|
|||
|
Hey guys,
It always seems like the color on my photos just doesn't turn out as what I expected. It seems really washed out. I have Photoshop CS3 and Lightroom 2, but I don't really know where to start or what to do to fix color issues. It probably also doesn't help that I'm colorblind (or for a better term, color-deficient) with Red-Green (legally) but I also have problems with blue-purple-pink and brown-green. I shoot in Canon RAW. I have heard of the X-chrome contact lens recently that is supposed to help this deficiency, but I have yet to try it out and It would still be good for me to learn the Photoshop color techniques. Thanks, -Kfriede
__________________
Canon Digital Rebel XS |
|
||||
|
Can you use the tools in photoshop to check the colour values? Maybe compare the colour values of some pixels you are working on and compare them against pixels in a finished image that has the kind of colour and saturation you are after. You may need to get more familiar with the histograms for each colour channel than most of us need to be too.
Good luck and please let us know if you find something that works for you!
__________________
Andrew - My pics on Flickr Canon 7D, 24mm f/2.8, 50mm f/1.4, MP-E 65mm macro, TS-E 90mm, 100mm macro |
|
||||
|
Shooting in RAW is a good idea, as it gives you plenty of opportunity to boost colour later on. However, the first two things to look at are done in-camera.
You can use all kinds of post-processing tricks, but a photographer of course should do as much as possible right in-camera. If you post one or two photos (including EXIF information) we might give more detailed help.
__________________
Website: http://stuvel.eu/ Gear: All Canon: EOS 7D EOS 350D 10-22mm F/3.5-4.4 USM 17-55mm F/2.8 IS USM 70-300mm F/4-5.6 IS USM 85mm F/1.8 USM 60mm F/2.8 USM Macro Speedlite 580EXII, 430EX and 430EXII |
|
|||
|
I'm very slightly color "blind" as well, and am just starting to get serious about photography. For me, I think the fear of post-processing is probably worse than the reality since I'm only just barely deficient. Here's what I've learned so far:
1. You will always make mistakes. Double-check all your camera settings explicitly before every shoot since you're less likely to notice something "off" when you check the LCD after the first shot. I've gotten bit by white-balance being unexpectedly different before, which is part of why I... 2. Shoot RAW. Lets you fix mistakes later (especially white-balance), even though it can be challenging. 3. Try to set the white balance explicitly by using a grey-card or other item you can sample in post. It might not turn out artistically the best, but at least it's correct and you won't end up with a funky color-cast on everything that you can't see. 4. Get a second opinion from somebody who isn't color-blind. I use my wife to double-check color and white-balance adjustments. I don't do it for every shot, just a sample here and there when the location or lighting change enough to matter. Lately I've been using DxO Optics for RAW conversion, and it's got a few canned settings that punch up the colors a bit (as well as a bunch of other corrections tuned to the lens/body you have). I've been restricting myself to that (as opposed to trying to tweak by eye), and it's been working very well. Some may think it's kind of cheating, but it really takes a lot of the frustration and uncertainty out of my post work so it's been worth every penny for me. I got some nice complements on the colors in a recent set of photos from a Disneyland trip, so it's working well enough and letting me enjoy the whole process more. Lastly, try to have a sense of humor when people suggest shooting in black and white instead of color. It tends to strike a nerve in me when they do, but I try to have a good humor about it and experiment with it now and then. I still prefer color though...
__________________
Flickr Photostream |
|
|||
|
Quote:
Quote:
Quote:
Thanks for all your help guys! -KFriede
__________________
Canon Digital Rebel XS |
|
|||
|
Since you shoot in RAW, it is quite an easy job to do. Just boost your contrast a bit, and it will take that flat feeling of your colors immediately. Best way to do it is manually adding a contrast. I do it by using curves on the photo's histogram. If the photo still look dull, I then use the vibrance and saturation tabs (I use Bibble Pro from Bibble Labs for my RAW development). Though with adding contrast I am normally limited to only Vibrance, and most of the time I have to take a bit saturation off due to unnatural look of the resulting pictures.
My two cents, I hope it helps somehow.
|
|
||||
|
Hello!
I'm also colour deficient. That sometimes causes me to exaggerate the saturation, but with someone giving opinions and time you gain experience and get over it ![]() And you can always shoot black and white :P
__________________
Leandro Rolim Canon 450d | Canon EF-S 18-55mm IS | Canon EF 50mm f/1.8 II | Sigma 70-300mm APO Photos at Flickr Photos at Panoramio |
|
|||
|
I'm not gonna shoot all in black and white. I won't go there. Thanks for the tips guys. Eventually within the next day or so i'll post a edit of something that I just edit off of what I think will look good and then going by a guide.
__________________
Canon Digital Rebel XS |
|
||||
|
I'm just curious (mainly because I think the results could be interesting), have you considered editing a series of your photos so they look just right to you? Even though the colours might be off, it would be intentional and sort of a creative vision sort of thing. Not saying there's no place for fixing up your colours, but for some reason it just struck me that it could be interesting to see.
![]() Otherwise one thing I don't think I've seen mentioned much is that you could use the colour charts at the start of each lighting situation to help you in your edits later. You put them in your photograph and then you can use the values that you get to apply those values to your other photos. This page explains it better and has links on it.
__________________
Nikon D90 | Sony NEX-3 Nikkor 18-55 | Nikkor 70-300 | Nikkor 50 f/1.4D | Lensbaby 2.0 | Nikkor 85 f/1.8D | Nikkor 105 f/2.8 VR | Sigma 10-20 f/4-5.6 | Nikkor 10.5 f/2.8 Fisheye | Sony 16 f/2.8 | Sony 18-55 | 2xSB600 | Orbis Ring Flash Adapter My Flickr |
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|
Each day we send out a quick email to thousands of DPS readers to notify them of updates. This email is just short excerpt of the first few lines of our latest post with a link if you want to read it all. You can unsubscribe from this this service at any time.
This service is provided by a third party (Feedburner) and you can subscribe to it by leaving your email address in the following field and confirming your subscription when you get an email asking you to do so.
Enter your email address for
Daily Updates:
For those wanting a weekly summary of what happens on this site this free email newsletter is probably your best option. It includes a summary of the tips posted to the site each week. This newsletter is subscribed to by over 25000 readers (many who also subscribe to the other options above) - come join the community!
To subscribe to this weekly newsletter simply add your email address to the following field and then follow the confirmation prompts. You will be able to unsubscribe at any time.
Enter your email address for
Free Weekly Newsletter: