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Not sure if this is the right category for this question, but I do think the answer will have to do with a combination of composition and lighting.
I'm playing around with some Christmas balls that have a mirror-like finish. I don't want to see myself, or the camera in the reflections? How do I work around that situation and still have some freedom with the angle of the lens? This is not what I want in the end, but it represents many trial runs and each one ends up with my old arse bouncing off those balls. ![]()
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I might try that. I was about ready to go to the store and get a Santa suit, or to the sporting goods place and get a duck blind. lol
Hmmmmmmmmm....... I do have a small table top Christmas tree. Maybe I could get behind that and stick the lens through the branches. Hmmmmmmmmm.......... think I will give that a try after dark. _____________________________________________ Well, I can hide behind the Christmas tree, but that doesn't give me the look I want. Too busy........ Maybe I should setup a scene that would look interesting in the reflections...... With tree camouflage:
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Flickr Photostream Last edited by Michael_2010; 12-03-2010 at 11:52 PM. |
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Hmmmmm……… I’ve been playing around with this idea so much that I managed to scratch my balls!
![]() I’ve done a good bit of reading about the situation since yesterday, and I think one does need a duck blind for such a shot. Photographers just call it a light box, cube, tent, etc. and it uses translucent material to allow for diffused light plus zippers to allow for the lens to stick through the material. That is basically IABoomer’s idea with the sheet, but polished up a bit. I used a cardboard box and an old tablecloth to hide me and the camera, but the lens still shows up in the reflections. I don’t much care for that look either. ![]() So, after much consideration, I decided using a ball with a matte finish helped to minimize the impact of the reflection. Oh well…. It has been an interesting introduction to artificial lighting.
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