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	<title>Comments on: 50 &#8216;Must Have&#8217; Wedding Photography Shots</title>
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		<title>By: Michael Graham</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-69740</link>
		<dc:creator>Michael Graham</dc:creator>
		<pubDate>Sat, 24 Oct 2009 18:17:45 +0000</pubDate>
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		<description>my favorite shot of any wedding is the look on the grooms face when the bride is walking towards him...make sure to take a moment off the bride to take that shot. Pricelss</description>
		<content:encoded><![CDATA[<p>my favorite shot of any wedding is the look on the grooms face when the bride is walking towards him&#8230;make sure to take a moment off the bride to take that shot. Pricelss</p>
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		<title>By: Rose</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-67302</link>
		<dc:creator>Rose</dc:creator>
		<pubDate>Fri, 02 Oct 2009 18:45:51 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-67302</guid>
		<description>I think the list is great!

This is not intended to be an all-intensive list, just a starting point to what shots you may not want to forget..

For those of you arguing about price- price is an overrated measure of a photographer&#039;s ability. My wedding photographer was $1000, which I had a hard time justifying to myself at first! Note that I found her through a friend (we saw her hustling around taking pictures at our friends&#039; wedding, &amp; were happy with the quality as well). It turns out our price is her independent price- she also works for a studio in the area where they charge $2-3k! For the same photographer! And we had no limitation on the photos- it was actually one of our requirements to find a photographer who would give us all of the photos on CD/DVD afterwards. We were very happy with the results (minus a few shots I would have liked to see- I may not have communicated it very well, though).

I actually did want photos of us at each table with the guests. We told our photographer, who said &quot;Why don&#039;t I just follow you around and take candid shots?&quot; which we agreed to... the trouble was that we wanted pictures of us with everybody, and we ended up with only pictures of half of our guests!</description>
		<content:encoded><![CDATA[<p>I think the list is great!</p>
<p>This is not intended to be an all-intensive list, just a starting point to what shots you may not want to forget..</p>
<p>For those of you arguing about price- price is an overrated measure of a photographer&#8217;s ability. My wedding photographer was $1000, which I had a hard time justifying to myself at first! Note that I found her through a friend (we saw her hustling around taking pictures at our friends&#8217; wedding, &amp; were happy with the quality as well). It turns out our price is her independent price- she also works for a studio in the area where they charge $2-3k! For the same photographer! And we had no limitation on the photos- it was actually one of our requirements to find a photographer who would give us all of the photos on CD/DVD afterwards. We were very happy with the results (minus a few shots I would have liked to see- I may not have communicated it very well, though).</p>
<p>I actually did want photos of us at each table with the guests. We told our photographer, who said &#8220;Why don&#8217;t I just follow you around and take candid shots?&#8221; which we agreed to&#8230; the trouble was that we wanted pictures of us with everybody, and we ended up with only pictures of half of our guests!</p>
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	<item>
		<title>By: Y2bthere</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-66363</link>
		<dc:creator>Y2bthere</dc:creator>
		<pubDate>Thu, 24 Sep 2009 20:34:44 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-66363</guid>
		<description>A photo of their shoes during the 1st dance: My friend was thrilled and even got teary eyed over it. She had spent a lot of money on her shoes and they were beautiful. And if you think about it, it is a nice surprise shot…just their lower legs and feet flowing together in rhythm.</description>
		<content:encoded><![CDATA[<p>A photo of their shoes during the 1st dance: My friend was thrilled and even got teary eyed over it. She had spent a lot of money on her shoes and they were beautiful. And if you think about it, it is a nice surprise shot…just their lower legs and feet flowing together in rhythm.</p>
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	<item>
		<title>By: Nicole</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-64801</link>
		<dc:creator>Nicole</dc:creator>
		<pubDate>Sun, 13 Sep 2009 10:22:06 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-64801</guid>
		<description>oh I forgot Secondly ...
I am always asked by friends and family how to select a photographer ... check out the WPA - it is a great resource.  Always make and appointment to meet the photographer in person, make sure you look at a comprehensive portfolio not just a collection of random wedding photographs, read all materials in depth - especially the contract.  Ask them what they think their strengths are and what they look for when photographing weddings and make sure your wants can be met.  Be specific with your photographer - OCD/Bridezillas are my favorite since I know always exactly what they do and don&#039;t want.  I always encourage a second meeting with the parents if possible since they often are paying me I want to find out what is most important to them.
Wedding contract/releases - always have them reviewed by your lawyer and make sure that both the bride and groom sign.  I also include anything that we specifically discussed - any extras or changes so everyone is on the same page.  I also like to include as a suggestion in my materials and again in my contract a statement about guest photographers, whereas I know people like to snap away at weddings it does interfere with what I was hired to do.  It isn&#039;t a matter of greed or my wanting to sell prints ... I have found that guests/family have become insane with the rise of digital cameras and can severely hinder my ability to do the work you have hired me and paid me to do.  It isn&#039;t just blocked shots or swarms of people behind me yelling out instructions to the bride &amp; groom and not allowing me space to move ... it is also ruined shots from multiple flashes going off during a long exposure or non-flash photo, other flashes interfering with my camera/strobe flash metering, etc.  Also when I am photographing with swarms of guests snapping away behind me like the paparazzi I do not have everyone&#039;s attention - no one looking at my camera at the same time, etc.  Also nothing looks worse {and thank you Mother for doing this at MY wedding} then a great photo of the bride and groom having and intimate exchange at the altar realizing the solemness of the moment and you have that one guest standing up camera in hand taking a photo!  I always try to encourage my clients to include a no photography message on their invitations for the ceremony - besides you are there to watch and enjoy I am there to photograph.  

Also - I am also asked by &quot;Uncle Joe types&quot; and &quot;Advanced Amateurs&quot; how to navigate your way into wedding photography.  This is very simple.  You need to have a solid foundation ... having a SLR and taking decent photographs are not sufficient.  Almost every major college/university has a continuing education department - find a school in your area that has a good arts education reputation and enroll in a photography certificate program.  They are usually the concentrated &quot;major&quot; courses that you would have to take if you were enrolled in an Associates degree program or as a BFA minor.  If there is no formal certificate program take at least a photography 101, history of photography, composition course, a lighting course, a portrait course, etc.  Also immerse yourself in art &amp; photography - go to exhibits and look through the top wedding photographers portfolios ... take notes and really analyze each photograph.  Read a lot ... I have found that blogs are better then the books at B&amp;N.  Assemble your basic equipment - you will need a professional level DSLR {film is fine, but it is very labor intensive} in addition to your stock standard lens that most likely came with the camera you should also have something along the lines of the Canon 50mm f1.8 with runs about $250 which you will need for low light conditions - you will need a flash like the Canon 580 - a comfortable and easy to use camera bag - multiple compact flash memory cards - additional battery for your camera and flash - lightweight tripod - your camera manual {just in case something goes awry}  Register with the WPPI and read through their website and materials extensively - also a great resource for insurance.  DO NOT PHOTOGRAPH A WEDDING WITHOUT INSURANCE and now more and more venues will not allow you to photograph on their premises without it ... do not worry it isn&#039;t expensive.  Find your local camera shop and see if they have a rental program - great way to fake it until you make it equipment wise.  Invest in a website and proper business materials - schools with an IT program and Graphic Design program are a great resource for this ... contact professors and post an add for junior/senior students to design your materials and develop your website for a fraction of the price.  Talk to other photographers in the field - www.meetup.com is a great resource for that.  Once you have done all of this prep then you are ready to start photographing weddings.  How do I build a portfolio?  offer friends and family who are engaged to do free/low cost engagement portrait sessions ... offer to do bridal portraits before the wedding {very popular in the south} ... do trash-the-dress portraits for friends and family after their weddings ... be creative!  One of the best ways is also to assist an already established wedding photographer ... don&#039;t be shy they might not be advertising for one but call the ones in your area and let them know you are available at a moments notice as a back up ... you would be surprise at how much experience that will give you! 
But NEVER EVER just start photographing a wedding because you have a camera you are handy with and take &quot;good&quot; photos ... would you have just been satisfied with &quot;good&quot; on your wedding day?!  Besides are your friends and family and colleagues going to give you an honest assessment of your skills ... probably not!  Before going through the expense and process just try exhibiting your photos at a local juried photo exhibit and see how you do ... that is a good judge if you are on the right track to becoming semi/pro!
Oh and make sure you really like working 12+hrs straight almost always on weekends ... it&#039;s not for everyone!</description>
		<content:encoded><![CDATA[<p>oh I forgot Secondly &#8230;<br />
I am always asked by friends and family how to select a photographer &#8230; check out the WPA &#8211; it is a great resource.  Always make and appointment to meet the photographer in person, make sure you look at a comprehensive portfolio not just a collection of random wedding photographs, read all materials in depth &#8211; especially the contract.  Ask them what they think their strengths are and what they look for when photographing weddings and make sure your wants can be met.  Be specific with your photographer &#8211; OCD/Bridezillas are my favorite since I know always exactly what they do and don&#8217;t want.  I always encourage a second meeting with the parents if possible since they often are paying me I want to find out what is most important to them.<br />
