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Yes you can ask that.
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Cameras: Canon 60D, Canon 20D, 35mm Nikon FM2n Canon EF lens used : 50mm f1.8, 18-55mm f/3.5-5.5, 75-300mm f/4.5-5, 85mm f/1.8 Tamron Lens: 28-75mm F/2.8 XR Di LD Aspherical (IF) Strobist: Canon 580EX II , "Vivitar DF400MZ, Nikon SB-24, LP-160(cactus v4/v5)" http://flickr.com/photos/bhursey | http://brianhurseyphotography.com |
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I want to learn how you do that.. How did you do that?? Did you do some color correction something like that or just the lighting??
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"Spoken words will soon fade away, but a captured moment is forever." - Hope to be an stylist photographer in Los Angeles or maybe around the world
Last edited by SamanthaJackson; 02-04-2012 at 12:56 AM. |
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Samantha, while I am not Sime nor would I want to be in his shoes.
The image was made with one desk lamp set to camera left. Adjusted to and fro to get the reflections off the cup and spoon just so and the image was made. Then most likely converted to black and white in post processing. I believe Sime uses PS and LR3, but that could be erroneous information about the editing programs.But the essence of Ghetto lighting is the simplicity of it. Back in the days of old photographers they used hot lamps which were not much more than ghetto lights. Many old black and white images were made just as this one. I have a few old lighting books put out by Amphoto publishing by the likes of Santucci, Wooley and Rey. These guys were working for the movie industry back in the 40s and 50s and worked almost exclusively with hot lights (incandescent) of comparably low wattage. Look in the used book stores for these books and you can learn an immense amount about working with artificial light. |
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Jim |
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Converted in Lightroom, no photoshop though, I use it very rarely and typically only for taking annoying sensor spots out of an image. Welcome!
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