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I'm looking at getting my first prime lens and I'm looking at this website Pentax Lens Listings - Pentax Lens Review Database and I've got a few questions:
1. Why are these lenses so hard to find? I look at the "normal" places (maybe not so normal?) amazon.com, ebay, etc. and I only find a couple listings for the ones that I'm looking at. 2. Here are the ones I'm looking at:
Does anyone have experience with these lenses? Is there a huge difference from f/1.7 and f/2.8? 3. What's the difference between the lenses that are specifically designated "macro" and the ones that have bigger apertures? Hmmm, think that's all I have right now. Thank you!!
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Had to update my camera b/c I went from *istDS --> K-r!!! Pentax K-r, Tamron 18 - 200mm f/3.5-6.3, SMC PENTAX-M 50mm f/1.7, DA 35mm f/2.4 AL |
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the only difference with the apertures is i heard that the 1.7 will be clearer and crisper than the 2.8 when shooting macro. and p.s when did u get your tameron 18-200 lense??
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If you open one of your macro links and one of your non-macro links, you'll notice that the maximum magnification of the macro is 1.0× and the non-macro 0.15×.
This means that a macro lense can photograph an object that's as large as the camera sensor to fill the whole frame. The same object without macro will fill 0.15× -or a bit more that a seventh- of the frame. So if you like photographing really small objects macro is the way to go. For portraits, landscapes etc. you don't need macro. See the Macro-SYS and Macro-Critique sections of the forum for examples. As far as aperture is concerned, the lower the f-stop number the wider the aperture so more light can reach the sensor at a given shutter speed. The lower the f-stop also the less the depth of (sharpness) field at any given distance. A 1.7 lets you photograph in a little less ambient light than a 2.8 without extra light or a tripod. And some people are crazy about very shallow depth of field. I have a 50mm F/1.8 prime lens and I don't use 1.8 very often. I hope this helps a bit. It would be nice if a real expert would chime in, one who can explain better than I can in less than a million words. If you have more questions just ask, see what happens. |
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In the f-stop scale, the difference between f/1.8 and f/2.8 is one and one third stops. So, the difference in light is 21.3 =~ 2.5, so it's about 2.5x the amount of light. That's the same difference between iso 100 and iso 250, or a shutter speed of 1/45s and 1/15s.Sometimes that can be a huge difference. Sometimes, it can be negligible. Depends on what you're after. Quote:
The reason a P&S camera has such tiny minimum focus distances is that it uses tiny sensors and tiny focal lengths. The shorter a lens is, the deeper its DoF. Most P&S cameras have lenses in the 5mm-75mm range.
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I shoot with a Canon 5DmkII, 50D, and S90, and Pansonic G3. flickr stream and equipment list |
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I wanted to go ahead and add that for Pentax, it behooves you to add these to your list of "common" places:
Buy & Sell New & Used Cameras – Canon, Nikon, Hasselblad, Leica & More - KEH.com and of course the market at the Pentax forums themselves: The Photographer's Marketplace - PentaxForums.com Those particular lenses aren't all that common, primarily IMO because they are dwarfed by significantly more "fun" lenses on either side. Those are older "entry" primes, and aren't nearly as easy to find as some of their slightly better near relatives. I'm assuming you're looking at those as a mix of cost savings and full frame future? Here are your more common options: SMC-M 50mm 1.7 Extremely common, extremely cheap ($10 to $50 on ebay), very high quality, fully manual D FA 50mm 2.8 Macro Getting harder to find, very high quality, $400 But you're going to have a lot more luck finding the 1.4 than the 1.7: FA 50mm 1.4 Although it's "soft wide open", it's still going to be sharper stopped down to match a 1.7. $350 However, the real answer to why it's hard to find those cheap 50s is because of the abundance of manual 50mm that seem to have demotivated Pentax from making an "entry" level nifty fifty. What Pentax DOES have is a few spectacular and extremely popular options that are slightly different focal lengths, and from a little to a lot more expensive. DA* 55mm 1.4 This is basically L glass for $650 SMC Pentax-DA 40mm F2.8 Limited Practically a flagship lens. Pancake 40mm with excellent image quality $350 It's also not extremely uncommon for Pentax users to use the DA* 16-50mm zoom and a selection of the DA */limiteds 15/21/35/40/55/70 or FA */limiteds at 24/31/43/77/85.