Wedding contract/releases &#8211; always have them reviewed by your lawyer and make sure that both the bride and groom sign.  I also include anything that we specifically discussed &#8211; any extras or changes so everyone is on the same page.  I also like to include as a suggestion in my materials and again in my contract a statement about guest photographers, whereas I know people like to snap away at weddings it does interfere with what I was hired to do.  It isn&#8217;t a matter of greed or my wanting to sell prints &#8230; I have found that guests/family have become insane with the rise of digital cameras and can severely hinder my ability to do the work you have hired me and paid me to do.  It isn&#8217;t just blocked shots or swarms of people behind me yelling out instructions to the bride &amp; groom and not allowing me space to move &#8230; it is also ruined shots from multiple flashes going off during a long exposure or non-flash photo, other flashes interfering with my camera/strobe flash metering, etc.  Also when I am photographing with swarms of guests snapping away behind me like the paparazzi I do not have everyone&#8217;s attention &#8211; no one looking at my camera at the same time, etc.  Also nothing looks worse {and thank you Mother for doing this at MY wedding} then a great photo of the bride and groom having and intimate exchange at the altar realizing the solemness of the moment and you have that one guest standing up camera in hand taking a photo!  I always try to encourage my clients to include a no photography message on their invitations for the ceremony &#8211; besides you are there to watch and enjoy I am there to photograph.  </p>
<p>Also &#8211; I am also asked by &#8220;Uncle Joe types&#8221; and &#8220;Advanced Amateurs&#8221; how to navigate your way into wedding photography.  This is very simple.  You need to have a solid foundation &#8230; having a SLR and taking decent photographs are not sufficient.  Almost every major college/university has a continuing education department &#8211; find a school in your area that has a good arts education reputation and enroll in a photography certificate program.  They are usually the concentrated &#8220;major&#8221; courses that you would have to take if you were enrolled in an Associates degree program or as a BFA minor.  If there is no formal certificate program take at least a photography 101, history of photography, composition course, a lighting course, a portrait course, etc.  Also immerse yourself in art &amp; photography &#8211; go to exhibits and look through the top wedding photographers portfolios &#8230; take notes and really analyze each photograph.  Read a lot &#8230; I have found that blogs are better then the books at B&amp;N.  Assemble your basic equipment &#8211; you will need a professional level DSLR {film is fine, but it is very labor intensive} in addition to your stock standard lens that most likely came with the camera you should also have something along the lines of the Canon 50mm f1.8 with runs about $250 which you will need for low light conditions &#8211; you will need a flash like the Canon 580 &#8211; a comfortable and easy to use camera bag &#8211; multiple compact flash memory cards &#8211; additional battery for your camera and flash &#8211; lightweight tripod &#8211; your camera manual {just in case something goes awry}  Register with the WPPI and read through their website and materials extensively &#8211; also a great resource for insurance.  DO NOT PHOTOGRAPH A WEDDING WITHOUT INSURANCE and now more and more venues will not allow you to photograph on their premises without it &#8230; do not worry it isn&#8217;t expensive.  Find your local camera shop and see if they have a rental program &#8211; great way to fake it until you make it equipment wise.  Invest in a website and proper business materials &#8211; schools with an IT program and Graphic Design program are a great resource for this &#8230; contact professors and post an add for junior/senior students to design your materials and develop your website for a fraction of the price.  Talk to other photographers in the field &#8211; <a href="http://www.meetup.com" rel="nofollow">http://www.meetup.com</a> is a great resource for that.  Once you have done all of this prep then you are ready to start photographing weddings.  How do I build a portfolio?  offer friends and family who are engaged to do free/low cost engagement portrait sessions &#8230; offer to do bridal portraits before the wedding {very popular in the south} &#8230; do trash-the-dress portraits for friends and family after their weddings &#8230; be creative!  One of the best ways is also to assist an already established wedding photographer &#8230; don&#8217;t be shy they might not be advertising for one but call the ones in your area and let them know you are available at a moments notice as a back up &#8230; you would be surprise at how much experience that will give you!<br />
But NEVER EVER just start photographing a wedding because you have a camera you are handy with and take &#8220;good&#8221; photos &#8230; would you have just been satisfied with &#8220;good&#8221; on your wedding day?!  Besides are your friends and family and colleagues going to give you an honest assessment of your skills &#8230; probably not!  Before going through the expense and process just try exhibiting your photos at a local juried photo exhibit and see how you do &#8230; that is a good judge if you are on the right track to becoming semi/pro!<br />
Oh and make sure you really like working 12+hrs straight almost always on weekends &#8230; it&#8217;s not for everyone!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Nicole</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-64797</link>
