A Posing Technique from A Girl With a Pearl Earring
Posing subjects for portraits is something that there’s a lot of diverse opinion about (and a topic I get asked about a lot).
I recently, at a trade show, I asked a Pro Photographer for a tip for those starting out in portrait photography. Here’s what he told me (PS: as he told it to me it reminded me of the famous painting above – ‘Girl with a Pearl Earring’ by Vermeer – I guess there’s nothing new under the sun after all).
Keep in mind that every photographer’s workflow is different and there’s no real right way to take a portrait. I hope you find this insight into one photographer’s style helpful.
The key with portrait photography is to recognize your subject as an individual and to find a pose that works for them. There is no one post that will work for everyone – but here’s the starting point that I use for most people.
- Sit people down in a chair or on a stool with their body facing to one side (not quite at right angles to you – but close to it).
- Set your camera up at eye level and start with a reasonably tight crop (I shoot with an 85mm lens)
- Get them to turn their head towards the camera – but not all the way
- Get them to turn their eyes the rest of the way to the camera
- Take the shot
Once I’ve got this type of shot set up I then begin to experiment with varying the shot in different ways (see below). It’s in this experimenting phase that I begin to see what type of shot will work for the individual.
Some of the variations to begin experimenting with include:
- different facial expressions – serious, smiling, intense, laughing, sexy
- changing the angle of the head - slightly tweaking the angling of their face can have a big impact
- different framings – head shot, upper body shot and full length
- different format – landscape/portrait
- different shooting angle – raising the camera slightly and having them look up can add a feeling of vulnerability to a shot while lowering the camera can make the subject look more empowered and powerful
- looking away from the camera - I prefer to take portraits with eye contact – but sometimes having the subject look away can dramatically impact the mood
- light – I like to shoot with natural looking light but changing the direction and intensity of the light has a big impact
- new positions – as the subject relaxes and I begin to see what suits them I start to try new poses. Rotating them to directly face the camera, moving hands into shots, looking over the back of a chair etc.
- props – I don’t use many props but it’s generally only towards the end of a shoot that I’ll bring them in unless I’m shooting on location and they really add something.
The reason I use this approach with my photography is that while the starting point pose might not be the most creative it gives reliable and usable shots. It also helps the subject to relax (as it isn’t too unnatural) and become comfortable with me before we start doing more creative shots that can feel a little ‘out there’.
Note from Darren – Once again I should emphasize that this is just one photographer’s method. It is probably sounds a little more rigid that it is in reality – but hopefully it gives a few hints for those just starting out in a more formal style of portrait photography.





21 Responses to “A Posing Technique from A Girl With a Pearl Earring” - Add Yours
May 26th, 2007 at 2:46 am
Thanks, I am just a beginner. But your basic tips are real handy. Thank you.
May 26th, 2007 at 3:18 am
Really like this. Most of my portraits so far have been candid — quick shutter releases at various apertures when I thought the moment was right — but I’ve been wanting to get into more planned portraits. This gives me an idea how to begin. Thanks!
May 26th, 2007 at 4:37 am
I love the lighting in Vermeer’s painting. The dramatic back light accentuates the girl’s face, really drawing out her eyes, leaving the pearl earring mysteriously nestled in the shadows.
May 26th, 2007 at 6:09 am
great tips, this is exactly what I needed since I am starting to take studio portraits and I can control all of these variables.
BTW: there are some mistakes with spelling, mostly “i begin…” no biggie, just thought Id point it out
May 26th, 2007 at 2:12 pm
Most of my portraits tend to be candid things too, or super close ups of the eyes. I’ll be thinking about this next time I try to take picture for things, something I know I’ll have to do when school starts back up.
Just a thought, but what’s up with the ads in the article? Did I miss something Darren, or did you suddenly decide to start putting ads in there without mentioning it?
May 26th, 2007 at 8:30 pm
I feel funny. I’ve been doing ‘lens for hire’ for quite sometime but realised that I haven’t sold any portraitures for a fee.
I’ll be dead if one comes along, since you’ll need quite a number of variations.
May 26th, 2007 at 11:15 pm
My preferred way for portraits is to sit the subject down in an area that’s theirs, be it their office, their home, their backyard or anything that makes them feel comfortable. I watch them through the lens and take multiple shots at various angles. If they don’t want to smile, that’s fine with me since I want to capture the dominant mood of the person. Studio portraits are so boring!
May 27th, 2007 at 12:39 am
the lighting, basically, is coming from the direction in front of her torso, slightly to her left and from above … most identifiable by the down-shadows from the nose, lips, neck, and left eye.
this is a very classic, appealing, and simple pose. the pose works because it accentuates the person’s face (what we really are after, right?), because the torso is on its “thin side”.
even if shooting a portrait where the torso is parallel to the camera’s film plane, the final photo will always be more appealing if the subject twists their shoulders at an angle to the film plane (even if slight) and turns their head appropriately to the camera.
regards, michael
May 27th, 2007 at 1:49 am
Excellent information. As you point out, this is one photographers’ take on how to do a portrait, but practical examples of an approach that works are quite valuable. I’m going to have to try this and see how it goes.
Thanks!
May 27th, 2007 at 5:43 am
great tips on day-to-day portrait photography. this will help much the amateur and upcoming photographers. posing is a very difficult task. hands are the best props. then there is no limit to posing, lighting, where the eyes shd be and the hair. the people doing marriage photography shd have a good memory and it is my advice to have some prior shooted pictures of a friend to calculate your memory faster to make bride and couple shots. here is the place where a lot is expected from the photographer. a good experienced chap fulfil the needs but all are not so. so is my humble advice. thanks.
May 28th, 2007 at 8:04 am
Not really taken any “posed” portraits to date… more into capturing the moment, but, with the above in mind I think I will give it more of a go. Thanks
May 28th, 2007 at 6:32 pm
Another excellent article.
- Paul @ http://www.photographyvoter.com
May 30th, 2007 at 8:30 pm
That really help me.I am a beginer and your tips was really helpful.
Really thanks
May 30th, 2007 at 10:16 pm
The information given is very helpful and very clear. Well I think when taking posing photos it is important that the subject has nice and penetrating eyes. The eyes must be in a way that they can be seen all and do not missing any expressions shown by them.
Keep it up!!
June 3rd, 2007 at 4:00 am
Good tip, I’m using a similar default to get people started when I shoot them.
But as I’m usually out and about, it’s having them stood at a 45-degree angle to the camera and having them move their head and eyes to look straight into the lens.
June 18th, 2007 at 8:38 pm
Great article! I have been approached to photograph a friend for her modelling portfolio (portrait is one of the requirements) this will really help me!
January 25th, 2009 at 1:05 am
very nice tip.
Do you have more sample for this pose ?
Best regards
May 12th, 2009 at 11:47 am
Wow! Very interesting! Found this article while roaming though others… Very nice indeed!
)
September 2nd, 2009 at 4:20 am
Under “Photography” / “Portraits”
This was an assignment i had to do for school. My sister posed for the photo.
End result was edited in photoshop to do some lightening of the skin.
November 18th, 2009 at 1:17 am
Thank you so much for all those tips! I love the tip from the photographer at the trade show. And thanks for the part about the different shooting angles. THANK YOU! Keep these great tips coming!
April 2nd, 2012 at 8:19 am
Many years ago while a wedding shooter I always tried, in a head shot, to keep the subject’s nose within the outer line of the opposite cheek. It de-accentuated the nose and didn’t create a bump in the linear continuity of the upper cheekbone.
Leave a Reply