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But Mom, Pentax IS rebellious Pentax K-7, K20D Pentax SMCP-FA 35mm f/2.0 AL -- Pentax SMC 50mm f/1.7 -- Pentax DA 50-200mm f/4-5.6 ED -- Sigma 28-70mm f/2.8 EX DG IF Aspherical -- Pentax DA 18-55mm f/3.5-5.6 WR |
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Tons of info..love it!
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Right now my goal isn't so much a lens I'll have (or even like!) forever, I just want to start cheap so I can learn about them and then I'll have a base for buying something nicer in the future Thank you so much for the info!
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Had to update my camera b/c I went from *istDS --> K-r!!! Pentax K-r, Tamron 18 - 200mm f/3.5-6.3, SMC PENTAX-M 50mm f/1.7, DA 35mm f/2.4 AL |
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WHOLE.LEE.COW!! So I went to Akihabara tonight to try and find a macro lens and was so totally overwhelmed! I thought I had prepared well in doing my research but I guess I just wasn't ready to face the price tag face to face haha! There weren't a whole lot of macro lenses at ALL for Pentax, used or new, but there were plenty cheap options for Canon and Nikon
On top of that, even when I did find ONE of the lenses on my list (FA 50mm 1.4) I had a "duh" moment when I realized I couldn't test it out in low-light (why I'm even buying a new lens!) b/c I'm in the stupid store!! *sigh* That lens was 39,000yen which was more than I really wanted to pay for a lens I wasn't even really sure about. I really wanted to find one before climbing mt. fuji on saturday but i will make do with what I've got. The search goes on to find something reasonable to start out with
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Had to update my camera b/c I went from *istDS --> K-r!!! Pentax K-r, Tamron 18 - 200mm f/3.5-6.3, SMC PENTAX-M 50mm f/1.7, DA 35mm f/2.4 AL |
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The trick with Pentax right now is that Pentax is struggling to define itself in the marketplace. On one hand, they put a great deal of pride into the quality of their older glass. On the other, that older glass just sits there, and acts like an anchor on plans for newer cheaper glass. It's always going to be there, distracting people who would otherwise buy new glass, and that keeps them from expanding as quickly into new lenses and budget options.
It really goes back into the big question of what you're trying to accomplish. Looks like you've got one big superzoom that "covers" you for general shooting. I asked whether you were looking forward to full frame because the lenses you listed were all 35mm film lenses. The DA line optimized for digital, but isn't going necessarily be compatible if, in the future, Pentax releases a DSLR with a larger sensor. What lens you really want depends on what you want to do with it. I'd highly, highly, recommend picking up a Pentax SMC-M 50mm 1.7. They are fully manual, but extremely satisfying, cheap, and abundant. That recommendation, though, is based entirely on my assumption you want to learn the technical aspects of your camera, and my personal belief that the best way to learn is to force yourself to experiment manually. But if you're going to save up 39000 yen, you should consider the 40mm limited, unless you really want that macro...
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But Mom, Pentax IS rebellious Pentax K-7, K20D Pentax SMCP-FA 35mm f/2.0 AL -- Pentax SMC 50mm f/1.7 -- Pentax DA 50-200mm f/4-5.6 ED -- Sigma 28-70mm f/2.8 EX DG IF Aspherical -- Pentax DA 18-55mm f/3.5-5.6 WR |
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[QUOTE=Mr Guy;1059805] That recommendation, though, is based entirely on my assumption you want to learn the technical aspects of your camera, and my personal belief that the best way to learn is to force yourself to experiment manually. Quote:
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Mr. Guy you have been BEYOND helpful and I sincerely appreciate all of your advice!!!
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Had to update my camera b/c I went from *istDS --> K-r!!! Pentax K-r, Tamron 18 - 200mm f/3.5-6.3, SMC PENTAX-M 50mm f/1.7, DA 35mm f/2.4 AL |
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