		<dc:creator>Nicole</dc:creator>
		<pubDate>Sun, 13 Sep 2009 09:29:08 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-64797</guid>
		<description>Hi Everyone!  This is definitely a good starting point and though I definitely agree it is a rather stock standard borderline cliche list you have to start somewhere.  As a recent Bride and a professional wedding photographer I have several comments about what has been said.  First, I don&#039;t understand why brides pay $1000 for photographs that will outlast their great grandchildren but will spend $5000 on a catering bill for food that no one ever really enjoys.  There are a few select things from a wedding that stand the test of time - the bridal gown, the wedding bands and the photography ... invest in those and cheap out on the rest.  Personally I had a destination wedding in Venice and my photographer www.kathilittwin.com fees started at $5000 and worth every cent.  My gown ... custom couture from the Designer Loft in Manhattan.  Rich, god no ... just smart.  My entire wedding cost roughly $20k which is about the national average.
As as an aside, those $1000 photographers are never just $1000 ... most have set time limits, image limits, everything is a la carte, inferior/insufficient equipment, no actual fine arts education, limited experience and are usually amateur at best trying to make extra money to fund their hobby.  some have mentioned &quot;modern&quot; &quot;21 century&quot; photographers ... what are you?! Do you have a Kodak brownie box on a brass tripod?!  Photojournalistic is an aesthetic and a method, photographers who capture what is really happening as inconspicuously as possible ... it isn&#039;t just a batch of haphazard candids as so many pawn off on their clients.  It is photographing the day, the progression, the events as they unfold to you as a witness not a creator, your interpretation as an artist of the union of two people and the celebration that ensues.  You are a storyteller and that is why you pay a photographer a proper amount.  Personally I typically my charge $4250 ... I photograph the entirety of the day from the morning coffee to your grand exit, there is no limit on the number of images, I do not charge an additional fee based on the number or guests or for my assistant photographer, I am never late, I am always professional, I follow the ceremony and reception venues rules explicitly, I use professional quality equipment only, that price includes printed proofs or a private online gallery, I am insured and I arrived dressed appropriately based on the suggested attire {white tie, black tie, etc}, I studied photography at Pratt Institute and my assistant Rochester Institute of Technology, I have exhibited my personal work extensively, I photograph destination and traditional weddings and almost 75% of my non-wedding work are photographing newlyweds who are desperately seeking a great photo because they &quot;cheaped-out&quot; on their wedding photographer initially.  
Now here are the must have shots from the list that I agree with 100%:
#2 - is personally my favorite shot {also include her accessories, jewelry, shoes - I love detail shots}
#9 - although in my experience it is the Groom&#039;s Mother {I personally think there is never enough attention paid to the groom - especially photography wise.  I always make sure to photograph his detail shots especially since his watch or cuff links are usually a gift from someone special.
#18 - I love photographs of empty churches all decorated and ready for the Bride and I usually try to capture the first kiss from a higher vantage point for a panoramic shot while I have my assistant photograph the tighter cropped shot.
#19 - I completely disagree ... most of my brides love my photographs from behind them as they walk down the isle, but you have to hustle to get back to the front for when the Father and Groom exchange handshake/hug
#28 - this is a bit tedious and I think rather unnecessary.  I always ask the bride and groom or catering manager for the VIP table numbers and make sure to get those the rest I look for candids or interactions with the bride or groom only.  I do offer a &quot;photo booth&quot; that bride/grooms having larger weddings absolutely LOVE: I set up a DSLR on a tripod on automatic and leave a wireless remote - guests can snap away like a photo booth and I get some FANTASTIC portraits and candids so much better then putting crappy disposable cameras on the tables {so glad that horrid phase is winding down}
#30 - it is imperative at some point either after the ceremony or at some point at the reception to find a way to get the Bride &amp; Groom alone ... they always appreciate the down time &amp; you can get some fantastic portraits/candids {just be quick! they have a party to get back to - no more then 15 mins}
#43 - details, details, details!!!  I love macro photographs of flowers - the bouquet, boutonniere, centerpiece, etc {bring one of those tiny travel evian misters in your bag - make the flowers looks fantastic and if it is a hot day a good pick me up for you}

