Post
Reminds me a little of the different operating systems in early days of computers. Adobe Photo DeLuxe is an edit program sort of like PhotoShop, but without most of the complexity. I use a layer to apply a mask; is that way different from what you'd do in PS? I put vignettes on a layer, pieces of other photos, a layer of color, anything. If PS does a different process, I may not be of any help.
Aaaahhhh. As my skills and knowledge improve, I'll be looking for better ways to do handle a function with greater finesse.

All of the answers her continue to help me grasp what I'm not getting. Then it makes more sense!

Thank you!
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Old 02-03-2008, 01:03 PM
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Originally Posted by FrankenPengie View Post
To a degree you're absolutely right. There's really not much difference. But then after you get used to working one way, you start realizing that if you just had this one little tool or made a small alteration to an existing tool, you could trim some minutes off your work. This is where masks can be of benefit to those who have pretty much mastered many techniques using layers.

Try not to swirl your thought processes too much. Just get good with one method until you're ready to move on. That's what I'm doing.
Franken, this made so much sense to me. Thank you! Knowing that there is not much difference between the two calms my nerves about my sanity. It also makes me realize I need to look for reasons to use masks so I don't get too dependent on layers and never learn the benefits of masks.

Many thanks, again!
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