Quote:
Originally Posted by akm3
I was recommended there before; it is a wealth of information. But I need something more basic first.
This is a "xxx", it is used by setting it "xxx" under "xxx" circumstances.
I know ART doesn't follow those hard and fast rules, but there are basic guidelines to any art, all meant to be broken by the experienced artist later.
|
My advice is the same I was given many moons ago. It will take some work on your part. Obtain a mannequin half body, and a facial (borrow or rent), get the book on Lighting by David Prakel and practice practice practice. Then apply it to a model. This way you can see the results and if successful you do not waste the models time experimenting or looking like you are not sure. I did mine initially on the following objects:
a styrofoam cone, rectangle and ball then moved to the mannequin then on a friend and then models.
Over the years I've developed certain styles and techniques that I always use. As an art teacher told me shoot with 50% sureness, 30% on the edge and 20% off the edge. Think of the canvas as a black canvas and you are painting with light.
Start by using a continous light source so you can see what you have and then move to flash.
Learn the types of lighting rembrandt wide and narrow, hi-key, low-key, etc...
It can not be taught overnight this is something that you and only you has to develop. We can say set the main light here and the fill light there, but you need to understand the quality of each light and the effects they will have on the subject. Also understand ratios and the effects it has. This can go on and on... but hopefully this will help some.
J