Here is some more unsolicited advice - always try to get candids of the parents and grandparents during the ceremony and reception ... the B/G want to see them enjoying themselves and will treasure those especially later in life.

Always try to capture that one moment where they bride finally lets go of the &quot;I&#039;m a bride persona&quot; and does something funny or goofy or endearing ... those real moments the groom wants to see.

Never photograph the Groom&#039;s mother crying at the ceremony especially if it is the ugly cry - the Bride will always take it the wrong way and you don&#039;t want to be responsible for WWIII but if the Groom&#039;s father is crying too or looks otherwise emotional then it is okay.

ALWAYS check with the ceremony and reception venue and ask to have a copy of their photographer&#039;s requirements - if there is something they restrict that is important discuss it with the venue first and see if that rule is firm and if it is then give the B/G a heads up so they understand how it will impact their photography.  Since some churches do not allow ANY photography during the ceremony and many do not allow flash or the photographer on the altar.  When I am faced with the no photography dilemma I make an appointment to speak with the officiant and discuss my &quot;method&quot; and usually I am able to persuade them to allow me to photograph from a balcony or last pew without flash - it isn&#039;t ideal, but I always manage to get some fantastic shots.  But under no circumstance break the rules - it is unprofessional.  Also if you are unfamiliar with a location or religion do some research.</description>
		<content:encoded><![CDATA[<p>Hi Everyone!  This is definitely a good starting point and though I definitely agree it is a rather stock standard borderline cliche list you have to start somewhere.  As a recent Bride and a professional wedding photographer I have several comments about what has been said.  First, I don&#8217;t understand why brides pay $1000 for photographs that will outlast their great grandchildren but will spend $5000 on a catering bill for food that no one ever really enjoys.  There are a few select things from a wedding that stand the test of time &#8211; the bridal gown, the wedding bands and the photography &#8230; invest in those and cheap out on the rest.  Personally I had a destination wedding in Venice and my photographer <a href="http://www.kathilittwin.com" rel="nofollow">http://www.kathilittwin.com</a> fees started at $5000 and worth every cent.  My gown &#8230; custom couture from the Designer Loft in Manhattan.  Rich, god no &#8230; just smart.  My entire wedding cost roughly $20k which is about the national average.<br />
As as an aside, those $1000 photographers are never just $1000 &#8230; most have set time limits, image limits, everything is a la carte, inferior/insufficient equipment, no actual fine arts education, limited experience and are usually amateur at best trying to make extra money to fund their hobby.  some have mentioned &#8220;modern&#8221; &#8220;21 century&#8221; photographers &#8230; what are you?! Do you have a Kodak brownie box on a brass tripod?!  Photojournalistic is an aesthetic and a method, photographers who capture what is really happening as inconspicuously as possible &#8230; it isn&#8217;t just a batch of haphazard candids as so many pawn off on their clients.  It is photographing the day, the progression, the events as they unfold to you as a witness not a creator, your interpretation as an artist of the union of two people and the celebration that ensues.  You are a storyteller and that is why you pay a photographer a proper amount.  Personally I typically my charge $4250 &#8230; I photograph the entirety of the day from the morning coffee to your grand exit, there is no limit on the number of images, I do not charge an additional fee based on the number or guests or for my assistant photographer, I am never late, I am always professional, I follow the ceremony and reception venues rules explicitly, I use professional quality equipment only, that price includes printed proofs or a private online gallery, I am insured and I arrived dressed appropriately based on the suggested attire {white tie, black tie, etc}, I studied photography at Pratt Institute and my assistant Rochester Institute of Technology, I have exhibited my personal work extensively, I photograph destination and traditional weddings and almost 75% of my non-wedding work are photographing newlyweds who are desperately seeking a great photo because they &#8220;cheaped-out&#8221; on their wedding photographer initially.<br />
Now here are the must have shots from the list that I agree with 100%:<br />
#2 &#8211; is personally my favorite shot {also include her accessories, jewelry, shoes &#8211; I love detail shots}<br />
#9 &#8211; although in my experience it is the Groom&#8217;s Mother {I personally think there is never enough attention paid to the groom &#8211; especially photography wise.  I always make sure to photograph his detail shots especially since his watch or cuff links are usually a gift from someone special.<br />
#18 &#8211; I love photographs of empty churches all decorated and ready for the Bride and I usually try to capture the first kiss from a higher vantage point for a panoramic shot while I have my assistant photograph the tighter cropped shot.<br />
#19 &#8211; I completely disagree &#8230; most of my brides love my photographs from behind them as they walk down the isle, but you have to hustle to get back to the front for when the Father and Groom exchange handshake/hug<br />
#28 &#8211; this is a bit tedious and I think rather unnecessary.  I always ask the bride and groom or catering manager for the VIP table numbers and make sure to get those the rest I look for candids or interactions with the bride or groom only.  I do offer a &#8220;photo booth&#8221; that bride/grooms having larger weddings absolutely LOVE: I set up a DSLR on a tripod on automatic and leave a wireless remote &#8211; guests can snap away like a photo booth and I get some FANTASTIC portraits and candids so much better then putting crappy disposable cameras on the tables {so glad that horrid phase is winding down}<br />
#30 &#8211; it is imperative at some point either after the ceremony or at some point at the reception to find a way to get the Bride &amp; Groom alone &#8230; they always appreciate the down time &amp; you can get some fantastic portraits/candids {just be quick! they have a party to get back to &#8211; no more then 15 mins}<br />
#43 &#8211; details, details, details!!!  I love macro photographs of flowers &#8211; the bouquet, boutonniere, centerpiece, etc {bring one of those tiny travel evian misters in your bag &#8211; make the flowers looks fantastic and if it is a hot day a good pick me up for you}</p>
<p>Here is some more unsolicited advice &#8211; always try to get candids of the parents and grandparents during the ceremony and reception &#8230; the B/G want to see them enjoying themselves and will treasure those especially later in life.</p>
<p>Always try to capture that one moment where they bride finally lets go of the &#8220;I&#8217;m a bride persona&#8221; and does something funny or goofy or endearing &#8230; those real moments the groom wants to see.</p>
<p>Never photograph the Groom&#8217;s mother crying at the ceremony especially if it is the ugly cry &#8211; the Bride will always take it the wrong way and you don&#8217;t want to be responsible for WWIII but if the Groom&#8217;s father is crying too or looks otherwise emotional then it is okay.</p>
<p>ALWAYS check with the ceremony and reception venue and ask to have a copy of their photographer&#8217;s requirements &#8211; if there is something they restrict that is important discuss it with the venue first and see if that rule is firm and if it is then give the B/G a heads up so they understand how it will impact their photography.  Since some churches do not allow ANY photography during the ceremony and many do not allow flash or the photographer on the altar.  When I am faced with the no photography dilemma I make an appointment to speak with the officiant and discuss my &#8220;method&#8221; and usually I am able to persuade them to allow me to photograph from a balcony or last pew without flash &#8211; it isn&#8217;t ideal, but I always manage to get some fantastic shots.  But under no circumstance break the rules &#8211; it is unprofessional.  Also if you are unfamiliar with a location or religion do some research.</p>
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	<item>
		<title>By: Lydia</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-60774</link>
		<dc:creator>Lydia</dc:creator>
		<pubDate>Sun, 09 Aug 2009 16:49:04 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-60774</guid>
		<description>Steve B is right about Uncle Joe. Whether your doing it for free or not, the bride and groom shouldn&#039;t just hire anyone to do their wedding, even if they are paying him nothing. 

A lesson for Joe is this: A photographer needs to know their equipment like the back of their hand. In my experience AND opinion, the best way to start into wedding photography is to shadow a professional photographer at their weddings. In other words, be a second shooter. Have your professional tutor you, listen to them, learn your equipment, and always always ALWAYS have extra batteries, memory cards, backups, and an extra camera on standby. If you can&#039;t find someone nice enough to do that for you, ( alot of photographers are pretty conceited) then you should research wedding photography to death before ruining someone&#039;s wedding. But I would never recommend jumping into it unless you know what your doing to an extent.</description>
		<content:encoded><![CDATA[<p>Steve B is right about Uncle Joe. Whether your doing it for free or not, the bride and groom shouldn&#8217;t just hire anyone to do their wedding, even if they are paying him nothing. </p>
<p>A lesson for Joe is this: A photographer needs to know their equipment like the back of their hand. In my experience AND opinion, the best way to start into wedding photography is to shadow a professional photographer at their weddings. In other words, be a second shooter. Have your professional tutor you, listen to them, learn your equipment, and always always ALWAYS have extra batteries, memory cards, backups, and an extra camera on standby. If you can&#8217;t find someone nice enough to do that for you, ( alot of photographers are pretty conceited) then you should research wedding photography to death before ruining someone&#8217;s wedding. But I would never recommend jumping into it unless you know what your doing to an extent.</p>
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		<title>By: Steve B</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-60443</link>
		<dc:creator>Steve B</dc:creator>
		<pubDate>Thu, 06 Aug 2009 16:33:45 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-60443</guid>
		<description>Student wedding photographers, take note: Even if you are doing a friend&#039;s wedding for free (there are no friends in business without a written contract/agreement) make sure you have a release of any liability if the wedding party is unhappy with the images. And also that your equipment doesn&#039;t fail or the flash cards become corrupted. Verbal agreements don&#039;t cut it with a judge. This is a worse case scenario, but it&#039;s best to be prepared if something does happen. That is why pro photographers buy insurance. And if aunt Jane trips over your tripod at the wedding or reception gets injured and sues, you will be liable. Judges are tough with photographers that can&#039;t present a wedding contract and are uninsured. Contact WPPI and talk to their insurance department about setting up a basic photographer&#039;s liability policy to cover your equipment and to prevent any possible lawsuits.

Read this
RE: Hire A Student Photographer For Your Wedding
By db (Guest Post)
NOT something I would do unless you really don&#039;t care about your photos AND can hire them for a few cents on the dollar. In small claims court, we see more lawsuits about wedding photographers than you can imagine. They aren&#039;t responsible for you being fat, having bad makeup/hairstyle or cheap/ugly clothing and decorations but these lawsuits abound.

A student is not a professional. Would you hire a student chef or a student dress designer??? With a higher than 50% divorce rate; people honestly may have no use for their wedding photos so it wouldn&#039;t matter in that case.

But if you want to record memories and need to be cheap about it, try giving out digital cameras for use or finding 2 or 3 friends who can take a bunch of your shots. See if friends can loan you cameras, etc. That way, all you would have to do would be buy the memory cards and can then pick and choose from hundreds of photos. Photo editing software is better than ever and you can do wonders on your own if you make the effort.

Once someone is paying to have a job done; they forget that they should only expect to get what they have paid for. The extreme anger and disappointment isn&#039;t worth saving a few dollars on what we hope is a once in a lifetime event.</description>
		<content:encoded><![CDATA[<p>Student wedding photographers, take note: Even if you are doing a friend&#8217;s wedding for free (there are no friends in business without a written contract/agreement) make sure you have a release of any liability if the wedding party is unhappy with the images. And also that your equipment doesn&#8217;t fail or the flash cards become corrupted. Verbal agreements don&#8217;t cut it with a judge. This is a worse case scenario, but it&#8217;s best to be prepared if something does happen. That is why pro photographers buy insurance. And if aunt Jane trips over your tripod at the wedding or reception gets injured and sues, you will be liable. Judges are tough with photographers that can&#8217;t present a wedding contract and are uninsured. Contact WPPI and talk to their insurance department about setting up a basic photographer&#8217;s liability policy to cover your equipment and to prevent any possible lawsuits.</p>
<p>Read this<br />
RE: Hire A Student Photographer For Your Wedding<br />
By db (Guest Post)<br />
NOT something I would do unless you really don&#8217;t care about your photos AND can hire them for a few cents on the dollar. In small claims court, we see more lawsuits about wedding photographers than you can imagine. They aren&#8217;t responsible for you being fat, having bad makeup/hairstyle or cheap/ugly clothing and decorations but these lawsuits abound.</p>
<p>A student is not a professional. Would you hire a student chef or a student dress designer??? With a higher than 50% divorce rate; people honestly may have no use for their wedding photos so it wouldn&#8217;t matter in that case.</p>
<p>But if you want to record memories and need to be cheap about it, try giving out digital cameras for use or finding 2 or 3 friends who can take a bunch of your shots. See if friends can loan you cameras, etc. That way, all you would have to do would be buy the memory cards and can then pick and choose from hundreds of photos. Photo editing software is better than ever and you can do wonders on your own if you make the effort.</p>
<p>Once someone is paying to have a job done; they forget that they should only expect to get what they have paid for. The extreme anger and disappointment isn&#8217;t worth saving a few dollars on what we hope is a once in a lifetime event.</p>
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		<title>By: Cynthia Sobkowich</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-60354</link>
		<dc:creator>Cynthia Sobkowich</dc:creator>
		<pubDate>Wed, 05 Aug 2009 17:27:59 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-60354</guid>
		<description>Very nice list and especially the bride swimming in her dress!   It&#039;s a great reminder for the rush of the day to keep in your bag as a check list.

Thanks!!

Cynthia</description>
		<content:encoded><![CDATA[<p>Very nice list and especially the bride swimming in her dress!   It&#8217;s a great reminder for the rush of the day to keep in your bag as a check list.</p>
<p>Thanks!!</p>
<p>Cynthia</p>
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	<item>
		<title>By: Elizabeth</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-60029</link>
		<dc:creator>Elizabeth</dc:creator>
		<pubDate>Tue, 04 Aug 2009 04:17:17 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-60029</guid>
		<description>Steve - I&#039;d have to disagree (to an extent). Wedding photographers have to start somewhere and for me, photographing my friends wedding in Oct. is the perfect start. She completely understands that I&#039;m not a pro, but I&#039;ve been taking shots here and there at friends weddings with some success (as an amateur). I&#039;ve been doing lots of research (ie. why I&#039;m here) and feel prepared to give her a set of memories that she&#039;ll be satisfied with knowing that I&#039;m not a pro. I think that the difference between me and Uncle Joe is the desire to do a great job. This a great starter list for me without being bound to it, but I fully anticipate finding many shots that are exclusive to their day. I do agree with you in the fact that if you get someone for free make sure you understand their level of actual skill outside of their camera.

Everyone has said enough to &quot;frustrated&quot;, but I&#039;d take $975 to photograph a wedding. :)

All in all, I don&#039;t aspire to be a wedding photographer, but I want to be good enough to help friends out and not have them feel like they&#039;ve &quot;skimped&quot;. I have my sights set on getting good at other areas, but want to be skilled all around.</description>
		<content:encoded><![CDATA[<p>Steve &#8211; I&#8217;d have to disagree (to an extent). Wedding photographers have to start somewhere and for me, photographing my friends wedding in Oct. is the perfect start. She completely understands that I&#8217;m not a pro, but I&#8217;ve been taking shots here and there at friends weddings with some success (as an amateur). I&#8217;ve been doing lots of research (ie. why I&#8217;m here) and feel prepared to give her a set of memories that she&#8217;ll be satisfied with knowing that I&#8217;m not a pro. I think that the difference between me and Uncle Joe is the desire to do a great job. This a great starter list for me without being bound to it, but I fully anticipate finding many shots that are exclusive to their day. I do agree with you in the fact that if you get someone for free make sure you understand their level of actual skill outside of their camera.</p>
<p>Everyone has said enough to &#8220;frustrated&#8221;, but I&#8217;d take $975 to photograph a wedding. :)</p>
<p>All in all, I don&#8217;t aspire to be a wedding photographer, but I want to be good enough to help friends out and not have them feel like they&#8217;ve &#8220;skimped&#8221;. I have my sights set on getting good at other areas, but want to be skilled all around.</p>
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	<item>
		<title>By: Rob Greer</title>
		<link>http://digital-photography-school.com/50-must-have-wedding-photography-shots/comment-page-2#comment-56506</link>
		<dc:creator>Rob Greer</dc:creator>
		<pubDate>Tue, 14 Jul 2009 16:22:08 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=4619#comment-56506</guid>
		<description>A list like this one is great if you&#039;re a beginning photographer and you don&#039;t know what you&#039;re supposed to  photograph at a wedding. That being said, if you&#039;re using a list like this one, you can be assured that you&#039;re probably not &quot;seeing&quot; (or photographing) all of the the important moments happening around you.</description>
		<content:encoded><![CDATA[<p>A list like this one is great if you&#8217;re a beginning photographer and you don&#8217;t know what you&#8217;re supposed to  photograph at a wedding. That being said, if you&#8217;re using a list like this one, you can be assured that you&#8217;re probably not &#8220;seeing&#8221; (or photographing) all of the the important moments happening around you.</p>
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